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Chad Rossouw

A review by Isabella Kuijers

Polysemic Seas: ‘Liminal Geographies’ at Barnard Gallery

A feature by

Tim Leibbrandt

Open Dialog Box: ArtThrob chats to Claire May van Blerck

A feature by Artthrob

‘Liminal Geographies’ at Barnard Gallery

A review by Tymon Smith

█████████: Vincent Bezuidenhout’s ‘Fail...'

Siwa Mgoboza The Department of Afrocorrectional Services II, 2016. Archival ink-jet print on Hahnemuhle Photorag
A feature by

Chad Rossouw

Promised Land: A conversation with Siwa Mgoboza

A review by

Chad Rossouw

Imaginary Arcs: Roger Palmer’s ‘Spoor’

The AVA Works
A picture collection by Artthrob

Printmaking at the AVA

Kerry Chaloner, nowhere 1, 2014. Sulphur and transparent medium on raw canvas, 100 x 75 x 4 cm
A story by Artthrob

The Claims of the Land

Mary Sibande, A Terrible Beauty is Born, 2013. Digital pigment print, 110 x 321.5 cm © Mary Sibande, courtesy of the artist and Gallery MOMO
A story by The Culture Trip & Tim Leibbrandt

10 Southern African Artworks Fusing Art and Science Fiction

A picture collection by Matthew Blackman

Whose whose: Chad Rossouw & Matthew Benedict

Mikhael Subotzky Verdaille II: After Christopher Sibidla, 2014. Five inkjet prints in custom walnut triptych frame, two autostereograms. Two in an edition of three variations with two APs, 181 x 168 cm (closed), 181 x 336 cm (open)
A review by Chad Rossouw

Show ‘n Tell

Chad Rossouw Parklands: Fairview Crescent, 2013. C-print, 40 x 90 cm, Edition of 3 2013. C-print, 40 x 90 cm, Edition of 3
A review by Niklas Zimmer

Starless and Bible Black: Palliative Models of a Perfect Tense

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Clive van den Berg, Cyber Erotics, 2009. A two colour lithographic print on BFK Rives, 66 x 52 cm

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