Review
Mapping catastrophes: Pebofatso Mokoena’s ‘Internal Probes’
Capitalocene Crustaceans : Cameron Platter’s ‘Solid Waste’
Multiplicity of Knowing: Mawande Ka Zenzile’s ‘Udludlilali’
Looking Back to See Forward: ‘From the Vault’ at the Stellenbosch Triennale
Good Feelings for What?: Dada Khanyisa’s ‘Good Feelings’
The collection and its limits: ‘We’ve Come to Take You Home #1’ at Michaelis Galleries
Metastasised Plastiglomerate: ‘Matereality’ at ISANG
What Remains: Kevin Beasley’s ‘without a clear discernible image’
Tender and Troubling: Brett Charles Seiler’s ‘Closet’
Casting Spells: The Stellenbosch Triennale
The Ground Itself: Michael Armitage’s ‘Accomplice’
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