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Igshaan Adams

A review by Misha Krynauw

Sacred Threads: Igshaan Adams’ ‘Holy Terrain’ at blank projects

A feature by Nkgopoleng Moloi

Tracing the Body’s Language: Movement in Igshaan Adams’s Practice

A news item by Artthrob

News Roundup: 25 November 2022

A news item by Artthrob

News Roundup: 19 August 2022

A review by Sonya Solanki

Subverted structures: ‘Customs’ at A4

A review by Nkgopoleng Moloi

Beauty and Prisons: ‘I have made a place’ at Norval Foundation

A review by Isabella Kuijers

Desire Lines: Igshaan Adams’ ‘Kicking Dust’ at Hayward Gallery

A review by Ashraf Jamal

Thread Count: ‘Sans’ at OPEN 24 HRS

A review by Kopano Maroga

A Subtle Benediction: Igshaan Adams’ ‘Al Latîf’

Igshaan Adams, Rahma (Grace), 2018. Glass and acrylic beads; 306 x 280 cm
A review by Artthrob

Igshaan Adams at blank

Athi-Patra Ruga invitation...presentation...induction, 2013. Wool and thread on tapestry canvas
A review by Isabella Kuijers & Lloyd Pollak

Work, work, work: ‘Women’s Work’ at ISANG

Donna Kukama, 364 and still counting..., 2016. (detail)
A review by Artthrob

Figure @ blank projects

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James Webb, You, the Collector. Traditional relief watermarked hand-made paper multiple, 66.5 x 50.5 cm

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