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Keely Shinners

A review by Keely Shinners

The Kids Are Alright: Grad Show Roundup 2024

A review by Keely Shinners

Mutants, Matronae and Monsters: Pélagie Gbaguidi’s ‘The Colours are the Bark’

A review by Keely Shinners

Perennial Bloomer: Hylton Nel’s ‘Things Made Over Time’ at Stevenson

A review by Keely Shinners

Lump in the bed: Gerda Scheepers’ ‘MOTHER BROTHER’

A review by Keely Shinners

Encroaching on Eden: Spier Light Art 2024

A news item by Keely Shinners

Contradictions of Looking: A (Final) Letter from the Editor

A review by Keely Shinners

Return to the body: 35th São Paulo Bienal – choreographies of the impossible

A story by Keely Shinners

Editor’s Picks: FNB Art Joburg 2023

A feature by Keely Shinners

Q&A with FNB Art Prize winner: Lindokuhle Sobekwa

A feature by Keely Shinners

In praise of studio visits: FEDE’s ‘Open Studio’

A story by Keely Shinners

Editor’s Letter: 25 Years of Art Writing in South Africa

A feature by Keely Shinners

FNB Art Joburg: An Editor’s Diary

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