The Centre of a Star Of Lines: Connor Cullinan’s ‘11.11’

The Inverted Funnel: James Webb’s ‘Three Dreams of the Sinking World’

Venice Biennale 2019: In conversation with curators Nkule Mabaso and Nomusa Makhubu

May Contain Trace Elements: Herman Mbamba and Cameron Platter’s ‘FR1000ID’

Intense Introspection, Uncanny Simplicity: Thandiwe Msebenzi and Bert Pauw at SMITH

Deadly Tranquility: Olivié Keck’s ‘Drop Dead Gorgeous’

Sculptural listening: ‘The Listening Room’

Shifting Cartography: ‘A Black Aesthetic’

Curatorial Care: A profile of Khumo Sebambo

Consoling Pleasures: Stephané E. Conradie’s ‘Domestic Lives, Nomadic Belongings’

He Takes Libraries With Him: A Personal Remembrance of Okwui Enwezor

Flâneurial Creations: Samson Kambalu’s ‘Nyasaland Analysand’