ArtThrob
Navigation
Feature
Review
News
Archive
Where We’re Going
Shop
The Tension of Passing Time: Jabulani Dhlamini’s ‘Isisekelo’
The Centre of a Star Of Lines: Connor Cullinan’s ‘11.11’
The Inverted Funnel: James Webb’s ‘Three Dreams of the Sinking World’
Venice Biennale 2019: In conversation with curators Nkule Mabaso and Nomusa Makhubu
in pictures & video_
Art-Binge: Joburg, April 2019
By
Artthrob
May 6, 2019
Art-Binge: Joburg, March 2019
By
Artthrob
April 5, 2019
Art-Binge: Joburg, January/ February 2019
Art-Binge: Grad Show Edition 2018 [Stellenbosch and Michaelis]
Art-Binge: Grad Show Edition 2018 [Wits and Rhodes]
Art-Binge: Joburg, November/ December 2018
insight_
May Contain Trace Elements: Herman Mbamba and Cameron Platter’s ‘FR1000ID’
Intense Introspection, Uncanny Simplicity: Thandiwe Msebenzi and Bert Pauw at SMITH
Deadly Tranquility: Olivié Keck’s ‘Drop Dead Gorgeous’
Sculptural listening: ‘The Listening Room’
in brief_
From Our Archive: Remembering Okwui Enwezor
Venice Biennale 2019: South Africa Pavilion Curatorial Statement
Koyo Kouoh Appointed Executive Director And Chief Curator Of Zeitz MOCAA
South Africa Announces Artists and Curators For Venice Biennale 2019
where we're going_
Spotlight on Investec Cape Town Art Fair 2019
Investec Cape Town Art Fair: Reflections on 4 Years of Tomorrows/Today
Investec Cape Town Art Fair 2019 Announces TOMORROWS/TODAY Artists
Spotlight on FNB JoburgArtFair 2018
student reviews_
Student Review: Putting the Love in Revolution [MATING BIRDS Vol.2]
Student Review: The Art is Political [MATING BIRDS Vol.2]
Student Review: ‘PEER’ at SMAC Gallery
Student Review: Kiluanji Kia Henda’s ‘In the Days of a Dark Safari’
what we like_
Billie Zangewa Announced as Featured Artist for FNB Joburg Art Fair 2018
Keep Alzheimer’s and dementia at bay with art classes
Mary Sibande I Recipient of the Smithsonian African Arts Award
Warren Editions POP UP // JOBURG
