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Painting

A review by Thuli Gamedze

Away from Zero: Carrie Mae Weems’s ‘Over Time’

A review by Lucienne Bestall

Once More, With Feeling: William Kentridge at Zeitz MOCAA

A review by Khanya Mashabela

Empathy and Sensitivity: David Koloane’s ‘A Resilient Visionary’

A review by Natasha Norman and Annemi Conradie

Mode of Mutuality: Io Makandal’s ‘Life in the entropics’

A feature by Misha Krynauw

Motherhood in Motion: Amy Ayanda Lester’s ‘Return to Land; Return to Skin’

A review by Tymon Smith

Identification and Deconstruction: Mikhael Subotzky’s ‘Massive Nerve Corpus’

A review by Michael Smith

Decapitating Discourse: MJ Turpin’s ‘take me apart.’

A review by Khanya Mashabela

Subjective Nationhood: ‘The Botswana Pavilion: No Return’ at Gallery MOMO

A review by Gemma Hart

Drowning and Denialism: Lady Skollie’s ‘Good & Evil’

A review by Misha Krynauw

Interconnected Creation: Peter Eastman’s ‘Tangled Hierarchies’

A review by Ashraf Jamal

The Centre of a Star Of Lines: Connor Cullinan’s ‘11.11’

A review by Gemma Hart

Deadly Tranquility: Olivié Keck’s ‘Drop Dead Gorgeous’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Lisa Brice, Untitled, 2007. A three colour lithographic print on Arches paper, 66 x 50.5 cm

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