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New Media

A review by Scott Eric Williams

Counter-Narrative Sci-Fi: Pamela Phatsimo Sunstrum’s ‘There are Mechanisms in Place’

A review by Kopano Maroga

You’ll always stay here in my heart: Dineo Seshee Bopape’s ‘Untitled (Of Occult Instability)...'

A review by Tymon Smith

Immersive Intelligence: Mary Sibande’s ‘A Crescendo Of Ecstasy’

Kapwani Kiwanga, The Sun Never Sets, 2017. HD video, 10 minutes
A review by Sipho Mdanda

In Search of Hidden Truths: Kapwani Kiwanga’s ‘The Sun Never Sets’

Michael MacGarry, Parang,, 2017. Two-channel HD video, 11 minutes 34 seconds
A review by Chris Thurman

Agency and Amor Fati: Michael MacGarry’s ‘Show No Pain’

Tabita Rezaire, DEEP DOWN TIDAL(still), 2017. Hd video, 19min. Commissioned by Toke Lykkeberg for Citizen X – Human, Nature, And Robot Rights, Oregaard Museum, Denmark
A review by Motlatsi Khosi

Digital Utopia: Tabita Rezaire’s ‘Exotic Trade’

Coby Kennedy, The Coming Of The Thuggernaut, 2017. Bulletproof ballistic grade Kevlar, ink, acrylic gel, 114 x 125 cm
A feature by

Tim Leibbrandt

Sci-Fi Social Commentary: Coby Kennedy on ‘SKIN OF THE THUG’

Igshaan Adams, Oorskot ,2016. Installation view: blank projects, Cape Town
A review by Anna Stielau

Stranger Things: Igshaan Adams’ ‘Oorskot’

Shirin Neshat, From Roja Series, 2016. Silver gelatin print
A review by Nicola Kritzinger

Entwined Narratives: Shirin Neshat’s ‘Dreamers’

Barthélémy Toguo, Strange Fruit III, 2016. Watercolour on paper, 113 x 100cm
A review by Gontse Mathabathe

Blood on the leaves and blood on the root: Barthélémy Toguo’s ‘Strange Fruit’

A story by

Tim Leibbrandt

A MAZE.: In Conversation with Olivié Keck and Evan Greenwood

A story by Artthrob

Karla Nixon ‘Once More’ at artSPACE durban

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Design by Blackman Rossouw

Mikhael Subotzky, Johnny Fortune, 2004. Pigment inks on archival cotton rag paper, 56 x 78.4 cm

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