Review
A Room with Many Views: ‘A Golden Spike’ at Goodman
Liberatory and Corrupt: Scum Boy’s online practice
Walk through, walk away: Thenjiwe Niki Nkosi’s ‘Gymnasium’
Natal Tongue: King Debs’ ‘Bokamoso (Future)’
Hesitant Corporeality: Stephen Allwright’s ‘Broken Face Soliloquies’
Mapping catastrophes: Pebofatso Mokoena’s ‘Internal Probes’
Capitalocene Crustaceans : Cameron Platter’s ‘Solid Waste’
Multiplicity of Knowing: Mawande Ka Zenzile’s ‘Udludlilali’
Looking Back to See Forward: ‘From the Vault’ at the Stellenbosch Triennale
Good Feelings for What?: Dada Khanyisa’s ‘Good Feelings’
The collection and its limits: ‘We’ve Come to Take You Home #1’ at Michaelis Galleries
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