Sam Nhlengethwa

Listings(s)

'Kind of Blue'

Sam Nhlengethwa at Goodman Gallery

This exhibition celebrates the recent 50th anniversary of jazz legend Miles Davis's iconic 1959 album 'Kind of Blue'. Jazz pundits recognise this album for changing the face of jazz in the 20th century, and, for Nhlengethwa, the album greatly influenced the local jazz culture which has played such an important role in his work. For decades jazz imagery has featured in Nhelngethwa's work, and from now onwards, the artist says, he will move away from jazz themes in search of new terrain.

Don't miss the opening of 'Kind of Blue' on August 26 at 6pm.

26 August 2010 - 29 September 2010

12th International Cairo Biennial

Sam Nhlengethwa, Joel Andrianomearisoa, Marco Cianfanelli, Mikhael Subotzky and Patrick Waterhouse and Kudzanai Chiurai at Various Venues around Cairo

Since its inception in 1984, the Cairo Biennale has been considered one of the most important cultural events in the Middle East. Conceived and initially designed to explore contemporary art in the Arab world, the concepts of the successive artistic directors expanded the interest to the global international arena. The biennale is produced by the fine arts sector of the Egyptian ministry of culture, and the exhibition is spread over the entirety of all public spaces managed by the sector.

12 December 2010 - 12 February 2011

'Impressions of Rorke’s Drift – the Jumuna Collection'

Kay Hassan, Sam Nhlengethwa, John Muafangejo, Azaria Mbatha, Lionel Davis and Others at Ntsikana Gallery ‘The importance of Rorke’s Drift cannot be under estimated. The Rorke’s Drift Art and Crafts School was one of the only places in South Africa that Black artists could study and practice art during the apartheid period. At a difficult time in our history, men and women were given a creative platform, instilling in them confidence and a sense of community, establishing a legacy for the growth of democracy and freedom within the nation today.’– Thembinkosi Goniwe

Impressions of Rorke’s Drift – The Jumuna Collection draws on works from the Jumuna Family collection to look at the legacy of the iconic Rorke’s Drift Arts and Craft Centre. The exhibition showcases over 100 pieces from 17 artists and is made possible through support from the National Lottery Distribution Trust Fund (NLDTF).

Situated on the battlefield of Rorke’s Drift (1879) a historical site of the Anglo Zulu War, the significance of The Rorke’s Drift Art and Craft Centre lies in its prints, which have made an enormous contribution to South African art. The original ‘Evangelical Lutheran Church Art and Craft Centre’ was established by Swedish missionaries Peder and Ulla Gowenius in 1962, and gave a voice to many talented artists who would otherwise have been denied the opportunity to further
their craft.

Many alumni of The Rorke’s Drift Art and Craft Centre went on to have significant careers, including artists such as Sam Nhlengethwa, Pat Mautloa, John Muafangejo, Kay Hassan, Dumisani Mabaso, Bongiwe Dhlomo, Azaria Mbatha, Paul Sibisi, Lionel Davis and Sandile Zulu. Regrettably, no formal archive or permanent exhibition of the work from Rorke’s Drift exists, but the Jumuna Family has been collecting pieces made in the Rorke’s Drift Art and Craft Centre since the 1960s and has graciously made the collection available for this exhibition.

Presented by the National Arts Festival in association with Kizo Art Consultants.

 

03 July 2014 - 13 July 2014

‘Impressions of Rorke’s Drift - The Jumuna Collection’

Kay Hassan, Sam Nhlengethwa, John Muafangejo, Azaria Mbatha, Lionel Davis and Others at Iziko South African National Gallery

Iziko Museums of South Africa will host an exhibition entitled: ‘Impressions of Rorke’s Drift - The Jumuna Collection’ at the Iziko South African National Gallery (ISANG) from 23 July until 2 November 2014.

Curated by Thembinkosi Goniwe, the exhibition includes over 100 works (comprising mainly prints) from 17 artists, who studied atthe renowned Evangelical Lutheran Church Art and Craft Centre (known as Rorke’s Drift)in KwaZulu-Natal, South Africa. In conversation with those of the Jumuna Collectionare artworks drawn from ISANG’s Permanent Collection.

The centre operated for a mere 20 years (1962—1982), but had a major impact on South African contemporary art. Some of the country’s most influential artists emerged from Rorke’s Drift, including Sam Nhlengethwa, Pat Mautloa, John Muafangejo, Kay Hassan, Dumisani Mabaso, Bongiwe Dhlomo, Azaria Mbatha, Paul Sibisi, Lionel Davis and Sandile Zulu, among others. No complete archive of the phenomenal output of the centre’s artists exists outside of this collection, making it invaluable to the art world.

The Jumuna family have been collecting artworks virtually since the start of the centre in 1962. The exhibition is drawn entirely from the Jumuna family’s private collection. ‘Impressions of Rorke’s Drift’ offers the chance to see a substantial body of work characterising the Rorke’s Drift legacy, with a view to stimulating discussion on the impact and importance that printing has had on South African art.
'As we celebrate 20 years of democracy, showcasing our artistic and cultural heritage is an important narrative to share. Museums play a key role in development through education and democratisation, while also serving as witnesses of the past; and are guardians of humanity’s treasures for future generations of not only this country, but the world. South Africans from all walks of life have a responsibility to respect and acknowledge the past, celebrate the present and build the future together. It is an honour for Iziko Museums of South Africa to host this exhibition at the Iziko South African National Gallery,' says Rooksana Omar, CEO, Iziko.

ISANG showed an early interest in the Rorke’s Drift Art and Craft Centre, with works by several Rorke’s Drift artists entering the Permanent Collection in the late 1960s and early 1970s. Subsequent acquisitions and bequests have contributed to what is today a significant collection of prints by artists associated with the centre. The curatorial selection here celebrates the work of four key artists: Azaria Mbatha, Eric Mbatha, Dan Rakgoathe and Cyprian Shilakoe.

‘The importance of print rests on its multiplicity: an accessible creative form for art and artists, economic viability and affordability, and reproducibility for circulation to a wider audience. Significantly too, print has a provocative expression when treated imaginatively and skilfully; and these are some of the qualities most evident in the works of black artists from Rorke’s Drift. In fact, the work produced through the Rorke’s Drift Art and Craft Centre is testimony to the legacy made possible by artistic works of black South African artists – most of whom are yet to be recognised, celebrated and rewarded, not to mention researched and taught in our educational syllabi from primary to secondary to tertiary level,’ says curator, Thembinkosi Goniwe.

This exhibition was made possible by sponsorship from the National Lottery Distribution Trust Fund. It arrives in Cape Town off the back of successful showings at the Durban Art Gallery, Museum Africa in Johannesburg, and the National Arts Festival in Grahamstown.

For more information, visit www.iziko.org.zaor www.kizo.co.za.  For more information on Rorke’s Drift Art and Craft Centre, visit www.centre-rorkesdrift.com.

23 July 2014 - 02 November 2014

'Some Final Tributes'

Sam Nhlengethwa at Goodman Gallery

In his third (and final) tribute show Sam Nhlengethwa portrays the imagery of famous artists who have made an impression on him, and whose work places before us questions about progress and the limits of representation.

Tributes are paid to four deceased artists who collided with the mores and values of their times, and whose work continues to inspire others beyond borders of geography or duration: Ephraim Ngatane, Romare Bearden, Jean-Michel Basquiat and Henri Matisse.

A fifth name is added, completing the tribute. The sole living artist is David Goldblatt who, in his photography, has often explored the mining locations of the East Rand, the very region where Nhlengethwa was born, and still lives today.

Each artist’s oeuvre is exhibited in a suggestive milieu – an imagined space void of people where the work-as-tribute is the primary figurative suggestion. Nhlengethwa wants us to see these great works his way. Elsewhere he has spoken of endeavouring to understand the 'mental space' of these iconic artists through placing their works in environments composed in his distinctive style.

'In doing these tributes and in doing the interiors I am taken down memory lane to a time when I was a set designer in broadcasting,' Nhlengethwa says. 'Because there we were dealing with space – vacated space. So the tributes are just like that empty space, but they get some sense of vibrancy with the hanging paintings of these specific individuals.'

11 September 2014 - 04 October 2014