Review
Testimony & activism: ‘When Rain Clouds Gather: Black South African Women Artists 1940 –...'
Raw materials make magic: Bella Knemeyer and Unathi Mkonto
For the haunt: Chanelle Adams’ Ghost Tour of Camphor Avenue
Cortège, Collision, Composure, Ceremony: Shine Shivan and Jane Alexander in ‘Juxtapositions’
Sleepovers and Other Performances: ICA Live Art Festival 2022
Evasive ambiguity: Claudette Schreuders’ ‘Doubles’
Mutual Mutations: Jonathan Silverman’s ‘Mineral Vegetal Digital’
Interrupting the Archive: Luvuyo Equiano Nyawose’s eBhish’
Pulling Forces: Antonia Brown and Matheline Marmy
Imaginal Renderings: ‘Seeing the Invisible’ in Kirstenbosch Gardens
Who Are We Now? ‘Liminal Identities in the Global South’ at JCAF
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