ArtThrob
Navigation
Feature
Review
News
Archive
Where We’re Going
Shop
How to Remember. How to Mourn: Patrick Bongoy’s ‘Remains’
Solace and Whispers: Simphiwe Buthelezi’s ‘Lala La’
Back to The Future: ‘Still Here Tomorrow to High Five You Yesterday’ at Zeitz MOCAA
Found rather than created: Marinella Senatore’s ‘Bodies in Alliance / Politics of the Street’
in brief_
Venice Biennale 2019: South Africa Pavilion Curatorial Statement
By
Artthrob
March 11, 2019
Koyo Kouoh Appointed Executive Director And Chief Curator Of Zeitz MOCAA
By
Artthrob
March 11, 2019
South Africa Announces Artists and Curators For Venice Biennale 2019
Statement by Mohau Modisakeng and Nomonde Mdebuka
In Memory of Bruce Arnott 1938-2018
Call for Proposals: South African Pavilion at Venice Biennale 2019
insight_
Archaeology of an Absence: Bronwyn Katz’s ‘/ // ! ǂ’
Prepossessing the Future: Zana Masombuka’s ‘Time’
The Essence of Pan-African Arts at the Investec Cape Town Art Fair
Unwavering Versatility: Thania Petersen’s ‘IQRA’
where we're going_
Spotlight on Investec Cape Town Art Fair 2019
Investec Cape Town Art Fair: Reflections on 4 Years of Tomorrows/Today
Investec Cape Town Art Fair 2019 Announces TOMORROWS/TODAY Artists
Spotlight on FNB JoburgArtFair 2018
student reviews_
Student Review: Putting the Love in Revolution [MATING BIRDS Vol.2]
Student Review: The Art is Political [MATING BIRDS Vol.2]
Student Review: ‘PEER’ at SMAC Gallery
Student Review: Kiluanji Kia Henda’s ‘In the Days of a Dark Safari’
in pictures & video_
Art-Binge: Grad Show Edition 2018 [Stellenbosch and Michaelis]
Art-Binge: Grad Show Edition 2018 [Wits and Rhodes]
Art-Binge: Joburg, November/ December 2018
Art-Binge: Joburg, September/October 2018
what we like_
Billie Zangewa Announced as Featured Artist for FNB Joburg Art Fair 2018
Keep Alzheimer’s and dementia at bay with art classes
Mary Sibande I Recipient of the Smithsonian African Arts Award
Warren Editions POP UP // JOBURG
