
Review



Testimony & activism: ‘When Rain Clouds Gather: Black South African Women Artists 1940 –...'

Raw materials make magic: Bella Knemeyer and Unathi Mkonto

For the haunt: Chanelle Adams’ Ghost Tour of Camphor Avenue

Cortège, Collision, Composure, Ceremony: Shine Shivan and Jane Alexander in ‘Juxtapositions’

Sleepovers and Other Performances: ICA Live Art Festival 2022

Evasive ambiguity: Claudette Schreuders’ ‘Doubles’

Mutual Mutations: Jonathan Silverman’s ‘Mineral Vegetal Digital’

Interrupting the Archive: Luvuyo Equiano Nyawose’s eBhish’

Pulling Forces: Antonia Brown and Matheline Marmy

Imaginal Renderings: ‘Seeing the Invisible’ in Kirstenbosch Gardens

Who Are We Now? ‘Liminal Identities in the Global South’ at JCAF
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