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Sculpture

A review by Zoé Samudzi

Evasive ambiguity: Claudette Schreuders’ ‘Doubles’

A review by Gemma Hart

Tender and Troubling: Brett Charles Seiler’s ‘Closet’

A review by Misha Krynauw

Undoing of Form: Givan Lötz’s ‘Unearthly’.

A review by Olga Speakes

Breathing Space: Cathy Abraham’s ‘A Deeper Kind of Nothing’

A feature by Ashraf Jamal

Ashes in Glass: David Reade and ‘Communion’ at Southern Guild

A review by Tymon Smith

Rocky Terrain: ‘rocks’ at the gallery

A review by Zintle Magazi

Curious Celestial Phenomena: Scott Eric Williams and Friend’s ‘Portals’

A review by Michael Smith

Decapitating Discourse: MJ Turpin’s ‘take me apart.’

A review by Ashraf Jamal

Joint-Solo: Dan Halter and Chris Soal at WHATIFTHEWORLD

A review by Khanya Mashabela

Subjective Nationhood: ‘The Botswana Pavilion: No Return’ at Gallery MOMO

A review by Ashraf Jamal

Chicken and Egg: Maurice Mbikayi’s ‘Coucou Crumble’

A review by Misha Krynauw

Intense Introspection, Uncanny Simplicity: Thandiwe Msebenzi and Bert Pauw at SMITH

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Nontsikelelo Veleko, Kepi in Bree Street and Nono> from the 'Beauty is in the eye of the Beholder' series. Pigment inks on archival cotton rag paper, Each: 42 x 29 cm

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