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Stevenson

A feature by ArtThrob Editors

A Practice of Freedom: Penny Siopis on her recent show, ‘Love in a Turning World’

A feature by ArtThrob Editors

Who’s afraid of the modernists: Older works to see in Cape Town

A review by Athi Mongezeleli Joja

Resubjugating the Black Body: A Review of Steven Cohen’s ‘Magog’

A review by Tiyani Rikhotso

Poetic Impressions: Tumelo Mtimkhulu’s ‘I, one drop plus one drop makes a bigger drop, not...'

A review by David Mann

Unsettled landscapes: Simphiwe Ndzube’s ‘iNtwasahlobo’

A review by Zada Hanmer

Revelling in Love and Joy: Shine Shivan’s ‘Basant’ at Stevenson

A feature by Voni Baloyi

Class is in Session: Knowledge Dissemination in Mawande Ka Zenzile’s ‘uZenzile akakhalelwa…’

A review by Misha Krynauw

Each line a reckoning: Portia Zvavahera’s ‘Pane rima rakakomba’

A news item by Artthrob

Rest in peace: Andrew Da Conceicao

A feature by Marie-Louise Rouget

Don’t I know you from somewhere?: SA artists in Amsterdam

A review by Ntokozo Dladla

Lines of sight: Thato Toeba’s ‘Phate lia Lekana’

A review by Nkgopoleng Moloi

Building worlds: ‘Juxtapositions: David Goldblatt and Unathi Mkonto’

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Walter Oltmann, Lace. Etching on Hahnemuhle paper, 78.5 x 53.5 cm

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