• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Review

A review by Sonya Solanki

Subverted structures: ‘Customs’ at A4

A review by Dinika Govender

Warm, soft, green: Zandile Tshabalala’s ‘Lovers In A Secret Place’

A review by Nkgopoleng Moloi

Abstractions of home: ‘Home Strange Home’ at WITW X KRONE

A review by Vusumzi Nkomo

Unsettling the surface: A speculative reading of El Anatsui’s ‘Freedom’

A review by Lukho Witbooi

Atemporal Wonders: David Koloane’s ‘A Quiet Stature’

A review by Ashraf Jamal

Elegant Inscrutability: Ronél De Jager’s ‘Still Here’

A review by Sindi-Leigh McBride

Notes on a Speculative Photo Album: Gabrielle Goliath’s ‘This song is for…’

A review by Georgia Munnik

Monstrous Elasticity: Ruth Sacks’ ‘The Remaindering’

A review by Misha Krynauw

Rot and rebirth: ‘Spring Awakening’ at Southern Guild

A review by Dinika Govender

Material is the message: Nina Barnett & Jeremy Bolen’s ‘Weight in the Air’

A review by Lumumba Mthembu

Hybridity & the politics of the self: ‘Nguni – Kwelakithi’ at KZNSA

A review by Annabelle Wienand

Speculative fiction and speaking in signs: Mack Magagane’s ‘Ellipse’

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

William Kentridge, Act III scene 1, 2017. Linocut on paper with hand-colouring, 44 x 39.5cm

Buy

Great

Art