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Fragile Forms:

Warren Maroon earns recognition with the Investec Emerging Artist Award

Insight

A feature by ArtThrob Editors

Beyond the Frame: Investec Cape Town Art Fair’s ‘Cabinet/Record’

A news item by ArtThrob Editors

Reserved Judgement: Gabrielle Goliath and Ingrid Masondo have their day in court

A feature by ArtThrob Editors

Echoes of Humanity: Investec Cape Town Art Fair’s SOLO section

A review by M Thesen Law

Understanding is the Proof of Error: ‘Notes on Paper’ at Lemkus gallery

A review by Athi Mongezeleli Joja

Resubjugating the Black Body: A Review of Steven Cohen’s ‘Magog’

A feature by ArtThrob Editors

Inspired by Children: Five Questions with Shade Director, Tamzyn Botha

A review by Luca Evans

The Dog Is Chasing Its Tail: Tshepo Sizwe Phokojoe’s ‘The Gods Must Be Crazy’

A review by Tiyani Rikhotso

Precarious Times: Svea Josephy’s ‘Cities of the Future – In the Past’

A review by Lukho Witbooi

Signposts to Personality: Sthenjwa Luthuli’s ‘Umkhangu/Birthmark’ at the Norval Foundation

Things We Like

Best of 2025: Contributors’ picks

Winter Warmers: Recommended Reading and Listening by our Contributors

Best of 2023: Contributors’ picks

Student Reviews

Ewww: Zama Cebsile Mwandla’s ‘Disgust, Fear and Hell’ at the KZNSA Gallery

Recalling: ‘Reflections of a Queen’ at AVA Gallery

After the Anthropocene: Stefan Raubenheimer’s ‘Remember This Land’ at AVA Gallery

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