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WHATIFTHEWORLD

A review by Vusumzi Nkomo

New Lands: Asemahle Ntlonti’s ‘Nothwala impahlana’

A review by Tim Leibbrandt

Capitalocene Crustaceans : Cameron Platter’s ‘Solid Waste’

A review by Misha Krynauw

Conservation Entropy: Ruby Swinney’s ‘Hold Still’

A review by Ashraf Jamal

Joint-Solo: Dan Halter and Chris Soal at WHATIFTHEWORLD

A review by Misha Krynauw

Unwavering Versatility: Thania Petersen’s ‘IQRA’

A feature by Sikhumbuzo Makandula

Silent and Complex Histories: In conversation with Buhlebezwe Siwani

A feature by

Megan McNamara

Michael Taylor | BOY BOAT BAT | Whatiftheworld Gallery

A review by Ashraf Jamal

Rewired Materiality: Rowan Smith’s ‘Dead Centre’

A review by Lucienne Bestall

Repetition Fatigue: Dan Halter’s ‘Patience Can Cook a Stone’

Dan Halter, The Revenge of 400 Years is Losing its Baby Teeth, 2018. Baby teeth, Stokie slipper, mat
A review by Artthrob

Dan Halter at WHATIFTHEWORLD

A review by Kopano Maroga

The Crown Ain’t Worth Much but I Got It from My Momma: Athi-Patra Ruga’s ‘Queens in Exile’

A review by Tymon Smith

Action/Reaction: John Murray’s ‘Aftermath’

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