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Review

A review by Isabella Kuijers

Images of shared history: ‘Photo book! Photo-book! Photobook!’ at A4

A review by Barbara Rousseaux & Sindi-Leigh McBride

Testimony & activism: ‘When Rain Clouds Gather: Black South African Women Artists 1940 –...'

A review by Sean O'Toole

Raw materials make magic: Bella Knemeyer and Unathi Mkonto

A review by Georgia Munnik

For the haunt: Chanelle Adams’ Ghost Tour of Camphor Avenue

A review by Nkgopoleng Moloi

Cortège, Collision, Composure, Ceremony: Shine Shivan and Jane Alexander in ‘Juxtapositions’

A review by Ben Albertyn

Sleepovers and Other Performances: ICA Live Art Festival 2022

A review by Zoé Samudzi

Evasive ambiguity: Claudette Schreuders’ ‘Doubles’

A review by Misha Krynauw

Mutual Mutations: Jonathan Silverman’s ‘Mineral Vegetal Digital’

A review by Lumumba Mthembu

Interrupting the Archive: Luvuyo Equiano Nyawose’s  eBhish’

A review by Georgia Munnik

Pulling Forces: Antonia Brown and Matheline Marmy

A review by Lukho Witbooi

Imaginal Renderings: ‘Seeing the Invisible’ in Kirstenbosch Gardens

A review by Dinika Govender

Who Are We Now? ‘Liminal Identities in the Global South’ at JCAF

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