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Georgia Munnik

A review by Georgia Munnik

Scars of the Land: ‘Destruction, Resilience, Namaqualand’ at AVA Gallery

A review by Georgia Munnik

Echoes of the Past: Untold Intimacies in ‘Seasons of Longing’ Film

A review by Georgia Munnik

No Archive Will Restore You: ‘Time goes bye’ at The Ramp

A feature by Georgia Munnik

Sensorial Communion: POOL’s ‘The Art of Bees and Gardens’

A review by Georgia Munnik

Sumptuous Materiality: Jeanne Gaigher’s ‘group-psyche’

A review by Georgia Munnik

As above, so below: Billy Langa at ‘Soil Conversations’

A review by Georgia Munnik

Conversations with terra: Io Makandal’s ‘Frondescent’

A review by Georgia Munnik

Wonders about the weight of Sundays: Dorothee Kreutzfeldt’s ‘the secret harpist’

A feature by Georgia Munnik

A hydrocommons for longing: Passages at Church Projects

A review by Georgia Munnik

Monstrous Elasticity: Ruth Sacks’ ‘The Remaindering’

A review by Georgia Munnik

For the haunt: Chanelle Adams’ Ghost Tour of Camphor Avenue

A review by Georgia Munnik

Pulling Forces: Antonia Brown and Matheline Marmy

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Cameron Platter, Sex Slaves. Silkscreen on archival cotton rag paper, 66.5 x 50.5 cm

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