• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Zanele Muholi

A news item by ArtThrob Editors

black, lesbian, socialist, mother, warrior, poet: Alice Diop’s ‘Fragments for Venus’

A feature by Artthrob

All that carries us: A Q&A with Zanele Muholi

A feature by Sean O'Toole

We are here now: South African artists make their mark in Chicago

A story by Keely Shinners

Spotlight on FNB Art Joburg: Editor’s picks

A review by Isabella Kuijers

Images of shared history: ‘Photo book! Photo-book! Photobook!’ at A4

A review by Lindsey Raymond

To cry at nothing but pixels: ‘My whole body changed into something else’ at Stevenson

A review by Cheriese Dilrajh

Making Art History: ‘IKHONO LASENATALI’ at KZNSA

Zanele Muholi 'Faces and Phases 10' (2016) | Installation view: Stevenson, Johannesburg
A review by Gontse Mathabathe

Voice and Visibility: Zanele Muholi’s ‘Faces and Phases 10’

(left) Zanele Muholi, Lerato Dumse, KwaThema, Springs, Johannesburg, 2010. (center) Zanele Muholi, Lerato Dumse, Parktown, Johannesburg, 2013. (right) Zanele Muholi, Lerato Dumse, Syracuse, New York Upstate, 2015.
A review by Artthrob

10 Years of ‘Faces and Phases’

Zanele Muholi Somnyama Ngonyama II, Oslo, 2015. Silver gelatin print
A feature by Keely Shinners

The Contemporaries: Zanele Muholi

Zanele Muholi, Lectures in Photography, 2016
A story by Artthrob

Zanele Muholi: Lectures in Photography

A review by Tymon Smith

An important departure for a real conversation: Zanele Muholi’s ‘Somnyama Ngonyama’

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Nontsikelelo Veleko, Kepi in Bree Street and Nono> from the 'Beauty is in the eye of the Beholder' series. Pigment inks on archival cotton rag paper, Each: 42 x 29 cm

Buy

Great

Art