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Keely Shinners

A feature by Keely Shinners

FNB Art Joburg: An Editor’s Diary

A story by Keely Shinners

Spotlight on FNB Art Joburg: Editor’s picks

A feature by Keely Shinners

Cape Town Art Fair: An Editor’s Diary

A feature by Keely Shinners

Images in Communion: A Letter from the Editor

A review by Keely Shinners

Family albums: Lorraine Kalassa & Sitaara Stodel

A review by Keely Shinners

Caught in a Boundary: Wim Botha’s ‘The River’

A review by Keely Shinners

An enclosure and an opening: Jeanne Gaigher’s ‘tango’

A review by Keely Shinners

The Catalyst, Not the Error: Mame-Diarra Niang’s ‘Call Me When You Get There’

A review by Keely Shinners

What Grows: Io Makandal’s ‘Terra Visions’

A review by Keely Shinners

Let’s have a toast for the douche bags: Ed Young’s ‘I CAN SEE YOUR HOUSE FROM HERE’

A review by Keely Shinners

What’s been left behind: ‘Farewell to good good friends’ at SMITH

A review by Keely Shinners

As below, so above: ‘Shaping Things’ at SMAC

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Copyright © 2020 • ArtThrob

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Claudette Schreuders, The Bystander 2. Lithographic print on cotton rag paper, 38 x 55.5 cm

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