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Overlaps and Organisms: Beth Diane Armstrong’s ‘in perpetuum’
The Songs We are Taught to Sing: Kemang Wa Lehulere’s ‘Bird Song’
Mthethwa Trial | Sentencing Transcript
In Between Spaces: In Conversation with Ângela Ferreira
where we're going_
Andrew Kayser at Kalashnikovv Gallery
By
Artthrob
July 19, 2017
Warhol Unscreened at WAM
By
Artthrob
July 18, 2017
Bianca Baldi at the Schirn Kunsthalle Frankfurt
Exhibition Openings at the AVA Gallery
Audrey Salmon at ROOM Gallery
5th & Krut, New York
what we like_
1:54 London 2017 | Announcing the Galleries
Call for applications | ROOM residencies
Open Call | Residency
AVA Gallery | Call for submissions
in pictures & video_
Art-Binge: Joburg, May/June 2017 Mega-binge
Art-Binge: Woodstock, June 2017
Art-Binge: Joburg, April 2017
Art-Binge: Joburg, March 2017
insight_
Defining Excellence: Jody Brand’s ‘You Can’t Keep a Good Woman Down’
Weights and Measures: Ruann Coleman’s ‘Certain Lengths’
Shadows on the Moon: Mounir Fatmi’s ‘Fragmented Memory’
Agency and Amor Fati: Michael MacGarry’s ‘Show No Pain’
in brief_
Venice Biennale | Part 3
Venice Biennale 2017 | Part 2
Venice Biennale 2017 | Part 1
Remembering Barend de Wet
in lite_
Sue Williamson’s Diary: Paris in the Springtime
Sue Williamson’s Diary: John Berger and the Apartheid Museum
Sue Williamson’s Diary: An interview with Okwui
Sue Williamson’s Diary: An interview with Camille Morineau
