The Tension of Passing Time: Jabulani Dhlamini’s ‘Isisekelo’

The Centre of a Star Of Lines: Connor Cullinan’s ‘11.11’

The Inverted Funnel: James Webb’s ‘Three Dreams of the Sinking World’

May Contain Trace Elements: Herman Mbamba and Cameron Platter’s ‘FR1000ID’

Intense Introspection, Uncanny Simplicity: Thandiwe Msebenzi and Bert Pauw at SMITH

Deadly Tranquility: Olivié Keck’s ‘Drop Dead Gorgeous’

Sculptural listening: ‘The Listening Room’

Shifting Cartography: ‘A Black Aesthetic’

Consoling Pleasures: Stephané E. Conradie’s ‘Domestic Lives, Nomadic Belongings’

Flâneurial Creations: Samson Kambalu’s ‘Nyasaland Analysand’

Catching the Wind: Yinka Shonibare’s ‘Trade Winds’

Staging Authenticity: Robert Slingsby’s ‘In/Dependence’