Wim Botha

A review by Nkhensani Mkhari

Otherscapes: A Meditation on South Africa’s Past, Present and Future

A story by Artthrob

Spotlight on Investec Cape Town Art Fair Digital Event 2021

A review by
Tim Leibbrandt

Intrinsic Field: Wim Botha’s ‘Heliostat’

A feature by
Tim Leibbrandt

‘Both, And’ Interview: Stevenson at 15

Wim Botha, Untitled (Bloom 9), 2016. Wax pigment, crystal, polystyrene, glass, film, and wood, 22 x 14,5 x 11 cm

A student review by Daniel Rautenbach

Student Review: Wim Botha at Stevenson

Wim Botha, Untitled, 2016. Ink on paper, 35 x 50cm

A student review by Artthrob

Wim Botha at Stevenson

A feature by Alexander Opper

Recovering and Uncovering Wim Botha

Haroon Gunn-Salie at Goodman Gallery

A picture collection by Kira Kemper

Art-Binge: Joburg, August 2015

Rowan Smith, Nothing Lasts Forever Cecil, 2014. Bronze, powder coated mild steel, tempered glass, swarm of bees, 208.5 x 92 x 74.6 cm (Case alone: 90 x 60 x 73.2 cm)

A picture collection by
Chad Rossouw

The Falling Monument

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Nontsikelelo Veleko, Kepi in Bree Street and Nono> from the 'Beauty is in the eye of the Beholder' series. Pigment inks on archival cotton rag paper, Each: 42 x 29 cm

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