ArtThrob – Contemporary Art in South Africa

Freedom of Movement:

Navigating Language and Landscape

Insight

A review by Nolan Stevens

Between Folds & Forms: Usha Seejarim’s ‘Unfolding Servitude’ at Southern Guild

A review by David Mann

Unsettled landscapes: Simphiwe Ndzube’s ‘iNtwasahlobo’

A review by Nkgopoleng Moloi

Hosanna hodimo: ‘Faustus in Africa!’ by William Kentridge & Handspring Puppet Company...'

A review by Jelena Sofronijevic

Dreams & Revelations: Portia Zvavahera’s ‘Zvakazarurwa’ at Kettle’s Yard,...'

A review by Nkgopoleng Moloi

Anti-Contemporary: A round up of the 12th Investec Cape Town Art Fair

A review by Minna Dundas

Made with Love: ‘Follies in the Veld’ (FITV) at The Ramp

A review by Georgia Munnik

Scars of the Land: ‘Destruction, Resilience, Namaqualand’ at AVA Gallery

A review by Misha Krynauw

Sacred Threads: Igshaan Adams’ ‘Holy Terrain’ at blank projects

A review by Winnie Sze

For Dear Life: Penny Siopis’ retrospective at the National Museum of Contemporary Art in Athens

Things We Like

Best of 2023: Contributors’ picks

Editor’s Picks: FNB Art Joburg 2023

Editor’s Letter: 25 Years of Art Writing in South Africa

Student Reviews

Sonic guides: Tracey Rose’s ‘Shooting Down Babylon’

Frame & Reframe: Johannes Phokela’s ‘Only Sun in The Sky Knows How I Feel (A Lucid Dream)’

Exploration of the self: Georgina Gratrix’s ‘The Reunion’

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