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A news item by ArtThrob Editors

Biennale Arte 2026: International Jury resigns

A feature by ArtThrob Editors

‘Freedom is what has been on my mind the most’: Kamyar Bineshtarigh reflects on the war in Iran

A news item by ArtThrob Editors

An urgent call from artists and curators: 61st International Art Exhibition of La Biennale di Venezia...'

A feature by ArtThrob Editors

The Inaugural Cape Town Print Fair: An Interview with Breeze Yoko, Fair Director

A feature by ArtThrob Editors

A Practice of Freedom: Penny Siopis on her recent show, ‘Love in a Turning World’

A feature by ArtThrob Editors

Reflections on Iran: A Conversation with Sepideh Mehraban

A feature by Elize van Huyssteen

Women, mahangu and memories: a conversation with Tuli Mekondjo

A news item by ArtThrob Editors

Concrete Affection: The International Festival of Films on Art (Canada)

A feature by ArtThrob Editors

Reflections from Madrid: Marsi van de Heuvel’s ‘Skoonveld’

A review by Nkgopoleng Moloi

Shadows of Decadence: The Investec Cape Town Art Fair 2026

A feature by Niamh Walsh-Vorster

Meeting in the Middle: Curatorial Practice in Durban

A news item by ArtThrob Editors

In Minor Keys: Southern African artists in Venice

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Design by Blackman Rossouw

Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm

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