Georgia Munnik
No Archive Will Restore You: ‘Time goes bye’ at The Ramp
Sensorial Communion: POOL’s ‘The Art of Bees and Gardens’
Sumptuous Materiality: Jeanne Gaigher’s ‘group-psyche’
As above, so below: Billy Langa at ‘Soil Conversations’
Conversations with terra: Io Makandal’s ‘Frondescent’
Wonders about the weight of Sundays: Dorothee Kreutzfeldt’s ‘the secret harpist’
A hydrocommons for longing: Passages at Church Projects
Monstrous Elasticity: Ruth Sacks’ ‘The Remaindering’
For the haunt: Chanelle Adams’ Ghost Tour of Camphor Avenue
Pulling Forces: Antonia Brown and Matheline Marmy
Viscous Porosity: Lukhanyo Mdingi & Jeanne Gaigher’s BRIDGES COLLECTION
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