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Isabella Kuijers

A feature by Isabella Kuijers

Frieze is a lot: 2022 roundup

A review by Isabella Kuijers

Images of shared history: ‘Photo book! Photo-book! Photobook!’ at A4

A review by Isabella Kuijers

All artworks are vessels: ‘Falling Awake’ by Reservoir

A review by Isabella Kuijers

Desire Lines: Igshaan Adams’ ‘Kicking Dust’ at Hayward Gallery

A review by Isabella Kuijers

As we were in company: ‘Mixed Company’ at Norval Foundation

A review by Isabella Kuijers

A Hero’s Journey: Pamela Phatsimo Sunstrum’s ‘Battlecry’

A review by Isabella Kuijers

Suppress the face and head: On self-portraits, Georgina Gratrix and Shane Malone

A feature by Isabella Kuijers

Sympathetic Magic: On James Webb and Donna Kukama

A review by Isabella Kuijers

Network Not Hierarchy: Otobong Nkanga’s ‘Acts at the Crossroads’

A review by Isabella Kuijers

Listening to Paintings: Misheck Masamvu’s ‘Hata’

A review by Isabella Kuijers

Strength and Opacity: ‘The stronger we become’ at the 58th Venice Biennale

A review by Isabella Kuijers

May Contain Trace Elements: Herman Mbamba and Cameron Platter’s ‘FR1000ID’

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