ArtThrob – Contemporary Art in South Africa

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Zeitz MOCAA: The Way Forward

Uncanny Nostalgia: Igshaan Adams’ ‘When Dust Settles’

Partly here: Nourhan Maayouf’s ‘The Sea is Closed: Shallow Waters’

The Paradox of Max Wolpe

insight_

Hidden Soliloquys: Jabulani Dhlamini’s ‘iQhawekazi’

By Nolan Stevens

June 27, 2018

Thin Black Line: Blake Daniels and Dorothee Kreutzfeldt’s City Without a Sun

By Lucienne Bestall

June 26, 2018

Immersive Intelligence: Mary Sibande’s ‘A Crescendo Of Ecstasy’

Masterful Visceral: Lungiswa Gqunta’s ‘Qwitha’

Complicit Abstraction: Penny Siopis’ ‘This is a true story’

Connection in the Age of Connectivity: Dada Khanyisa’s ‘Bamb’iphone’

in brief_

Zeitz MOCAA Inquiry: Coetzee Attempted to Stop Disciplinary Action

David Goldblatt 1930-2018

Inquiry launched into professional conduct of Zeitz MOCAA Director

DAC drops the 2018 Venice Architecture Biennale

what we like_

Billie Zangewa Announced as Featured Artist for FNB Joburg Art Fair 2018

ArtThrob is hiring: Admin and Editions Manager

Keep Alzheimer’s and dementia at bay with art classes

Mary Sibande I Recipient of the Smithsonian African Arts Award

in pictures & video_

Art-Binge: Joburg, May 2018

Art-Binge: Joburg, April 2018

Art-Binge: Joburg, March 2018

Art-Binge: Joburg, February 2018

in lite_

Sue Williamson’s Diary: Remembering in Rwanda

Sue Williamson’s Diary: Finding Mafalala and Nowruz

Art collector scours Joburg for space large enough to house personal African Art collection, and ego

Sue Williamson’s Diary: Ten Days in Delhi

where we're going_

Abri de Swardt | Ridder Thirst at POOL

Photograph by Evans Mathibe (Grahamstown)

Moving Bodies Workshop at WAM

Deborah Poynton, The Echoing Green, 2018. Oil on canvas, 230 x 190 cm

Deborah Poynton at Stevenson

InterseXion at Iziko South African National Gallery