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‘Freedom is what has been on my mind the most’:

Kamyar Bineshtarigh reflects on the war in Iran

Insight

A feature by ArtThrob Editors

The Inaugural Cape Town Print Fair: An Interview with Breeze Yoko, Fair Director

A feature by ArtThrob Editors

A Practice of Freedom: Penny Siopis on her recent show, ‘Love in a Turning World’

A feature by ArtThrob Editors

Reflections on Iran: A Conversation with Sepideh Mehraban

A feature by Elize van Huyssteen

Women, mahangu and memories: a conversation with Tuli Mekondjo

A review by Nkgopoleng Moloi

Shadows of Decadence: The Investec Cape Town Art Fair 2026

A feature by Niamh Walsh-Vorster

Meeting in the Middle: Curatorial Practice in Durban

A feature by ArtThrob Editors

Beyond the Frame: Investec Cape Town Art Fair’s ‘Cabinet/Record’

A news item by ArtThrob Editors

Reserved Judgement: Gabrielle Goliath and Ingrid Masondo have their day in court

A feature by ArtThrob Editors

Echoes of Humanity: Investec Cape Town Art Fair’s SOLO section

Things We Like

Best of 2025: Contributors’ picks

Winter Warmers: Recommended Reading and Listening by our Contributors

Best of 2023: Contributors’ picks

Student Reviews

Ewww: Zama Cebsile Mwandla’s ‘Disgust, Fear and Hell’ at the KZNSA Gallery

Recalling: ‘Reflections of a Queen’ at AVA Gallery

After the Anthropocene: Stefan Raubenheimer’s ‘Remember This Land’ at AVA Gallery

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Design by Blackman Rossouw

Nontsikelelo Veleko, Kepi in Bree Street and Nono> from the 'Beauty is in the eye of the Beholder' series. Pigment inks on archival cotton rag paper, Each: 42 x 29 cm

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