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Lloyd Pollak

A review by Lloyd Pollak

Romance and Plasticine: Mia Darling’s ‘Things to Hide Behind’

A feature by Lloyd Pollak

The Paradox of Max Wolpe

Fanie Buys, Anyway this is Wonderwall, 2017. Oil on canvas
A review by Lloyd Pollak

Funny Not Funny: Fanie Buys’ ‘This Man’

Pierre Fouché, Histeries, 2017. Encaustic on wood laminate
A review by Isabella Kuijers & Lloyd Pollak

Movement Ensnared: Pierre Fouché’s ‘Vreesaanjaende Verligting’

Jody Paulsen Pushing Thirty, 2016. Felt collage
A review by Lloyd Pollak

A Sisyphean Push: Jody Paulsen’s ‘Pushing Thirty’

Lungiswa Gqunta Lawn 1 (Detail), 2016. Wood, broken bottles, and petrol
A review by Lloyd Pollak

Fissures: ‘Negative Space’ at Whatiftheworld

Athi-Patra Ruga invitation...presentation...induction, 2013. Wool and thread on tapestry canvas
A review by Isabella Kuijers & Lloyd Pollak

Work, work, work: ‘Women’s Work’ at ISANG

Kevin Atkinson, Horizon Doing, 1977. Oil on canvas, 167,5 x 244 cm
A review by Lloyd Pollak

The Many Atkinsons: Kevin Atkinson’s ‘Re-opening Plato’s Cave’

Deborah Poyton, Lost and Found 2, 2016. Oil on canvas, 230 x 190cm
A review by Lloyd Pollak

Bracketing Realism and Abstraction: Deborah Poynton’s ‘Picnic’

A review by Isabella Kuijers & Lloyd Pollak

Monochromatic polymorphism: Barend De Wet’s ‘Black, White and Everything In-Between’

Georgina Gratrix, 'Puppy Love' installation shot
A review by Lloyd Pollak

The Queen of Titivation and Prink: Georgina Gratrix’s ‘Puppy Love’

A review by Lloyd Pollak

Colour, Blur, Memory: Kate Gottgens’ ‘Infinite Loop’

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