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Zanele Muholi

A feature by Keisha Jacobs

1993 – now: A History of South Africa’s Participation at the Venice Biennale

A news item by ArtThrob Editors

black, lesbian, socialist, mother, warrior, poet: Alice Diop’s ‘Fragments for Venus’

A feature by Artthrob

All that carries us: A Q&A with Zanele Muholi

A feature by Sean O'Toole

We are here now: South African artists make their mark in Chicago

A story by Keely Shinners

Spotlight on FNB Art Joburg: Editor’s picks

A review by Isabella Kuijers

Images of shared history: ‘Photo book! Photo-book! Photobook!’ at A4

A review by Lindsey Raymond

To cry at nothing but pixels: ‘My whole body changed into something else’ at Stevenson

A review by Cheriese Dilrajh

Making Art History: ‘IKHONO LASENATALI’ at KZNSA

Zanele Muholi 'Faces and Phases 10' (2016) | Installation view: Stevenson, Johannesburg
A review by Gontse Mathabathe

Voice and Visibility: Zanele Muholi’s ‘Faces and Phases 10’

(left) Zanele Muholi, Lerato Dumse, KwaThema, Springs, Johannesburg, 2010. (center) Zanele Muholi, Lerato Dumse, Parktown, Johannesburg, 2013. (right) Zanele Muholi, Lerato Dumse, Syracuse, New York Upstate, 2015.
A review by Artthrob

10 Years of ‘Faces and Phases’

Zanele Muholi Somnyama Ngonyama II, Oslo, 2015. Silver gelatin print
A feature by Keely Shinners

The Contemporaries: Zanele Muholi

Zanele Muholi, Lectures in Photography, 2016
A story by Artthrob

Zanele Muholi: Lectures in Photography

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