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Rendering the Unseeable

on Pardon Mapondera

Insight

A review by Vusumzi Nkomo

The Time of Waiting: Senzeni Marasela’s ‘Waiting for Gebane’

A feature by Misha Krynauw

Colouring Skin: On Tizta Berhanu, Thembinkosi Goniwe, and Dada Khanyisa

A feature by Ashraf Jamal

The Morality of Things: On Kendell Geers

A feature by Chad Rossouw

Epiphany and Fragments: Simphiwe Ndzube, Pamela Phatsimo Sunstrum and Athi-Patra Ruga

A review by Khumo Sebambo

The Magic of Her Kingdom: Cassi Namoda’s ‘To Live Long is to See Much’

A review by Vusumzi Nkomo

Carving Otherwise Futures: Jackson Hlungwani’s ‘Alt and Omega’

A review by Keely Shinners

The Catalyst, Not the Error: Mame-Diarra Niang’s ‘Call Me When You Get There’

A feature by Ashraf Jamal

Bad Education: Kemang Wa Lehulere

A feature by Nkgopoleng Moloi

Sitting Together in the Darkness: Lindokuhle Sobekwa, Covid and Anxiety

In Pictures

Art-Binge: Grad Show Edition 2020 [Rhodes and Ruth Prowse]

Art-Binge: Stellenbosch Triennale

Art-Binge: Grad Show Edition 2019 [Michaelis]

Art-Binge: Grad Show Edition 2019 [Wits and Rhodes]

In Brief

Linda Givon 1936 – 2020

Social Impact Arts Prize 2020: Awarded Projects Announced

Rest in Peace: Andrew Verster (1937 – 2020)

Iziko Staff Picket for Pay

Social Impact Arts Prize 2020 Finalists Announced

Social Impact Arts Prize Launched

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