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Banal and Celestial: Usha Seejarim’s ‘Transgressing Power’
Time consciousness, and the Trouble with a Black Aesthetic
Drowning and Denialism: Lady Skollie’s ‘Good & Evil’
Limits and Scales: Jo Ractliffe’s ‘Signs of Life’
insight_
Parallel Worlds, Partial Bodies: Michaela Younge’s ‘Nothing Bad’
By
M Thesen Law
June 10, 2019
Chicken and Egg: Maurice Mbikayi’s ‘Coucou Crumble’
By
Ashraf Jamal
June 7, 2019
Limits and Reveals: Ashley Walters’ ‘White City’
Interconnected Creation: Peter Eastman’s ‘Tangled Hierarchies’
Sacred shapes, transcendent paint: Portia Zvavahera’s ‘Talitha Cumi’
Making Art History: ‘IKHONO LASENATALI’ at KZNSA
in pictures & video_
Art-Binge: Joburg, April 2019
Art-Binge: Joburg, March 2019
Art-Binge: Joburg, January/ February 2019
Art-Binge: Grad Show Edition 2018 [Stellenbosch and Michaelis]
in brief_
From Our Archive: Remembering Okwui Enwezor
Venice Biennale 2019: South Africa Pavilion Curatorial Statement
Koyo Kouoh Appointed Executive Director And Chief Curator Of Zeitz MOCAA
South Africa Announces Artists and Curators For Venice Biennale 2019
where we're going_
Spotlight on Investec Cape Town Art Fair 2019
Investec Cape Town Art Fair: Reflections on 4 Years of Tomorrows/Today
Investec Cape Town Art Fair 2019 Announces TOMORROWS/TODAY Artists
Spotlight on FNB JoburgArtFair 2018
student reviews_
Student Review: Putting the Love in Revolution [MATING BIRDS Vol.2]
Student Review: The Art is Political [MATING BIRDS Vol.2]
Student Review: ‘PEER’ at SMAC Gallery
Student Review: Kiluanji Kia Henda’s ‘In the Days of a Dark Safari’
what we like_
Billie Zangewa Announced as Featured Artist for FNB Joburg Art Fair 2018
Keep Alzheimer’s and dementia at bay with art classes
Mary Sibande I Recipient of the Smithsonian African Arts Award
Warren Editions POP UP // JOBURG
