New Media

A review by Olga Speakes

Breathing Space: Cathy Abraham’s ‘A Deeper Kind of Nothing’

A review by Lucienne Bestall

The Lives of Others: Gabrielle Goliath’s ‘This song is for…’

A review by

Tim Leibbrandt

Salem’s Lot: Simon Gush’s ‘Welcome to Frontier Country’

A review by Tymon Smith

Necessary Discussions: Sue Williamson’s ‘That particular morning’

A review by Misha Krynauw

Rebirth and Recalibration: Nobukho Nqaba’s ‘Izicwangciso Zezethu’

A review by Zintle Magazi

Curious Celestial Phenomena: Scott Eric Williams and Friend’s ‘Portals’

A review by Natasha Norman and Annemi Conradie

Mode of Mutuality: Io Makandal’s ‘Life in the entropics’

A review by Lifang Zhang & Barnabas Ticha Muvhuti

Site of Memory: Berni Searle’s ‘A Place in the Sun’

A review by Khanya Mashabela

Subjective Nationhood: ‘The Botswana Pavilion: No Return’ at Gallery MOMO

A review by Gemma Hart

Deadly Tranquility: Olivié Keck’s ‘Drop Dead Gorgeous’

A review by Scott Eric Williams

Methodologies of Creative Practice: ‘Still Life & Life Drawings’ at ISANG

A feature by Tymon Smith

Old Masters / New Realities and the Future of TMRW Gallery