Alfredo Jaar

Listings(s)

'Surfacing'

'Surfacing' is a group exhibition which allows for an exploration of the transient space between destruction and (re)construction. The exhibition aims to bring to light the fragments and residues that remain after destruction, and linger beneath a new form. In the preface to the 1961 edition of Frantz Fanon’s 'The Wretched of the Earth', Jean-Paul Sartre writes “violence is man re-creating himself.”  Although Sartre speaks of violence as a necessity for overthrowing colonial power, “no gentleness can efface the marks of violence; only violence itself can destroy them.” This exhibition understands Sartre’s notion to address culpability, selfhood and violence and trauma involved in the process of becoming, scrutinizing and (re)creating.

22 March 2014 - 19 April 2014

'Gold in the Morning'

In the wake of Marikana and at a time in our history when South Africa is intensely focused on the mining industry and its workers, Goodman Gallery Johannesburg presents an exhibition of two distinct bodies of work by two eminent artists, each concerned with this subject matter. 'On the Mines' and 'Gold in the Morning', by David Goldblatt and Alfredo Jaar respectively, are works focusing on mines and those who work in them. The arresting images of these renowned photographers are brought together in a joint exhibition, which represents industry and humanity in equal measures.

Serra Pelada is an opencast mine, a prodigious pit dug by human hands, the result of a massive influx of self-employed miners to a remote part of northeastern Brazil.  The promise of gold lured more than 80 000 garimpeiros from their homes and families, to a life of arduous labour in hazardous conditions. In 1985 Chilean artist Alfredo Jaar traveled to Serra Pelada, and over the course of weeks, he documented these miners and their backbreaking work in the mammoth crater.  It was on these bare, muddy, terraced slopes that Jaar photographed and filmed what was to become 'Gold in the Morning'.

The resulting images are a stark portrayal of Promethean repetition; the treacherous, daily descent of the men down the slippery walls and the clambering back up, laden with sacks of sodden earth. Beyond the graphic representation of their toils, the works reveal the humanity of the miners and their suffering. Jaar provides a portal into a hidden and unfamiliar place, dramatic in its scale and topography. In giving 'visibility to those our world denies it to', Jaar invites us to examine the social, cultural and political motivations for their labour. This illuminated installation counterbalances the great, faceless demand of the industrialised world with a profusion of faces: the faces of those, in the developing world, who supply. Jaar is known for his uncompromisingly frank documentary imagery, as well as his public interventions.  He describes himself as a project artist, preferring to spend extended periods in the field, rather than being sequestered in a studio. He explains, “I do not create my works in the studio.  I wouldn’t know what to do.  I do not stare at a blank page of paper and start inventing a world coming only from my imagination. Every work is a response to a real-life event, a real life situation.”
 
'Gold in the Morning', presented by the Goodman Gallery Johannesburg, is Jaar’s first major solo show in South Africa. The series was first exhibited at the Venice Biennale in 1986 and subsequently at museums around the world, including the Whitechapel in London and the Centre Pompidou in Paris. In its latest incarnation, 'Gold in the Morning' will be comprised of a selection of ten large-scale light boxes.

27 November 2012 - 14 December 2012