Archive: Issue No. 105, May 2006

Go to the current edition for SA art News, Reviews & Listings.
EDITIONS FOR ARTTHROB EDITIONS FOR ARTTHROB    |    5 Years of Artthrob    |    About    |    Contact    |    Archive    |    Subscribe    |    SEARCH   


5.05.06 Upload 09: Creative Collisions - Call for participation
5.05.06 Soundlab calls for submissions
5.05.06 Listings in Contempo magazine
5.05.06 District Six Museum Foundation seeks Financial Manager


3.02.06 Art classes at Fried Contemporary Art Gallery & Studio

7.10.05 Part time course in Creative Digital Audio Techniques


11.04.06 BHP Billiton/Wits University Visual Arts Fellowship
11.04.06 VideoChannel invites submissions
11.04.06 Sun International extends invitation to visual artists

2.03.06 JK Gross Trust 2006 Public Sculpture Competition

02.09.05 2005 MTN School Art Awards calls for entries

02.09.05 Journal of African Art History and Visual Culture: Call for Papers

5.08.05 Submissions invited for work to be sold in a variety of venues worldwide

3.06.05 Unseen City invites contributions

04.03.05 Enjin Museum of Dead Media calls for contributions

07.01.05 Tsunami - call for submissions

02.08.04 Gallery in Georgia, USA seeks South African artists

01.11.03 AVA invites submissions

15.09.03 Donate your art to aids orphans auction website


3.02.06 UNIDEE in Residence - International Programme 2006

4.11.05 Global Arts Village Fellowships

04.03.05 UNESCO-Aschberg Bursaries for Artists Programme


11.04.06 Cape Town studio space to let

2.03.06 SA Art Times launched
2.03.06 World Cultures Yearbook seeks Associate Editor

9.12.05 Yeoville Children's Mosaic Park seeks funding contributions

4.11.05 Studio space available in Cape Town

5.08.05 ArtMoves Africa: Mobility of artists and cultural operators within the African continent


Call for participation - Upload 09: Creative Collisions

'Upload' is about providing an informal space for learning about the many forms of creative expression. It's a chance for diverse individuals to get together, share a thought and stare knowingly at imagery with a beat.

In 'Creative Collisions', we seek to investigate intersections of art forms with each other and technology, and connect with practitioners operating across conventional boundaries, exposing the parallels between them and the collaborative process behind the product. Simply put, it is about mash-ups of genres and artists, from musicians to viewsicians, to illustrators and graffiti artists, with electronic hackers in between. Nothing is sacred and anything can inspire, and be re-purposed.

We invite you to propose both presentations/performances (15 - 30 minutes) and hands-on activities involving cross-medium art, technology, or collaboration. DIY projects should be relatively low-cost; however, we want attendees to produce something worthwhile.

A digital projector and PA will be on-hand; additional equipment might be available but we would prefer that you bring your own. Nonetheless, let us know what you will need. Do keep in mind that 'Upload' has a broad spectrum of followers, so be prepared to simplify when dealing with subject matter of an overly technical or conceptual nature. The mood is informal and laid back.

Please email with your queries and proposals, which should consist of:

a) Brief CV mentioning relevant experience, if any.
b) Outline of your participation, including required equipment and materials.

Deadline for hands-on project proposals: Friday May 19. Deadline for presentation/performance proposals: Friday May 26

The event will take place on Saturday August 5
Venue: CAPE Africa, 71 Buitengracht Street, Cape Town

Hosted by The Liquid Fridge, with the venue and hardware kindly provided by CAPE Africa Platform.
Discuss at:

Soundlab calls for submissions is invited to launch its 4th edition in the framework of the Cologne-based soundart event KlangDrang Festival which takes place from October 6 - 7.

SoundLab is looking for soundart works of:
a) experimental character
b) electronic music
c) Voice/sound/music integration
d) and other forms

The theme of Soundlab is 'Memoryscapes', incorporating memory and identity.

The submission has to be posted on a webpage for download, please do not send it as an email attachment. Submission format: .mp3, Size: Max 5MB, exceptions possible, but on request.

The authors/artists keep all rights on their submitted works.

Deadline: June 30

An entry form can be downlaoded from

Listings in Contempo magazine

New arts, culture and design magazine Contempo is offering an opportunity for artists and galleries to advertise their exhibitions and listings free of charge.

Send your information about the exhibitions taking place at your gallery over the period of May - mid July. The format should be as follows:

Name of Gallery:
Telephone Number:
E-mail address:
Web address:
Date of exhibition:

You may include a short blurb about each exhibition as long as the number of words does not exceed 450 in total. Please email your information to The deadline for these entries is the Monday, May 8.

The District Six Museum Foundation seeks Financial Manager

The District Six Museum is looking for a suitably qualified Financial Manager to join its management team. The candidate reports to the Director, and should have experience and qualifications commensurate with a position as a key part of a strategic management team. The candidate will serve as a key team member and will be responsible for the oversight of the District Six Museum budgeting, tracking and financial reporting. This position will be responsible for establishing, tracking, and communicating the central District Six Museum operating budget, initiating financial reporting, and forecasting expenditures in accordance with the funding model. The incumbent will also be responsible for the ongoing evaluation of District Six Museum spending patterns as they relate to the central budget and to generate internal ad hoc reports as needed, or under the direction of the Director. Not less than a bachelor�s degree and 3 years experience in a management position.

You will be required to:

1. Provide financial and strategic support to the Director and management team for all income and cost centres in the museum to ensure maximal resource usage and income generation with the context of the museum's vision, mission, and values.
2. Responsible for overall accounting function, financial management. Responsible for developing and managing financial systems. These include cash flows, cost and income centres, bookkeeping functions, donor income and reporting, audit preparation and compliance, compliance with all statutory matters, staff benefits, financial analysis and financial and donor reporting.
3. Drive and coordinate budgeting and monitoring systems.

4. Ensure that all financial systems are efficient and in line with overall strategy, and that reporting and analysis of financial statements are conducted timeously. Support the Director in the implementation of strategic financial goals and in reporting to the Board.
5. Oversee financial information systems
6. Provide training and support to managers and budget holders on relevant areas of their work such as budgeting and cashflows.
7. Develop research and implementation strategies for key planning areas such as staff benefits, investments, business planning and related matters.
8. As part of the management team, contribute towards the attainment of the overall museum goals and objectives

The following would be additional advantages:
Ability to thrive in an NGO environment
Strong administrative abilities and aptitudes
Strong people skills and personal integrity
Direct and persuasive communication skills. Active listener. Ability to translate complex financial concepts to individuals at all levels including finance and non-finance managers
Consideration for employment equity requirements

The District Six Museum invites applications for the above position. The Museum offers the opportunity to work in an award-winning organisation with a dynamic team and a forward looking strategic plan, and to work on the cutting edge of cultural heritage and human rights development in South Africa.

Applicants must submit a CV with two contactable references to:
Ms Nomawetu Nobaza, Head of Administration, District Six Museum, PO Box, 10178, Caledon Square, 7905 OR 25A Buitenkant Street, Cape Town OR OR fax to (021) 466 7210.

We will only respond to shortlisted applications. The Museum reserves the right not to make any appointment.

Enquiries: Ms Nobaza (021) 466 7200

Deadline for applications: May 5, 2006


Art classes at Fried Contemporary Art Gallery & Studio

Fried Contemporary Art Gallery and Studio offers art classes run by experienced and highly qualified teachers and university lecturers. A certificate of competency is issued on completion of the course.

In this course you will master the basic techniques of painting and acquire an understanding of media, materials and formats. The course is also aimed at general creative development.
Tuesday mornings 10am -1pm or Tuesday evenings 6pm - 9pm
Cost: R1200 per course, 8 classes, 2 classes per month
Starting on February 7

In this course you will master basic drawing skills and acquire an understanding of media, materials and formats. The course is also aimed at general creative development.
Wednesday mornings 10am - 1pm, Wednesday evenings 6pm - 9pm
Cost: R1200 per course, 8 classes, 2 classes per month
Starting on February 8

Course and ongoing classes
This course is ideal for those who already have a background in artmaking and who wish to 'top up' or further develop their skills. You will acquire an advanced understanding of concepts and ideas in artmaking.
Thursday mornings 10am - 1pm or Thursday evenings 6pm - 9pm
Cost: R1200 per course, 8 classes, 2 classes per month
Starting on February 9

What is art all about? This course is a kind of 'crash course' in understanding art and provides an overview of South African and international art. It deals with the trends and histories inherent in art production over the centuries. You will also be equipped with interpretational skills.
Wednesday evenings 6pm - 7.30pm
Cost: R720 per course, 8 classes, 2 classes per month
Starting on February 15

Understand the art of SA and make better choices when you buy art. This course provides an overview of the history of South African art and focuses specifically on contemporary art production. You will also be equipped with interpretational skills.
Thursday evenings 6pm - 7.30pm
Cost: R720 per course, 8 classes, 2 classes per month
Starting on February 16

These classes are aimed at thematic development in any media, therefore at increased creativity and more advanced concept development. Ideal for art students and those with existing artmaking skills.
Cost: R300 per single day workshop (6 hours)

These classes are aimed at the development of creativity and a variety of artmaking skills.
Monday afternoons 3pm - 5pm and Tuesday afternoons 3pm - 5pm
Cost: R200 per month, 2 classes per month
Starting on February 6 or 7

These classes are aimed at the development of increased creativity and a variety of artmaking skills. The classes are ideal for home school learners, 7th subject learners and those aiming for admission to university art degrees and other academic programmes.
Wednesday afternoons 3pm - 5pm and Thursday afternoons 3pm - 5pm
Cost: R200 per month, 2 classes per month
Starting on February 8 or 9

Fried Contemporary Art Gallery & Studio
430 Charles St Brooklyn, Tel: (012) 346 0158

Part time course in Creative Digital Audio Techniques

An adventuresome exploration of digital sound creation for non-musicians. The course will utilise free software including Audacity, a Mac/PC based application ( This course is relevant to anyone wishing to utilise sound in presentations, web-based projects, installations, and film/animation. Or just keen to find a more creative approach to digital sound production.

The course will be run by electro-acoustic performer and teacher Brendon Bussy.

Venue: Vega (The Brand Communications School) in Greenpoint
Dates: End October through September
Days: 2 evenings a week (Tuesday and Thursdays) for 4 weeks
Time: 5.30 - 8.30pm

Contact: Gail 021 425 7591 or Brendon 021 689 3407

Brendon Bussy is an electronic producer and acoustic performer. He creates sound pieces combining acoustic instruments and software, in particular the mandolin (which he plays) and Audiomulch, an experimental realtime audio processing tool. He has performed as part of electro - acoustic duo CORRECTIVE (with Dean Henning) and with Dutch performance art group Dogtroep. In 2003, Brendon released Diesel Geiger (Open Records), and recently performed at Unyazi, an international electronic festival in Johannesburg. He also performs as part of acoustic duo Abel Steen. Bussy teaches violin, viola, piano and music theory at a project in Langa Township and teaches short courses in digital audio at the Institute for Film and New Media (UCT).


BHP Billiton/Wits University Visual Arts Fellowship

Wits University, in partnership with mining company BHP Billiton, have launched a Visual Arts Fellowship, which seeks to 'promote inspirational teaching and practice in the visual arts'. The Fellowship seeks to promote a dynamic interchange between art education and art practice.

Billiton's initial R150 000 commitment to the first three years of the project will enable selected Fellows to commence periods of lecturing and art practice at Wits, for between three and six months. The funds will cover each Fellow's residence at a flat in the Wits School of Arts, a monthly stipend, and the mounting of an exhibition of work at the end of the Fellow's stay.

Only previously disadvantaged individuals who have graduated from South African institutions should be nominated. The qualification would be a fine arts degree/diploma or equivalent. Nominations should be from South African institutions offering degrees in Fine Arts (no more than three nominations per institution), or individual nominations from any professional of standing in the field. Candidates may not nominate themselves.

Nominations should be accompanied by the following:
- A letter of motivation from the nominator(s)
- A statement of intent from the nominee
- The nominee's curriculum vitae
- Examples of the nominee's artistic work (slides, CDs, DVDs, videos and catalogues)
- Two independent letters of reference in support of the nominee
- Any reviews of exhibitions the nominee may have held.

A board comprising seven people, two each from BHP Billiton and Wits and three independent professionals in the field will select the successful fellow.

Closing date for nominations: May 31

Nominations and inquiries should be sent to: Natalia Fiandeiro
Wits School of Arts University of the Witwatersrand, Private Bag 3, WITS, 2050
Tel: (011) 717 4663
Fax: (011) 339 7601

VideoChannel invites submissions

VideoChannel is looking for digital films/videos dealing with the interaction of image and music, a theme which is referring to the character of the festival of sonic art (KlangDrang).

Film and video are basically visual media, and even music is used and recognised as an important component, it is used mostly in its colouring and atmospheric capacity. The films/videos VideoChannel is looking for should treat image and music as equal or allow music even to dominate. This may be done in several ways - music as the theme of a story, films reflecting music through images and vice versa, or the visualisation of music. There are no restricting categories, the submission of experimental works is encouraged. Artists are invited to submit up to three proposals. Deadline is 1 July 2006.

Videos should be preferably available online and be submitted as URL for downloadand be between 1 and 10 minutes long. After a positive review, the artists/directors may be invited to send the video as data. For more information email with 'image vs music' in the subject line.

Sun International extends invitation to visual artists

Sun International proudly presents 'POSITIVE' - a unique fusion of music, fashion, art and cuisine with a world-class line-up of creative talent led by the multi Grammy-award winning vocalist and songwriter Seal, taking place at Sun City from June 8 - 11. This unique collaboration between leading South African and international fashion designers, musicians, artists and Michelin-starred chefs, will result in the 'POSITIVE' extravaganza which will raise funds for Sun International's AIDS initiative, Tapologo Aids Hospice.

As part of this event we would be most grateful if artists would consider exhibiting art work at this event. The themes for the art exhibition are 'hope, healing and compassion'. All art work will be sold to raise funds; we are not asking artists to donate the work (of course they can if you want to!), but to agree that a percentage of the price achieved will go to Tapologo.

Funds that are raised during the 'POSITIVE' campaign will go towards the Tapologo Aids Hospice that is a non-profit organisation offering palliative and preventative care to many people living in impoverished conditions. Besides offering anti-retrovirals to many people who are HIV positive, the organisation assists with offering indigent people the opportunity to die in an environment that is compassionate and caring. We are aiming to have around 100 pieces of art shown at 'POSITIVE' so please do become involved in making a bold statement in the prevention and cure of HIV/Aids. Many South African opinion makers and leaders in their field have joined forces on this project and we urge all visual artists be part of the very first collaborative project that will benefit a great cause.

Should you wish to register on-line, you can do so at

For more info, contact:

Fran Cox
Tel: (021) 689 7085 or 082 556 0275
or Craig Kilford
Tel: 0044 7970 648202 Email:

JK Gross Trust 2006 Public Sculpture Competition

The J.K. Gross Trust (JKGT), Spier and the Association For Visual Arts (AVA) invite the submission of maquettes for the execution and installation of a public sculpture on the patio of the AVA Gallery, 35 Church Street, Cape Town. Application forms, site maps and more information about the competition can be found at

All submitted maquettes will be exhibited at AVA from August 22 to September 1, 2006.

Deadline for submissions is August 18.

Calling For Applications International Artists Residencies at Kuona

Kuona Trust in Nairobi are looking for a maximum of 4 artists working specifically in the fields of socially engaged art, installation and/or film and video to fill a 10 week slot in 2006. Dates to be announced. For more information on how to apply visit

2005 MTN School Art Awards calls for entries

The MTN Foundation has launched the 2005 MTN School Art Awards, which is aimed at fostering the talents of young artists. Introduced in 1998, the MTN School Art Awards recognise and reward young artists for their creative ability and for their commitment to art-related community work at school or in their communities. The awards also recognise educators for their commitment to the discipline.

There are two award categories: the School Award and the Learner Award. The awards are open to Gauteng-based schools and art learners in Grades 11 and 12. The closing date for entries is October 10. Finalists will be announced on November 8, followed by the awards ceremony on November 23.

Says Yvonne Muthien, Group Executive, Corporate Affairs: 'MTN is committed to addressing the critical imbalances in South Africa's art, culture and heritage. We are also committed to sustainable partnerships and are proud to work with the Gauteng Department of Education (GDE) on this initiative. Through the School Art Awards we hope to contribute to the establishment of a creative and resourceful society and to show that art presents relevant career opportunities. It is also important that art educators - mostly unsung heroes - receive the acknowledgement they deserve for their dedication to the arts.'

Says Mashifane Makunyane, Deputy Chief Education Specialist of Arts and Culture at the Gauteng Education Department: 'The MTN School Art Awards is a symbol of commitment, responsibility and understanding of our historical dynamics as South Africans. We believe that this MTN initiative is money well spent. It is through constructive partnerships like this that together we can achieve excellence and invest in our learners, who are able to create, construct, interpret, analyse, appreciate and share through MTN's initiatives.'

The prize for the winning school includes a three-night art tour to Cape Town for the art educator, a digital camera and book hamper. Learners can look forward to winning cellphones, art materials, book hampers and other MTN goodies. There are also a number of runner-up prizes.

The Awards are part of the MTN Foundation's Arts and Culture portfolio whose objectives are to:

* Promote art, culture and heritage for nation-building;
* Use art as a tool for educational purposes; and
* Support and profile emerging African artists

The MTN art collection is one of the most comprehensive corporate collections of African art on the continent and includes more than 1500 original artworks. The collection forms the core of a far-reaching social empowerment programme and is used to facilitate a range of projects aimed at giving visible support to arts, culture and heritage in South Africa with a nascent expansion into Africa.

Through its Art Institute, the MTN Foundation holds exhibitions, facilitates outreach programmes and publishes art books, resource materials and educational supplements.Later this year the MTN Foundation will also host the MTN New Contemporaries Award which targets artists who have either recently graduated from art school or who have not received widespread recognition. The MTN New Contemporaries Award showcases cutting edge, installation, video and new media works which engage social and theoretical issues pertinent to South African society today.

For more information:

Pearl Majola 083 212 2459 or
Sarah Chapman 083 200 3020

Journal of African Art History and Visual Culture: Call for Papers

'Is African Art History?'

Critical Interventions: Journal of African Art History and Visual Culture is a new peer-reviewed publication for studies in the history of classical, modern, and contemporary African arts, slated to begin publication in Spring 2006. We invite submissions for the inaugural issue titled, 'Is African Art History?' Essays addressing the problem of history in continental African art practice are welcome, especially those that engage directly with ideas of modernity and that propose or critique a clearly articulated methodology.

Critical Interventions will publish scholarly Art Historical essays about objects and critical discourses in African arts and visual cultures. Comparative work rooted in developments in Africa that links African art to the Diasporas, to Europe, Asia or to the Americas will be considered. We are seeking essays that illuminate the place of art in specific historical processes and evaluate the theories and methods produced through the study of African art history.

Critical Interventions will provide a forum for established and younger scholars whose writing is based on extensive research into the problems of modernism and modernity in African art and comparable areas of research. Submissions may focus on any area of modern and contemporary art and visual or material culture, including popular art, neotraditional forms, studio art, film, photography, architecture, and new media. Essays that review the history, appraise the present situation, or propose the future course of modern African art studies will be viewed favourably.

Submissions must be original and previously unpublished work submitted both in hard copy and also in electronic form saved in Microsoft Word. Articles should be between 6500 and 8500 words and may include black and white and colour images scanned to disk at 300dpi. All copyright resolution issues are the responsibility of the author and copyright permissions must be included at the time of submission. Send articles to:

John Peffer, Editor
Critical Interventions
C/o HAVC, Porter Faculty Services
University of California
Santa Cruz, CA 95064

Inquiries may be sent to and

Submissions invited for work to be sold in a variety of venues worldwide

ArtAnts markets and sells giclée prints of artworks internationally. We need thousands of artworks.

We have a unique new marketing strategy for the prints that includes displaying catalogues of art in coffee shops, curio shops, framing shops and other venues worldwide. We keep these venues interested in displaying the art by paying them a commission of 10%. We have special technology for determining which orders result from which catalogues displayed in which venue.

Since we print each catalogue individually, we can display different artworks in each catalogue in each venue, which means that we can represent a large variety of art from many artists.

The giclée printing process allows us to make prints one at a time without storing an inventory of prints. It also allows us and the artist to break even on the first sale and to start making a profit from the second onwards. This means that it is financially viable for us to give the opportunity to all artists to sell prints of their work - even if just one or two prints will ever be sold.

For more information, visit or email

Unseen City invites contributions

The youth of Cape Town and Amsterdam, two cities that are both torn and connected by history, convene in this project and show a new urban reality through the use of the arts. Artists are invited to submit relevant work on the website.

Want to see your work on the world wide web? Want to share your urban experience? Interested in connection? Join artists, designers and photographers from Cape Town and Amsterdam in this unique web-based project.


Enjin Museum of Dead Media

Enjin in collaboration with The Trinity Session is embarking on the development of a Museum for Dead Media. The purpose is to call the public's attention to the significance of collecting or preserving one's redundant or dated technology, reflections on ways in which these tools are still applied in creative processes and of course to reflect on the advancements in new technologies and media. Key to this project are questions around what shape and form a museum of dead media could take. Is it a building, a collective networked data system, a discussion forum or a series of presentations and features in future issues of the magazine and dvd supplement. The first steps towards this project manifest in the Hobbs/Neustetter installation at Design Indaba and the call for interest and ideas on creative uses of dead media, and concepts for the 'museum'.

Who is involved?

Enjin is South Africa's leading resource for creative professionals, brings you comprehensive coverage of the art of design, 3D, animation, video, effects, web and interactive design. Enjin addresses the needs of those within the digital media market by providing relevant and forward-thinking content. Now in its sixth year, Enjin Creative Magazine consistently delivers the content that people want to read.

The meeting of Stephen Hobbs and Marcus Neustetter as an artist collaborative fuses their interests in urban social change and virtual culture. Over the years their artistic practices have resulted from experimentation with the juxtaposition of high and low tech, dead and new media interventions. These experiments manifest in public space, galleries and museums and in the arena of their artist lab: the Trinity Session. Taking into consideration the exclusivity of the museum and gallery context, current projects focus on social research and mobile platforms enabling their artistic expression.

Directed by Hobbs and Neustetter, The Trinity Session is a contemporary art production team that investigates the strategies and relationships between art and business, collaborative practice, network development and creative contextual response. As Hobbs' personal artistic interest is the urban environment and Neustetter's the digital and virtual, the thematic focus of The Trinity Session revolves around these subject areas. Heavily informed and influenced by context, The Trinity Session defines its approaches from a position within Johannesburg, South Africa, thusdetermining its attitude tolocal and global debates, networks and partnerships for survival and sustainability of the visual arts industries. By acting as correspondents and consultants, and approaching the work process from a network and 'accommodation and exchange of information' angle, the purpose of the working dynamic is to produce in a cross-platform multidisciplinary way with artists, institutions and corporate brands and services. Interests lie in interdisciplinary working methods, conceptualising and interacting with like-minded partners.

Enjin is building a museum and we need your help. Create a visual piece in any format or material. Submit your personal or professional interpretation of dead media to Enjin magazine for inclusion in the Enjin Museum of Dead Media. Works will be selected to feature in future editions of Enjin magazine, and for pride of place in the Museum. There are no entry restrictions - all visual comments on the theme of dead media are accepted and encouraged.

For more info, download the emodm brief and submission form from www.enjin Send your museum piece concepts and proposals to . Call (011) 339 2785 or 381 7711 for further information.

Tsunami - call for submissions

The current Asian tsunami disaster made it again evident: the human being cannot control the destructive powers of nature.

A Virtual Memorial and [R][R][F]2005---XP initiate on occasion of this disaster and in solidarity with all affected people in this human tragedy a net-based art project environment, entitled 'Tsunami'.

The title 'Tsunami' does thematically not only refer to this or similiar disasters in present or past, but beyond that 'Tsunami' is primarily also understood as a symbol for the inevitable, the immutable, for powers of nature, powers of destiny which cannot be controlled by the human being, situations of helplessness of which the human being is irrevocably at the mercy. Has he any chance to escape or take influence?

Nearly everybody wherever he may live has had experiences of that kind in one or the other way already. Artists around the globe are invited to reflect on these traumatic conditions of human life and submit art works, documents, texts or any other material which can be submitted as digital file.

'Tsunami' - this collaborative project will be published and featured on and simultaneously and will take part in all coming physical events of [R][R][F]2005--->XP, global networking project by Agricola de Cologne.

Following file types are accepted:

Text: .txt, .rtf, plain email
Image: .jpg,.gif., png
sound: .mpg3
movie: .mov, .avi, wmv, .swf, .drc, .mpeg2

The submission can consist of different parts, works or documents but must not exceed 5MB. All serious contributions will be accepted.

First deadline is March 31, afterwards ongoing, but the project will be launched on February 1 and from then on continuously updated.

Please use this form for submitting

1. Name, Email, URL
2. Brief bio (not more than 50 words/English)
3. Work(s) (number of entries, titles, year of origin, medium of original work, submitted media file types)
4. Short description for each submitted work (not more than 50 words/English)

Please send the submission as individual files attached to with 'tsunami' in the subject line.

Gallery in Georgia, USA seeks South African artists

Fine Art Gallery in Roswell, Georgia (USA) seeks talented artists from South Africa. The gallery is located in an affluent part of the city, surrounded by other galleries, bookstores and fine restaurants.

Please submit work and resumé to:

Laramee Fine Art
984 Canton St.
Roswell, Georgia (USA) 30075

Email submissions should be sent to:

AVA invites submissions

The Association For Visual Arts (AVA) in Cape Town invites submissions from visual artists who wish to exhibit at AVA from 2004 onwards. The Selection Committee of the AVA meets every two months to review submissions and the next meeting takes place on Wednesday, November 19. Selection meetings take place every second month thereafter.

Interested artists should bring to the gallery six to eight works (these can be supplemented by visual material such as slides and photographs), a CV and a short letter of intent or an artist's statement. The committee is most interested in reviewing the work that the artists wish to exhibit or else their most recent works. Artists can collect their works the day after the meeting.

In addition, any curators wishing to curate exhibitions for AVA should submit proposals to AVA's Selection Committee.

AVA is committed to the ongoing promotion of art and artists, both emerging and established, both formally trained and self- taught. For more information, contact Estelle Jacobs.

Association for Visual Arts
35 Church Street, Cape Town
Tel: (021) 424 7436
Fax: (021) 423 2637

Donate your art to AIDS orphans auction website

Last year the Art for AIDS Orphans auction raised over a million rands for AIDS orphans. Organizer Nicci Bailey is currently setting up a permanent charity website gallery,, and are requesting that all artists who would like to donate a piece for this worthy cause to log onto our site.

Contact: Nicci Bailey


UNIDEE in Residence - International Programme 2006

UNIDEE in Residence is an international programme open to artists, professionals, students and graduates of various university faculties from any country in the world. UNIDEE offers an experience unlike anything offered in any other university or academic programme: a research-oriented practice that operates within each discipline and is directed towards the responsible transformation of society and the creative activation thereof.

The UNIDEE programme are directed by Michelangelo Pistoletto. The course in residency includes an active participation in meetings and seminars held by experts and professors of various humanistic, scientific, economic, political, artistic and social disciplines. The residents work individually or in groups to develop ideas and projects, working along creative lines pertinent to the following fields: Art, Communication, Ecology, Economics, Education, Work, Nutrition, Politics, Production, Science, Spirituality.

The work of the UNIDEE residents involves constant interaction with the offices of Cittadellarte, which put the programme of responsible social transformation into effect through projects developed in conjunction with public and private institutions, companies, cultural bodies and economic and production structures. All the events in the Cittadellarte programme, exhibitions, conferences, performances and workshops, offer further opportunities for the residents to explore issues and develop ideas. At the end of the residency, the ideas that have been generated are presented publicly at the UNIDEE in progress exhibition/event.

How to apply
A maximum of 20 residencies are available each year. Each lasts four months, from July 3 - October 31.

The official language is English. The Cittadellarte selection panel chooses candidates on the basis of their aptitude for developing projects relating to the aims of the University of Ideas. Applicants are invited to send any material they consider pertinent to such an assessment: curriculum, documentation of previous work, one or more examples ( well-developed or to be developed during the residence) of projects that illustrate their approach to the theme of responsible social transformation.

A filled-in and signed application form must also be included with the material. The overall estimated cost for each resident is 10,000 euros. Scholarship grants are available, for total and partial cover. Anyone interested is invited to consult the website or to contact the organising secretary for further information.

Apply now for a new grant awarded by UNESCO, Aschberg programme for an artist coming from: Africa, Latin America, Middle East, East Europa, Asia, to participate in a UNIDEE in residence 2007 Applications must be posted by April 10 to the following address:
UNIDEE in Residence
Cittadellarte Fondazione Pistoletto, Via Serralunga 27, 13900 Biella, Italia

Tel: +39 015 0991462/471
Fax: +39 015 2522540

Global Arts Village Fellowships

Global Arts Village is an emerging international residential art centre in New Delhi, India. We encourage diversity and multicultural exchange among creative people of all kinds. We practice community living, sharing meals and evening activities.

The Village enables artists to experience a natural, eco-friendly environment for creative work. The Global Arts Village is a three-acre property that includes gardens, a multi-purpose studio, sculpture workshop, a meditation and performance hall, a common building, a dance studio, performance spaces and accommodations. The buildings are in accordance with the ancient wisdom of Vastu, which harmonizes man-made structures with their natural environments.

The Village offers residency programmes to emerging, mid-career and established artists in all major creative disciplines. We are building a community that blends art, culture and consciousness. Individuals with exploratory spirits are invited to join.

Fellowships / Artist-in-Residence
The Global Arts Village offers full and partial fellowships, several specific fellowship opportunities and an Artist-in-residence programme. All programmes include accommodation (standard or duplex), laundry service, three meals per day, studio or workspace (shared or private), initial welcoming celebration (presentation of past work and project plan to local artists and other fellowship recipients), concluding exhibition opportunity and other benefits dependent on the fellowship programme and the dates of stay. All recipients are asked to donate fellowship-specific hours of community work per week (cooking, researching, organising, leadership of a workshop, assisting or teaching a class, promotion, event planning). Partners of artists are invited to stay for US$15 per day.

45-day residencies begin on February 17, April 3, May 19, July 3, August 18, October 2, November 17 and January 1 of each year. 90-day Residencies begin on February 17, May 19, August 18 and November 17 of each year.

Artist Full Fellowship (90 Day)
The fully funded residency has no programme fee. Recipients contribute US$9 for meals per day and a total of 7 hours of community work per week.

Artist Partial Fellowship (90 Day)
The partially funded residency includes a reduced programme fee of US$20/day for standard accommodation and US$25/day for duplex accommodation. Recipients contribute a total of 7 hours of community work per week.

Performing Arts Fellowship (45 / 90 Day)
The Global Arts Village offers full and partial fellowships for various categories of performing arts. All recipients are asked to donate 7 hours of community work per week. Under full fellowships, only US$9/day has to be contributed for meals. The 45-day partial fellowship has a reduced programme fee of $25/day for standard accommodation and $30/day for duplex accommodation. The 90 day partial fellowship programme has a rate of $20/day for standard accommodation and $25/day for duplex accommodation.

Emerging Artist Fellowship (under 27 yrs; 90 Day)
These fully funded 90-day residencies are offered to creative people who have graduated from a University programme. There is no programme fee but US$9 per day has to be contributed for meals. Recipients contribute a total of 15 hours of community work per week.

Student Fellowships (45 Day)
Fully funded residencies are offered to students currently enrolled in a University programme. There is no programme fee, we only ask that US$ 9 per day be contributed for meals. Recipients contribute a total of 15 hours of community work per week.

Professional Development Fellowship (45 / 90 Day)
Fully-funded fellowship opportunities are offered: curators, visual art coordinators, grant writers, chefs/culinary artists, performing arts coordinators, organic farmers, organisation developers. The Fellows contribute 7 hours of communal work per week plus 15 hours of fellowship-specific work. There is no programme fee but recipients contribute US $ 9 for meals per day.

Site-Specific Sculpture Fellowship (45 Day)
This fully funded residency has no programme fee. A materials allowance of US$200-500 is offered dependent on the project proposal. The artist is to donate the site-specific sculpture unconditionally to the Village. Artists put in 7 hours of community work per week and contribute US $ 9 for meals per day.

Artist in Residence (45 / 90 Day)
The entire Artist-in-residence programme is subsidised. For 45 days, the programme fee is US$35 for standard accommodation and US$45 for a duplex room. For a stay of 90 days, the charges are US$30/day for a standard room with shared studio/work space and US $40 for a duplex room with private studio. All artists in residence are asked to donate seven hours of community work per week.

Applications are accepted on a rolling basis, there is no deadline. The application can be submitted via email or post. or
Global Arts Village
Mehrauli - Gurgaon Road
Utsav Mandir, Gitorni
New Delhi, 110030, India

UNESCO-Aschberg Bursaries for Artists Programme

The Programme UNESCO-Aschberg Bursaries for Artists falls under the aegis of the International Fund for the Promotion of Culture (IFPC) of UNESCO. Visual Artists can apply for residencies throughout the world. For the brochure with a list of all residencies please contact UNESCO-Aschberg Bursaries for Artists at the address below or download it from The selection procedure is shared between an International Artistic Committee which meets once a year under the supervision of the IFPC and the host institutions. In general the deadline for applications for residencies in 2005/2006 is April 30 (please check the institution's closing date for applications).

1, rue Miollis
F-75732 Paris Cedex 15 / France
Fax. 0033-1-45 68-55 95


Cape Town studio space to let

Spacious and light studio to rent in artist's/ architect's secure communal space. Access to kitchen facilities, water and lights included in R945 rent. Off street parking can be arranged.

Contact Diana 082 811 3027 or All Star Studio (021) 462 2095, or email

SA Art Times launched

The SA Art Times, 16 pages long, free and monthly, provides you with an enormous amount of contemporary art news, views and information, while also drawing from a rich and diverse South African art heritage.

In order to advance effective change in the visual arts community we have made the SA Arts Times free - this, we believe will assist in cutting through socio- economic barriers assisting artists to access to mainstream art markets.

We realise that many artists and art lovers live in exciting, but geographically remote areas. We would like to bring attention to their work, as well as close the divide between the art centres and fringes of the SA arts scene. The SA Art Times will be delivered free to your door.

SA Art Times, besides being distributed to the arts community, has targeted many schools with art classes, public libraries, coffee shops and cultural interest points in order to increase more exposure to an arts and culture market.

Simply email us at or go to with your request for a subscription, that includes your name, address, and if possible tel/ fax, cell and your profession (artist or arts admin, or arts supporter).

Add your news, views, classified ads posted for free. Advertising starts at just R350 and is therefore the most affordable advertising for the largest visual arts publication in South Africa (4000 distribution, potential 32 000 monthly readers, based on an average of two readers per issue reading the paper of 16 pages, four times per month, viewing 512 000 individual pages.

It is the ideal place to advertise your gallery, art materials, art courses, and of course your art work.

SA Art Times is brought to you by: Global Art Information (GAI) - Directed by Gabriel Clark-Brown, Edited by Cobus van Bosch. GAI is a South African-based art information company, producers of The SA Art Information Directory, Global Art Jobs etc.

World Cultures Yearbook seeks Associate Editor

The World Cultures Yearbook is looking for a scholar from Africa, Asia, the Caribbean, Latin America, or the Middle East to join the core Editorial Team, which is currently made up of the Yearbook's Principal Investigator (Helmut K. Anheier) and its Managing Editor (Yudhishthir Raj Isar). The Associate Editor's particular responsibility will be to develop content relevant to the non-Western World, involve scholars and experts from a greater diversity of regions and backgrounds, and contribute to the Yearbook's international presence, visibility and impact.


Under the direction of the Principal Investigator and in close cooperation with the Managing Editor, the Associate Editor will contribute to the Yearbook in five major task areas, with special emphasis on non-Western regions:
1. Acquisition: Soliciting, acquiring and reviewing proposals and texts for possible publication.
2. Substantive Editing: Arranging for reviews of proposals, papers and chapters by independent experts; researching typescript to determine accuracy and completeness; communicating to authors the outcome of the review process; discussing with authors suggested and required changes in their typescripts and ensuring that appropriate revisions are made in response to reviewer recommendations.
3. Administration: with UCLA and the Managing Editor for: the preparation of contracts with authors; the compiling and maintaining of contact and address information; the Yearbook's dissemination.
4. Outreach: Maintaining contact with academic and cultural circles, particularly in the Global South, with a view to identifying pertinent trends and potential new contributors.
5. Other: Performing miscellaneous other tasks related to the work, as agreed upon with the Principal Investigator and the Managing Editor. This will prominently include tasks related to the ongoing development of the Yearbook's conceptual and methodological framework as well as on its organisation and dissemination plans.

The Associate Editor will receive an honorarium and a stipend to cover expenses. We expect the workload to average one day per week. The initial appointment will be for one year, i.e., for the production of the 2008 World Cultures Report, beginning March 30, 2006, and can be extended to cover future editions.


Demonstrated knowledge of contemporary cultural issues and debates in different geo-cultural settings, but with emphasis on non-Western regions, and ability to identify and interact with leading thinkers and researchers in the field. Some editorial experience in a publishing or related setting including first-hand practice of copy editing; researching and evaluating texts in the social science and humanities disciplines for accuracy, clarity and content.

For more information, please contact Jocelyn Guihama at

Studio space available in Cape Town

Beautiful, well lit studio space for rent, in building of artists and artisans. Available immediately. Various size spaces, safe and secure parking, 24 hour security. R20 per m2, plus small security fee and utilities.

Tel: Billy 082 093 5869 or Amanda 082 093 5870

Yeoville Children's Mosaic Park seeks funding contributions

The concept of a Children's Mosaic Park is inspired by the Melbourne Botanical Gardens, which has special theme gardens especially designed for children as well as the work of Gaudi, who created the Park Guell, with mosaicked areas and sculptures in Barcelona. The feel of the park in general, which I hope can be achieved, is inspired by the Forodhani Gardens in old Stone Town in Zanzibar. This park area is situated near the harbour and the Sultan�s Palace and serves as an evening gathering place for families, couples, children and anyone who wants to go for a stroll and socialise in the evening. People gather and buy food from the many vendors who braai seafood and kebabs on their grills while an ancient sugarcane pressing machine provides liquid refreshment.

What I feel is very important with regard to the proposed Children's Mosaic Park in the Yeoville Park, is that it will give children their own, beautiful, child-friendly and secure space within which to play. The game tables will provide adults with peaceful recreation activities, an alternative to drinking or watching TV. The other decorative elements will serve to enhance the beauty of the park, giving a message that the community in Yeoville is not being neglected, and will help ordinary residents 'reclaim' their park. Only by making it as safe, attractive and as inspiring as possible, can one encourage all residents to use the park.

Cordoning off an area for children would, I feel, accomplish the following:

1. Make it easier for parents to watch over their children.
2. Define it as a child's area, making the children feel as if they 'own' that space, by creating decorations that are child-sized.
3. Be a decorative area, which will enhance the overall look of the park, thereby helping to dispel the 'no-go', neglected air it currently posesses.

The park would consist of:

1. A low, curvy wall decorated with tiles, mirror tiles, cowrie shells and beads surrounding the play area. It would be low enough for children to sit and walk along it.
2. 12 mosaic animal sculptures placed around the playground equipment.
3. A decorative wrought iron archway saying 'Yeoville Children's Mosaic Playground', with a mosaic animal on the wall on either side of it.
4. Sunflower lights, made out of steel, with holes punched in them to let out the light, along the wall.
5. Child-sized and adult benches covered in mosaic in the play area.
6. Decorative fairy lights wrapped around trees, coloured lights strung across the play area, and ball-shaped lights, made out of tin can strips with globes in them, hung from trees.
5. Normal sized tables and benches dotted around the park, decorated with mosaic and with chess, checkers etc games mosaicked into the tops of the tables.
6. A large mosaic map of Africa on the front of the rec centre facing onto Raleigh street. It would have a statement encouraging the unity of Africans from all over the continent.
7. A world globe made of cement placed near the entrance.
I have estimated I would need approximately R300 000 to cover the costs of materials, craftsmen, builders and a salary for myself. Donated materials such as cement, building sand, grout, tile bond, tiles, beads, bricks etc. are welcome, too. A breakdown of costs is available on request.

If you are able to help with any contributions to this project which is supported by the Johannesburg Development Agency, contact:

Gabrielle Ozynski

ArtMoves Africa: Mobility of artists and cultural operators within the African continent

ArtMoves Africa (AMA) is an independent non-profit association aiming to facilitate cultural and artistic exchanges within the African continent. AMA offers travel funds to artists, arts professionals and cultural operators living and working in Africa to travel within and between the five African regions in order to engage in the exchange of information, the enhancement of skills, the development of informal networks and the pursuit of co-operation.

AMA is a project initiated by the Young Arab Theatre Fund (YATF) together with a group of African and Arab organisations to facilitate and encourage the mobility of artists and cultural operators within the African continent. In 2001, YATF participated in meetings in Egypt, Kenya and Zimbabwe, together with different organisations and cultural activists from Africa and the Arab world. The meetings aimed at linking organisations and individuals, and creating informal continent-wide networks. The participants agreed that one of the major obstacles for artists and cultural professionals in Africa was the persistent lack of funds specifically allocated to support travel.

* Facilitate cultural exchanges in Africa for individual artists and cultural operators, and cultural organizations
* Encourage artists and cultural operators to exchange experiences, information and ideas towards shared projects and artistic collaborations
* Give artists and cultural operators the opportunity to gain a better knowledge of the context and the cultural environment in the different regions
* Encourage independent initiatives and small projects by giving artists and cultural operators the opportunity to meet with their counterparts and partners
* Give artists and cultural operators the opportunity to attend festivals in order to see each other's work to enrich their own creativity
* Give artists and cultural operators the opportunity to enhance their artistic or technical skills in participating in highly professional artistic and arts management workshops, seminars and residencies for artists
* Encourage the mobility of artists and cultural professionals as well as the mobility of information
Legal Status:
For the first year, AMA will be functioning as one of the programmes of the YATF, but with an independent selection committee and coordinator. By the end of 2005 ArtMoves Africa shall be registered as an independent international association in Africa.

For more information, contact Khadija El Bennaoui:

Tel/ fax: +32 2 2031295

Young Arab Theatre Fund a.i.s.b.l.
19 Square Sainctelette, 1000 Brussels, Belgium