Archive: Issue No. 110, October 2006

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Ruth Sacks

Ruth Sacks

Ruth Sacks

Stuffed pigeon, 2005
Taxidermied pigeon

Ruth Sacks

Onesizefitsall 2005
Found objects, superglue
Turin

Ruth Sacks

Consolation Trophies, 2004
Engraved found objects

Ruth Sacks

Consolation Trophies (det) 2004

Ruth Sacks

High Tea at the Plaza 2006
Performance

Ruth Sacks

High Tea at the Plaza (det)

Ruth Sacks

You can't have your cake and eat it too, 2004
Found objects, scented wax and resin

Ruth Sacks

Don't Panic 2005
Photographic documentation of skywrite

Ruth Sacks

Don't Panic 2005
Photographic documentation of skywrite

Ruth Sacks

Dance dance revolution 2005
Video arcade machine
Installation at Joao Ferreira Gallery

Ruth Sacks

We are relying on your support, 2004
Cleaning materials
Installation at Johannesburg Art Gallery
 


Ruth Sacks
by Sue Williamson (October, 2006)

MODUS OPERANDI

Ruth Sacks is the eye of the camera that sweeps over her immediate environment, picking up details and making small modifications and interventions to bring about a slight change in the consciousness of those who register the alteration as it blips across their radar.

Such an intervention might have an absurd side to it. Says actress Tatu, 'Most people know the number of a good dentist. Ruth knows the number of a good taxidermist.'� Sacks' overly stuffed pigeons became the Pamela Andersons of the avian world, a pouting surprise to those who spotted them in odd spots around Cape Town.

In� onesizefitsall, the tops of plastic sandals were separated from their soles, and superglued to the ground in public places in different cities, humble monuments to daily human traffic � or perhaps an invitation to slip one�s feet into a pair, and anchor oneself to that particular piece of earth.

Often playful and witty, sometimes acerbic, Sacks' projects have, on occasion, also demonstrated a gentleness of spirit and a concern for her fellow human beings.� Her piece for the Brett Kebble Awards 2004, was an array of small silver cup trophies, one for each participant. Each was engraved with a message, such as I LIKED YOURS BEST or DON'T TAKE IT PERSONALLY. After the awards show, these were sent out to participating artists. The name of the piece was Consolation Trophies.

On Heritage Day in September this year, Sacks invited passers by to High Tea at the Plaza � the plaza in question being a public space near the city centre. A large cake with a map of the world was the centerpiece, and members of the audience could nominate which country they would like to have as their piece of cake.

High Tea harked back in form if not in spirit to one of Sacks� earlier pieces from a previous body of work. For You can�t have your cake and eat it too (2003), the artist coated found objects in scented wax and resin, rendering them inedible as she transformed them into exquisite small decorative objects.� It should be noted that language and wordplay are important elements in Sacks� output.

ARTIST'S STATEMENT

'Essentially I just try to make people look a little harder at their surroundings � I like to insert idiosyncrasies or unusual things in day to day life. That's a statement you hear a lot in contemporary art but when you come from a specific experience of living in Cape Town, you bring a particular perspective into the genre - making interventions, using found objects, not having a medium.

'All my recent works have been ephemeral, but after this body of work I'll go off and make something completely different. The themes always remain the same.

'It's the context that's important.'

CURRENTLY

Sacks was recently announced as the ABSA Atelier winner for 2006 - one of� the art calendar's most desirable awards for young artists, carrying with it an air ticket to Paris, accommodation at the Cité des Artes for six months, and enough money to live and work during that time.

The prize was awarded for Sacks' documentation of one of her most ambitious and memorable projects - a skywrite which took place on Human Rights Day in 2005.� In letters that were two kilometers long, a pilot wrote DOnT PAniC across the sky above Cape Town, a message that could be read all the way out to the northern suburbs.

Sacks had not instructed the pilot on the matter of typeface, and when the letters came out in a mixture of upper and lower case, the message seemed to take on the character of a holdup note as much as one of those placebo reassurances issued by governments in movies in which the world is under attack by aliens.

The DOnT blew away quite quickly but PAniC hung in the air quite a long time, allowing Sacks and her martini-sipping guests to enjoy its artistry at length, while the general sky-gazing populace wondered a tad anxiously what it all meant.

BEFORE THAT

At the opening of her solo show 'When the Inside Stays Inside' at the João Ferreira Gallery in Cape Town last year, Sacks installed an arcade game entitled Dance Dance Revolution for visitors in which one had to stand on a platform of the Japanese made machinery and follow rapid dance steps shown on a screen to score - a nod to the global language of dance culture.� Of the show in general, which also marshalled documentation of several Sacks' projects into a gallery setting, ArtThrob reviewer Linda Stupart said� '(it) prods tentatively at the boundaries of the personal, public, political and the mundane.'

AND BEFORE THAT

For a show entitled 'Negotiate' at the Johannesburg Art Gallery in 2004, Sacks set out a bucket and cleaning materials, with a printed notice inviting gallery goers to 'Please assist with cleaning using the materials and equipment provided. We are relying on your support. Thank you'.

NEXT UP

'In the next month I'm doing a monument out of concrete - just off the Grand Parade ... a monument to (Cape Town activist) Cissie Gool commissioned by the Sunday Times 100 Years of Stories project.� It will be a series of� 24 different sized bollards, and incised into each one will be an action taken by Cissie Gool, like getting a payrise for dentists. Little changes.� The bollards will be like stepping stones for kids to walk on, or seats. Cissie Gool was extremely practical.'

Along with artists Kendell Geers, Robin Rhode, and Gauteng performer Johan Thom, Sacks has been invited to participate in the 1st Biennale of Architecture and Landscape of the Canary Islands which opens on November 27 under the curatorship of Antonio Zaya.� The event will take place at Tenerife, and Sacks has been allocated Los Lavaderos, the Old Washouse, as a venue. Her brief was to make a site specific work in the space.

Unable to find out much about the history of the building, Sacks decided that the site specificity was the whole group of islands, and planned a piece that will take� on the politics of the whole area.� Zaya's curatorial essay talks of the enormous amounts of immigrants from Africa that pour into the area en route to Europe and are deported back again after being kept in inhumane conditions.

Sacks decided to focus on their plight and increase the discomfort level of residents in the area by attaching very powerful naval issue search lights with an automatic pan on to Los Lavaderos so that the immediate area will be under surveillance at nighttime and visible from far away.

And then... April in Paris. Learning how to tango.� Embarking on a classically doomed love affair.

CURRICULUM VITAE

Born in Port Elizabeth in 1977, lives and works in Cape Town.

Email: ruthsacks@gmail.com

SELECTED EXHIBITIONS AND PROJECTS

2006
1st Architecture, Art and Landscape Biennial of the Canaries, Los Lavaderos, Tenerife: Group show.
The Cape Town Biennale 2006 at blank projects, blank projects, Cape Town: group show.
inHERITAGE, University of Cape Town, group show� (cat).
Liste 06: The young art fair in Basel, group show with João Ferreira Fine Art (cat).
ABSA L'Atellier Exhibition, Bellville Arts Centre, Cape Town,ABSA Gallery, Johannesburg: group show (cat).

2005
Absolut Finale, AVA, Cape Town: group show.
International Film Screening, Senator Park, Cape Town: public intervention
Black and White Poster Project, Dirt Contemporary Art Space, Cape Town: group show (cat).
When the Inside Stays Inside, João Ferreira Fine Art, Cape Town: solo show (cat).
Printtttt, AVA, Cape Town: group show.
Don't Panic, Cape Town: public intervention: skywrite.

2004
Brett Kebble Art Awards exhibition, Convention Centre
Cape Town: group show�(cat).
A Winner in Hawaii II, Collaboration with Asha Zero, Outlet Gallery, Pretoria: group show.
Absolut Moment, AVA, Cape Town: group show.
Negotiate, Johannesburg Art Gallery: group show.

2003
Works in Wax & Plastic, João Ferreira Fine Art, Cape Town: solo show.
SASOL Wax in Art competition exhibition, WAM festival, Sasolburg: group show (cat).

2002
Confectionary, Columbia Road flower market (Marcos & Trump), London: public intervention.

2000
ABSA L'Atellier Exhibition, Bellville Arts Centre, Cape Town, ABSA Gallery, Johannesburg: group show (cat).

RESIDENCIES

2008
Three month residency at the iaab international exchange program, Basel. Sponsored by Pro Helvetia.

2007
Six month residency at the Cit� Internationale des Arts, Paris. Sponsored by the Absa L'Atelier competition.

WORK EXPERIENCE

2006
Cape Town Co-ordinator for the Trienal de Luanda, Angola

2004 - 2005
Part time lecturer at the Michaelis School of Fine Art, University of Cape Town and at the Ruth Prowse School of Fine Art.

2003 - 2004
Project Administrator for Iziko Museums of Cape Town's Democracy X exhibition at the Castle of Good Hope.

EDUCATION

2004
Currently enrolled in the Masters in Fine Art program at the Michaelis School of Fine Art, University of Cape Town, SA.

COLLECTIONS

Sindika Dokolo African Collection of Contemporary Art Pierre Lombard Collection of Contemporary South African Art Johannesburg Art Gallery
 


ARTBIO

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Alan Alborough
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Jane Alexander
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Siemon Allen
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Bridget Baker
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Willie Bester
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Ralph Borland
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Willem Boshoff
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Conrad Botes
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Andries Botha
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Wim Botha
(April 2003)


Kevin Brand
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Candice Breitz
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Lisa Brice
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Jean Brundrit
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Angela Buckland
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Pitso Chinzima
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Marco Cianfanelli
(Aug 2002)


Julia Rosa Clark
(July 2005)


Peter Clarke
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Steven Cohen
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Keith Deitrich
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Paul Edmunds
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Leora Farber
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Bronwen Findlay
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Bronwen Findlay
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Tracy Lindner Gander
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Kendell Geers
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Linda Givon
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David Goldblatt
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Thembinkosi Goniwe
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Frances Goodman
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Brad Hammond
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Randolph Hartzenberg
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Kay Hassan
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Matthew Hindley
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Nicholas Hlobo
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Stephen Hobbs
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Robert Hodgins
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Pieter Hugo
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William Kentridge
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Isaac Khanyile
(Nov 2001)


David Koloane
(July 2003)


Dorothee Kreutzfeld
(Jan 2000)


Terry Kurgan
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Moshekwa Langa
(Feb 1999)


Chris Ledochowski
(June 2003)


Kim Lieberman
(May 2003)


Mandla Mabila
(Aug 2001)


Churchill Madikida
(May 2004)


Veronique Malherbe
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Mustafa Maluka
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Thando Mama
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Senzeni Marasela
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Colbert Mashile
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Brent Meistre
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Santu Mofokeng
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Zwelethu Mthethwa
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Samson Mudzunga
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Thomas Mulcaire
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Brett Murray
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Hylton Nel
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Sam Nhlengethwa
(Oct 2003)


Walter Oltmann
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Jay Pather
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Malcolm Payne
(Nov 2002)


Tracy Payne
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Peet Pienaar
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Jo Ractliffe
(Mar 1999)


Robin Rhode
(Nov 1999)


Colin Richards
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Tracey Rose
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Claudette Schreuders
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Berni Searle
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Berni Searle
(Jan 2003)


Usha Seejarim
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Penny Siopis
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Cecil Skotnes
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Kathryn Smith
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Dave Southwood
(March 2002)


Doreen Southwood
(Sept 2002)


Nathaniel Stern
(Feb 20006)


Greg Streak
(Feb 2001)


Guy Tillim
(Jan 2005)


Clive van den Berg
(Nov 1998)


Hentie van der Merwe
(Mar 2000)


Strijdom van der Merwe
(Jan 2002)


Storm Janse van Rensburg
(June 2005)


Minnette Vári
(Feb 1998)


Diane Victor
(Feb 2003)


Vuyile Voyiya
(Aug 2005)


Jeremy Wafer
(Nov 2000)


James Webb
(Aug 2004)


Sue Williamson
(Nov 2003)


Ed Young
(Nov 2005)

 
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