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Igshaan Adams

A review by Ashraf Jamal

Thread Count: ‘Sans’ at OPEN 24 HRS

A review by Kopano Maroga

A Subtle Benediction: Igshaan Adams’ ‘Al Latîf’

Igshaan Adams, Rahma (Grace), 2018. Glass and acrylic beads; 306 x 280 cm
A review by Artthrob

Igshaan Adams at blank

Athi-Patra Ruga invitation...presentation...induction, 2013. Wool and thread on tapestry canvas
A review by Isabella Kuijers & Lloyd Pollak

Work, work, work: ‘Women’s Work’ at ISANG

Donna Kukama, 364 and still counting..., 2016. (detail)
A review by Artthrob

Figure @ blank projects

Kyra Pape, Untitled, 2016. Monotype (ink & sugar)
A review by Artthrob

SITUATION | The Point of Order

Kyle Morland, assemble, 2016. Installation view: blank projects, Cape Town
A feature by

Tim Leibbrandt

Departures and Unlearning: In conversation with Kyle Morland

Igshaan Adams (in collaboration with Kyle Morland), Stoflike-oorskot, 2016. Woven nylon rope string and mild steel, approx 300 x 120 x 240 cm
A student review by Daniel Rautenbach

Student Review: Igshaan Adams’ ‘Oorskot’

A picture collection by Artthrob

Art-Binge: Woodstock, September 2016

Igshaan Adams, Oorskot ,2016. Installation view: blank projects, Cape Town
A review by Anna Stielau

Stranger Things: Igshaan Adams’ ‘Oorskot’

A picture collection by Artthrob

Art-Binge: Joburg, July 2016

Greatmore Studios
A picture collection by Artthrob

Popty 2015

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