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Lloyd Pollak

Athi-Patra Ruga invitation...presentation...induction, 2013. Wool and thread on tapestry canvas
A review by Isabella Kuijers & Lloyd Pollak

Work, work, work: ‘Women’s Work’ at ISANG

A review by Isabella Kuijers & Lloyd Pollak

Monochromatic polymorphism: Barend De Wet’s ‘Black, White and Everything In-Between’

Georgina Gratrix, 'Puppy Love' installation shot
A review by Lloyd Pollak

The Queen of Titivation and Prink: Georgina Gratrix’s ‘Puppy Love’

Igshaan Adams Plate 10, from the series 'Neoscope', 2014. Found fabric, thread, brass-plated rail, 120 x 152 cm
A review by Lloyd Pollak

Faith and Ambiguity: Igshaan Adams’ ‘Parda’

Johan Louw, Gestaltes, 2014. Installation view: SMAC Gallery
A review by Lloyd Pollak

The Religion of Despair

Jeannette Ehlers Black Bullets, 2012. Single channel video, Edition of 5 + 2 AP
A review by Lloyd Pollak

Anyway, the Wind Blows

Délio Jasse, Ausência Permanente, 2014. Installation view: SMAC Gallery
A review by Lloyd Pollak

The Endless Absence of Délio Jasse

Sue Williamson There's something I must tell you (detail), 2013. Video Installation
A review by Lloyd Pollak

There’s something I must tell you

Bogosi Sekhukhuni, Consciousness Engine 2: absentblackfatherbot, 2014. Dual Channel Video Installation, Edition of 3
A review by Lloyd Pollak

[Working Title]

Trevor Coleman Untitled, 1970. Acrylic on canvas, 90 x 125 cm
A review by Lloyd Pollak

Mutinous cubes and delinquent rectangles. A look at Trevor Coleman’s abstract work from 1960-1977

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Cameron Platter, Sex Slaves. Silkscreen on archival cotton rag paper, 66.5 x 50.5 cm

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