SMAC Art Gallery 02

international listings

Venus Baartman

Tracey Rose
Venus Baartman, 2001. Lambda photograph 120x120cm.

'Afro Modern: Journeys through the Black Atlantic'

Unknown Artist at Tate Liverpool

'Afro Modern: Journeys through the Black Atlantic' explores the impact of different black cultures from around the Atlantic on art from the early twentieth-century to today. The exhibition takes its inspiration from Paul Gilroy's influential book The Black Atlantic: Modernity and Double Consciousness (1993). It features over 140 works by more than 60 artists, including South Africans Candice Breitz and Tracey Rose. Gilroy used the term 'The Black Atlantic' to describe the transmission of black cultures around the Atlantic, and the instances of cultural hybridity, that occurred as a result of transatlantic slavery and its legacy. 'Afro Modern: Journeys through the Black Atlantic' reflects Gilroy's idea of the Atlantic Ocean as a 'continent in negative', offering a network connecting Africa, North and South America, the Caribbean and Europe. It traces both real and imagined routes taken across the Atlantic, and highlights artistic links and dialogues from the early twentieth-century to today.

An international symposium entitled 'Global Exhibitions: Contemporary Art and the African Diaspora', scheduled alongside the exhibition, brings together artists, art historians, cultural critics and curators to reflect on recent developments in the globalisation of the contemporary art of Africa and its many diasporas. It aims to discuss and unravel the complexities of presenting and exploring art of the African diaspora, and situating it within debates around Modernism.

29 January - 25 April



more international listings

  • 'Nous'

    'Nous'

    James Webb and Ninar Esber

    at Galerie Imane Fares

    This exhibition by Ninar Esber and James Webb introduces different forms of disobedience that tend to thwart the systems of societal domination. The defiance these two artists address towards the underlying censorship within the moral and technologic

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  • 'Someone Else's Country'

    'Someone Else's Country'

    Jo Ractliffe

    at Peabody Essex Museum

    Photographer Jo Ractliffe (b. 1961) has spent the better part of the last decade photographing the effects of the prolonged civil war in Angola (1975-2002), both in the country itself and in her native South Africa. From the capital city of Luanda to

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  • 'Distance and Desire: Encounters with the African Archive'

    'Distance and Desire: Encounters with the African Archive'

    Santu Mofokeng, Andrew Putter, Pieter Hugo, Sabelo Mlangeni, Zanele Muholi, Candice Breitz and Zwelethu Mthethwa

    at The Walther Collection Project Space

    Distance and Desire: Encounters with the African Archive A three-part exhibition series on photography from Southern Africa, Distance and Desire: Encounters with the African Archive presents rarely before seen portraits, albums, cartes de visite, a

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Nontsikelelo Veleko 'Kepi in Bree Street' and 'Nono', from the 'Beauty is in the eye of the Beholder' series

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