Archive: Issue No. 123, November 2007

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06.11.07 Call for artists' submissions: Collagist
06.11.07 Studio space available at The Bijou in Cape Town
04.11.07 GoodHopeArt studios invites applications
04.11.07 Geborgen Kamers invites submissions from Gauteng-based artists
04.11.07 15th German International Exhibition of Graphic Art invites submissions
04.11.07 Call for entries: KZNSA Members' Exhibition
04.11.07 AICA/ Vansa Seminar: Cape Town
04.11.07 Invitation to apply to the Bag Factory Video Art Programme


06.05.07 Young Curators' Workshop at UCT
06.05.07 Free, 5 minute, quality artist web portfolios for SA artists

1.09.06 Art Courses in Plettenberg Bay


07.10.07 Call for applicants: Young Curators' Development Programme

10.09.07 Call for submissions for the International Folk Painting Exhibition in China
10.09.07 Gordart invites contributions for annual Christmas miniatures show

01.07.07 Eden to Addo Land Art Project invites interest

03.06.07 Africa e Mediterraneo Award for the best unpublished comic strip by an African author 2007 - 08

01.04.07 Call for Submissions: Africa Biennale 2008

04.02.07 AVA's Artreach fund invites applications

4.08.06 Call to Artists, Architects and Interior Designers

7.07.06 Africa e Mediterraneo invites you to contribute to a bibliography on contemporary African art

02.09.05 Journal of African Art History and Visual Culture: Call for Papers

5.08.05 Submissions invited for work to be sold in a variety of venues worldwide

3.06.05 Unseen City invites contributions

04.03.05 Enjin Museum of Dead Media calls for contributions

02.08.04 Gallery in Georgia, USA seeks South African artists

01.11.03 AVA invites submissions

15.09.03 Donate your art to aids orphans auction website


05.08.07 Durban Art Gallery seeks gallery assistant

5.05.06 Listings in Contempo magazine

5.08.05 ArtMoves Africa: Mobility of artists and cultural operators within the African continent


Call for artists' submissions: Collagist

'The beauty of collage lies in the magic of an original page, sheet or object, which has the power of giving life to the finished work.' - Peter Greenaway

'I could see no reason why used tram tickets, bits of driftwood, buttons and old junk from attics and rubbish heaps should not serve well as materials for paintings; they suited the purpose just as well as factory-made paints... It is possible to cry out using bits of old rubbish, and that's what I did, gluing and nailing them together.' - Kurt Schwitters

Considered by some to be an easy medium that requires little artistic talent, collage is instead a delicate balance of composition and creativity. Artists who have worked in this medium will know of the immediacy and power yielded by found images, whether for the early stages of the creative process or as a final product.

The Premises Gallery is issuing an open call to submit work for 'Collagist'. This will be a selling exhibition aimed at celebrating the playful medium of collage. Entries can be in any media in so far as they can still be 'classified' as collage. Works must be 2D and no larger than A3. This exhibition is open to national artists of varying levels of experience.

Submission deadline: November 26

Opens: Saturday December 8
Closes: Saturday Jan 26

Please submit work with a succinct biography and contact details. If work has been posted, include a self-addressed envelope of the correct size for return of artwork. Include an artist's price (onto which we will add 30% commission and 14% VAT). All artists are responsible for the delivery of their artwork. If you are posting work please ensure you allow enough time to make the deadline for submission.

The Premises Gallery
The Johannesburg Civic Theatre
P O Box 31900

For more information:
Tel: Leigh-Anne Niehaus (011) 403 9877

Studio space available at The Bijou in Cape Town

A large second floor studio is currently available for immediate occupation at the Bijou Art Studios in Lower Main rd. Observatory. The space can easily accommodate two artists. Rent is R1250 per month and one month's deposit is required.

Tel: Liza 083 256 1170 or Pierre 072 507 5951

GoodHopeArt studios invites applications

GoodHopeArt provides studios for visual artists. The studios are working and exhibition spaces with facilities for local and international, professional artists to develop their careers. GHA offers bridging workshops, life drawing sessions, in-service training and mentoring programmes for newly qualified artists. Candidates work in conjunction with experienced artists and mentors.

GoodHopeArt is a dynamic organisation and fulfils specific and essential skills for artists who are serious about entering the professional art industry.

For more information, contact Nico Eilers

Tel: 083 285 7874
Fax: (021) 949 8270

Geborgen Kamers invites submissions from Gauteng-based artists

The exhibition space Geborgen Kamers in the Netherlands would like to receive reactions from artists, writers or poets inspired by or living in Gauteng. We ask participants to send their thoughts or drawings to us on air mail paper, or by email.

Submitted works will be displayed from January 18 to 26, 2008.

The Geborgen Kamers (secured rooms) is an exhibition space situated in Transvaal, The Hague, a neighbourhood that is going through severe changes: condemned building are being torn down, people are being asked to move, and new buildings are being built. To ensure a smooth transition from the old situation to the demolition and the building up/new population, the city of The Hague is working with social/cultural organisations and is entrusting the area to artists. The artists use the old buildings for living and working space and often get involved with the workshops of the community arts organisations. A few art initiatives found the ground to develop their projects in own space. One of them is the Gaidaro, with their Geborgen Kamers project.

Deadline: January 2

For more information:


15th German International Exhibition of Graphic Art invites submissions

2008 will mark the 15th German International Exhibition of Graphic Art, which is now held triennially. It aims to support contemporary graphic arts. The exhibition is organised by the Kunstverein zu Frechen e.V., in cooperation with the city of Frechen. Three prizes will be awarded in the amounts of �2 500, �1 500 and �1 000.

Conditions of Entry
In order to support talented young artists, the International Exhibition of Graphic Art has introduced an age limit, inviting professional artists born since 1968 to submit their work. Entries must be executed in one of the graphic arts. New graphic practices (laser printing, etc.) are as welcome as traditional printmaking techniques (woodcut, linocut, screen printing, etching, etc.). The work must demonstrate a convincing use of the medium chosen as an expressively powerful means to convey content and formal aspects, and not purely as a reproduction technique. Three-dimensional works and monoprints may be submitted as well, as long as they belong to the field of graphic art. The measures of each work (a+b+c) may not be more than 250 cm. The decisive factor is the innovative, artistic quality of the works.

In the pre-selection round, an internal jury will choose the artists who will be invited to participate in the final round, which is judged by the admission jury. Entries to the pre-selection round should be submitted either as colour photos (at least 13 x 18cm) or as computer prints on A4 paper (21 x 29.7 cm). Up to four works may be submitted, and each should be clearly marked with the entrant's name, and with the work's title, year, technique, and dimensions. The completed entry form must accompany the entries. Closing date for entries is January 31

For more information:

Kunstverein zu Frechen e.V.
Kolpingplatz 1
D-50226 Frechen
Tel: 02234-16967
Fax: 02234-200775

Call for entries: KZNSA Members' Exhibition

An annual event, anticipated by many and supported by even more, the KZNSA Members' Exhibition is scheduled for January 22 to February 10, 2008. Submission dates are January 17 to 19.

Gallery Director Brenton Maart says of the exhibition:

'Social scientist Melanie Judge describes "identity" as a process "of differentiation, a description of one's own group and simultaneously a separation from others". The first thing we learn from her definition is that identity is a process. In other words, it changes over time. It is not a fixed entity. This is a far cry from earlier social theories which sought to define groups, and fix them within narrow delimitations traditionally based on gender, skin colour, geographic location, and so on. Today, contemporary social theory understands that the process of identity formation implies that identity is fluid; in constant flux.

'The second thing we learn is that identity is a process of comparison between oneself (or one's own group) and a neighbour (or a neighbouring group). Earlier social theories sought to make these comparisons by highlighting differences, whilst more enlightened, contemporary theorists introduce the notion of similarities as a more accurate way to describe and promote constructive relationships.

'A further characteristic of post-modern identity theory is the notion of multiplicity: the fact that a number of identities can co-exist, simultaneously, within one person or within one group. Thus, it becomes more accurate to start talking about identities, in its plural form.

'Closely tied to identity theory is the notion of representation: who is talking on behalf of whom. Today, it is accepted that the most truthful and accurate description is in talking only about yourself, leaving others to talk about themselves.

'The implication of these contemporary theories of identity present a rich and exciting field for the artist: to try to capture this fluidity - this constant conversation, this multiple flow of the construction of meaning, this simultaneous existence and manifestation of a myriad of possibilities - using the tool of the visual.'

For further information or an entry form, please contact

AICA/ Vansa Seminar: Cape Town

The Visual Arts Network of South Africa (Vansa) and the International Association of Art Critics (AICA) are hosting a three-day seminar from November 8 - 10, 2007 at the Michaelis School of Art, Cape Town under the theme 'Structuring Africa(s): Cultural policies and their differences and similarities, or how to deal with needs and desires'. The 19 invited participants to the seminar will be representing Egypt, Mozambique, Morocco, Ivory Coast, Bostwana, UK, Zimbabwe, Zambia, Namibia, France, The Netherlands, Angola and South Africa.

This will be the third initiative of this nature by AICA in Africa following two earlier seminars in Dakar, Senegal (2003) and Addis Ababa, Ethiopia (2006). The seminars provided an opportunity for comparing and evaluating different cultural and economic contexts in Africa, in terms of institutions, structures and training. Even if there seem to be more universities and museums in Commonwealth countries than in the former French colonies, Ivory Coast, for example, boasts a good university and a notable art school, whilst Senegal, which has nothing to compare with either of these, can still be proud of having its own Biennial. Nigeria has an exceptionally broad range of institutions, on account of its size and economic potential, but remains quite closed to the outside world. The Diaspora has contributed to the fact that African artists are now prized in the west through instruments such as biennals and leading international exhibitions in, notably, France, Britain, Germany (Documenta), Italy (the Venice Biennale) and the United States. This, in turn, has stimulated the creation of comparable events on the African continent, from the now defunct Johannesburg Biennial to the Biennials in Cairo and Alexandria, the Dakar Biennial, Cape 07 in Cape Town and the annual 'Meetings of African Photography', in Bamako.

This seminar will focus on the need for professionals from different countries in the Southern African region to meet, exchange experiences, and to engage in critical discussion with colleagues from other parts of the continent and the world. As more art historians and art critics are focusing their research on the new artistic scenes in Africa, the Middle East and Central Asia, questions arise, in particular, what role museums and biennials can play, and who benefits from their activities. The state of art institutions and art education in different regions will be discussed. This will also be a platform for South Africans to enter into more vigorous dialogue with colleagues from the continent and the world.

Open: November 8 - 10, 2007
Michaelis School of Fine Art, UCT
Free entry

Invitation to apply to the Bag Factory Video Art Programme

Although it is arguably the medium du jour in capitals like New York and London, video art is still very much an emerging form in South Africa, practiced by only a few artists who have access to the required equipment (which is mostly beyond the financial reach of individuals). The technical knowledge required for production is also beyond the ken of many emerging artists.

Under the leadership of Johan Thom and co-presented by Garreth Fradgley this series of workshops is focussed on exploring contemporary practices in Video Art and teaching the practical and conceptual skills needed to produce professional video art works. This workshop acknowledges that is imperative that contemporary South African artists are given the skills to contribute to this form of cultural expression.

The primary aim of the workshop is to introduce into the vocabulary of young South African artists theoretical and practical knowledge of:

Video Art as a contemporary art form locally and abroad
Cinematic language, tools and terminology
Practical Skills training - camera handling, basic lighting, editing, props, DVD Authoring etc
Conceptual skills training - evaluating video art, the relationship between concept and form, image and sound

The workshop will divided into a series of lectures, group/ individual exercises and discussions aimed at evaluating the relationship between Video Art, its practices and theories, and its capacity for inspiring new directions in contemporary South African artistic expression.

At the end of the workhop each student will have:

A Functioning DVD containing the final art work they produced
A Master DV Tape

The 14-day course will cost R1 000. Three full bursaries available to students in need. Bursary candidates need to make a clear indication as to why they should be considered eligible. All production costs are subsidized by the About Art Programme at the Bag Factory - this subsidy exceeds R10 000 per student.

For more information on the course and to apply, contact:


Young Curators' Workshop at UCT

The Centre for African Studies at UCT has launched a set of workshops aimed at providing Cape Town's burgeoning curators, creatives and artists with the knowledge and skills they need to curate their own exhibitions.

The workshops are open to all and are to be led by some of the country's top curatorial minds. Regular workshop participants will also get the opportunity to curate a short show at the Centre for African Studies later in the year, getting practical experience of the difficulties in funding, organising and curating an exhibition.

As well as presenting a series of exhibitions, the workshops aim to encourage interaction between fresh minds from around the city, from a variety of disciplines, forging links that will provide participants with the connections they need to launch exciting exhibitions in the future.

The workshops were launched on May 5 and will continue on Saturdays, from 10am until 1pm, at the Centre for African Studies Gallery. The workshops will be run by various gurus of curation including innovatory sound artist James Webb and art theorist, artist and legendary curator Andrew Lamprecht.

For more information contact: Linda Stupart
Tel: 084 753 4940

Free, 5 minute, quality artist web portfolios for SA artists /yourname

Just email or post us your content, or transfer your details from an existing website and we will place it on your webpage for free.

For an example see

Simply email Text: 1000 characters of:

(1) Your name
(2) email address
(3) something about your art
(4) contact details
(5) where else your art can be found on other websites


(1) 1 Picture for free that you could email to us, or that we can take off from a website that you may be on.

Wait there's more ......

(1) You can update your webpage as frequently as you like with images and text by using your own username and password that you can give to us.
(2) Joining ArtLife entitles you to receive a 10% reduction of Global Art Information products such as The SA Art Times Subscription, SA Art Information Directory etc.

For further details please contact us directly at

Our postal details are: Global Art Information, PO Box 15881, Vlaeberg, 8018. Tel: (021) 424 7733 for more details

Offer ends May 31

Art Courses in Plettenberg Bay

We offer a unique team-building opportunity for groups who are not necessarily outdoorsy, adventurous or particularly active, yet together would learn a new and exciting skill that would last them a lifetime. The deep relaxation achieved through drawing and painting in a tranquil country setting, would greatly benefit a stressed-out group of city dwellers.

So many people wish that they could draw and paint but consider themselves to be lacking in talent. The truth is, anyone can learn the skill. David Thorpe holds art-course-holiday breaks in the heart of the majestic 'Crags' near Plettenberg Bay on the tranquil, historical farm called Redford House. In these surroundings one is offered the rare pleasure of learning to draw and paint in a naturalist's paradise with an abundance of flora and fauna from with which to draw inspiration.

'There's nothing artistic about being able to draw. It's just a logical process', says David Thorpe. We offer a variety of choices for groups to participate in from 3 and 5 day courses to accompanied tours to game farms and mountain resorts. Courses can be tailor made to meet requirements and can be held at venues closer to the groups' home city. Prices vary accordingly and will be quoted on request.

Example of a Course:
During the three day beginners' course, David will teach participants to draw in the first two days. He is renowned for his drawings, paintings, illustrations and tutoring skills and is able to help a student attain their personal goals, whatever those may be. He teaches a technique which all artists use and can easily be learned in just a few days. Having learned to draw, the course moves onto basic watercolour painting on the final day, with demonstrations and simple painting exercises with personal assistance throughout the course.

There is time in the afternoons for vists to the nearby sights of Monkeyland, Birds of Eden (two amazing experiences within a living forest), wine tasting on a nearby wine farm, Elephant sanctuary etc., all withing a few kilometers of where the courses take place.

Depending on the group's budget, accommodation is at a variety of properties from B&B type establishments to Kurland Park, a polo estate offering 5 star accommodation. Restaurants are abundant in the area, and picnics are arranged each day for the participants. The course can accommodate up to 12 people and prices vary according to the needs of the group.

Basic costs: R700.00 per person per day. This includes participation in the 3 day drawing and painting course and lunch each day.

For more info contact Eve Wilson (Marketing and Sales):
Tel: (044) 535 9771 or 083 292 3359
Fax: 086 510 2728


Call for applicants: Cape Africa Platform's Young Curators' Development Programme

In the last decade the South African visual arts field has flourished, with artists receiving increased support and attention both locally and internationally. Despite this recognition, the visual arts are still lagging in some areas. There are, for instance, still no formal academic curatorial programmes within the country. This is resulting in a growing skills gap and slowed transformation in the sector as many aspiring curators leave to pursue their training and careers abroad.

In response, the Cape Africa Platform is launching a new Young Curators' Development Programme geared at nurturing local curatorial talent by providing an exciting environment for both critical and practical engagement.

The programme, which commences in 2008, targets four to six aspiring or emerging curators residing in South Africa. The successful applicants will undergo an all-expenses covered, focused 18-month course aimed at developing their skills in the thoughtful presentation and criticism of contemporary cultural production. They will also gain extensive practical experience in all aspects of curating and mounting exhibitions.

Seminars in art history, critical theory and discourse, presented by curators, critics and other arts professionals will run alongside independent research, exhibition and writing projects for the duration of the programme.

Participants will also complete internships overseas and on the continent, with identified partner arts institutions or established independent curators. They will have opportunities to work with experienced curators, scholars and critics in the preparation of mini-exhibitions and publications, here and abroad.

Ultimately, the process will be intense and collaborative, with participants benefiting and learning from each other's experiences to form a dynamic new network that will be instrumental in shaping the CAPE 09 exhibition and will contribute to other existing cultural structures within the country and beyond.

The Programme commences on January 15, 2008 and runs for a period of 18 months, culminating in the CAPE 09 exhibition (May-June 2009). Applicants are requested to be available throughout this period.

The closing date for applications is November 9, 2007.

Successful applicants will be notified in December 2007.

An updated and detailed CV
A letter expressing why you should be considered for this programme
Not more than 500 words on your outlook for contemporary African artistic production
Proof of South African residency and/or citizenship
Details of three contactable referees (with their letters of reference)

Please Note: any supporting documentation should be marked as such.

Applications can be emailed to Gabi Ngcobo (Head of Research) at or addressed to:
Young Curators' Development Programme
Cape Africa Platform
PO Box 15806
Vlaeberg 8018

For more info:
Tel: 082 743 2306

Call for submissions for the International Folk Painting Exhibition in China

In October when the golden autumn comes, the Xiuzhou District of the Jiaxing City will have a new session of the biennial Chinese Folk Painting Art Festival. The Xiuzhou District of the city of Jiaxing is a beautiful water town on the south of the Yangtze River, located between Shanghai and Hangzhou in Zhejiang Province in the southeast of China. For more than 20 years, local artists in the rural area of the Xiuzhou District have created many painting works representing the rural landscapes and customs, absorbing the artistic nutrients in local folk fine arts. In 1988 the Xiuzhou District was named by the Ministry of Culture of the People's Republic of China as the 'Town of Modern Chinese Folk Painting'. Since 2001, the District has successfully hosted two sessions of the Chinese Folk Painting Art Festival and played a prominent role in promoting the development of Chinese Folk Painting Art.

In order to promote the artistic communications between the folk painting schools from various countries in the world, contribute to the development of the international folk painting and enhance the understanding and friendship of the folk painters in the world, the organising committee of this Art Festival decides to add a section of 'International Folk Painting Exhibition' to the 3rd Chinese Folk Painting Art Festival to be held in October. The theme of the Exhibition is 'Harmonious World and Colorful Life'.

As one of the sponsors of the International Folk Painting Exhibition of the 3rd China Folk Painting Art Festival, the China International Exhibition Agency will take the full responsibility for the solicitation of contributions worldwide for the 2007 China Xiuzhou International Folk Painting Exhibition and sincerely hope that the folk painting artists, professionals and art enthusiasts of various countries will take part actively.

For more information:

Tel: 0086 10 64039716
Fax: 0086 10 64033945

Gordart invites contributions for annual Christmas miniatures show

gordart Gallery will host its annual Christmas miniatures/ small works show in December this year which will coincide with a show of dots by Paul Cooper intervened with by selected artists. We hereby invite submissions for this show that will be selected from digital images.

There is no theme and definitely not a Christmas theme. Each work selected will be charged R100.00 towards the exhibition costs. The idea is to have some fun, bring a litle cheer and hopefully sell up a whole range of cheaper smallish works.

Submission deadline: November 3

For more info, tel: (011) 726 8519.

Eden to Addo Land Art Project invites interest

There is a unique conservation initiative happening in the Garden Route area, which is working to create landscape linkages through conservation corridors between the three Mega-Reserves of the area, namely: the Knysna forests, Baviaanskloof and the Addo Elephant National Park itself.

One of our projects for this year is to create a Land Art route through the corridor with eight selected sites for the installations. To achieve this we aim to have a Land Art Workshop that people can attend in October which will hopefully result in a number of installations.

For more information:

Africa e Mediterraneo Award for the best unpublished comic strip by an African author 2007 - 08

Africa e Mediterraneo association is launching the fourth edition of the Africa e Mediterraneo Award for the best unpublished comic strip by an African author 2007 - 08. The competition is open to African artists living in or outside Africa wishing to tell their own stories, to draw life conditions in Africa, to denounce the lack of human rights, to describe conditions of migration or to free their mind and creativity.

The award is composed of three sections:
- Creative cartoon - free subject
- Cartoon on human rights
- Stories of migration

The cartoons can be in black and white or colour, but they must be unpublished: the maximum length is 4 pages, and the maximum format 35cm x 50cm. The technique is open. Stories written in African languages or in Arabic must have a translation in English, French or Portuguese.

The original artworks, along with an application form (which can be download from and a brief CV, must be sent by post to Africa e Mediterraneo assocation.

The winner, one for each section, will receive 600 Euros and the possibility to publish a personal album. In addiction, the best 40 works will be published in the Africa Comics anthology, and included in an exhibition that will be presented in Italy and in Europe.

Submission deadline: December 15, 2007

For more information:

Africa e Mediterraneo
Via Gamberi 4, 40037 - Sasso Marconi, Bologna - Italy
Tel: +39 051 840166
Fax: +39 051 6790117
Email: or

Call for Submissions: Africa Biennale 2008

This is an open call for submissions by contemporary African visual artists to the Africa Biennale 2008. AVANT CAR GUARD is proud to announce having secured both operational support and project funding from the art world and corporate entities, and in this capacity will be producing a prestigious showcase of this country's hidden secrets to the art world. As we know Africa is a country that has long operated outside the world, and it's time to bring the world back into the fold and celebrate together the riches of this often misunderstood and mysterious country.

Avant Car Guard
Buitengracht Street, Cape Town, South Africa
Tel: (021) 123 4567

AVA's Artreach fund invites applications

The Association For Visual Arts' Artreach fund was founded by committee members in the late 1980s to help raise funds for various charities in Cape Town. In the 1990s it was transformed into a more focused fund for the financial assistance of visual artists. To date, AVA's Artreach fund has sponsored art materials, art studio rentals, workshop fees, art tuition, art classes for children in Langa, a sculpture peace park, a street youth drawing project, a gallery in an art school, art catalogues, exhibition expenses for shows at AVA, framing charges and production costs for exhibitions.

AVA's Artreach programme is an initiative aimed at broadening opportunities for visual artists in South Africa by creating artmaking possibilities, by encouraging art education, by promoting through exposure, and by advancing cultural production across a wide spectrum of visual arts media. The programme is co-sponsored by Absolut Vodka and with Lottery funding.

The Artreach committee meets on a monthly basis. For details with regards to applications Please check

Call to Artists, Architects and Interior Designers

Through the course of 2005 The Trinity Session sourced and commissioned 1500 artworks for the Raphael Penthouse Suites and Michelangelo Towers in Sandton, with a view to giving the rooms in the hotel pool an original and authentic South African edge. Working closely with the interior designers, developers and the artists, The Trinity Session was able to mediate the needs of all parties and deliver a product that has been well received by owners and visitors alike. A defining factor of this project was that the commissioning process which engaged some 70 artists, in turn creating significant social awareness and local support. The project also included placing art in the corridors and public spaces in the hotels and the adjacent mall. Legacy Property Holdings received a BASA Award for this initiative in May this year.

The impact on the lives of the artists involved with this project was substantial and the lessons from this process have demonstrated the significant impact that original works of art have on shifting the perception of space and functionality in terms of design, leisure, status and brand awareness.

The Trinity Session aims to further engage such collaborations.

For more information please contact:
Artists can send examples of their works (low-resolution) and contact details to:

Africa e Mediterraneo invites you to contribute to a bibliography on contemporary African art

The next issue of Africa e Mediterraneo will be focused on contemporary African art, related through testimonies regarding expositions and publications which have used and interpreted the concept of 'African contemporanean art'. Therefore, contemporary African art is not considered as a style, as a specific group of artists or as the production coming from one or more locations, but as the history of a 'label' which sometimes has made easier, sometimes conditioned in its own way the perception of African production and of certain artists' groups.

Iolanda Pensa is currently working on the bibliography which will be published on the magazine: this bibliography includes expositions, publications and reviews which directly or indirectly have enriched the concept of contemporary African art (therefore we will exclude from the bibliography artists' monographs, studies focused on a single country and works regarding exclusively Afro-American artists, unless where the intention of inscribing those works in the field of contemporary African art is clearly specified).

In order to have a flexible tool, we have decide to work directly on Wikipedia (, allowing third parties to change, enrich and rectify the information, and allowing the bibliography currently updated.

Wikipedia is a very interesting tool but still less used, in particular by people working in the field of humanistic studies. As Wikipedia is a free encyclopaedia, it certainly needs any possible contribution, specially when those contributions come directly from experts.

If you wish to join the project, you can register yourself and insert your modifications directly on Wikipedia. Iolanda Pensa set up the bibliography and is currently editing it
skype: iopensa
Tel. 335 655 3633

The version of the bibliography updated till the July 10 will be published in Africa e Mediterraneo #55.

Journal of African Art History and Visual Culture: Call for Papers

'Is African Art History?'

Critical Interventions: Journal of African Art History and Visual Culture is a new peer-reviewed publication for studies in the history of classical, modern, and contemporary African arts, slated to begin publication in Spring 2006. We invite submissions for the inaugural issue titled, 'Is African Art History?' Essays addressing the problem of history in continental African art practice are welcome, especially those that engage directly with ideas of modernity and that propose or critique a clearly articulated methodology.

Critical Interventions will publish scholarly Art Historical essays about objects and critical discourses in African arts and visual cultures. Comparative work rooted in developments in Africa that links African art to the Diasporas, to Europe, Asia or to the Americas will be considered. We are seeking essays that illuminate the place of art in specific historical processes and evaluate the theories and methods produced through the study of African art history.

Critical Interventions will provide a forum for established and younger scholars whose writing is based on extensive research into the problems of modernism and modernity in African art and comparable areas of research. Submissions may focus on any area of modern and contemporary art and visual or material culture, including popular art, neotraditional forms, studio art, film, photography, architecture, and new media. Essays that review the history, appraise the present situation, or propose the future course of modern African art studies will be viewed favourably.

Submissions must be original and previously unpublished work submitted both in hard copy and also in electronic form saved in Microsoft Word. Articles should be between 6500 and 8500 words and may include black and white and colour images scanned to disk at 300dpi. All copyright resolution issues are the responsibility of the author and copyright permissions must be included at the time of submission. Send articles to:

John Peffer, Editor
Critical Interventions
C/o HAVC, Porter Faculty Services
University of California
Santa Cruz, CA 95064

Inquiries may be sent to and

Submissions invited for work to be sold in a variety of venues worldwide

ArtAnts markets and sells giclée prints of artworks internationally. We need thousands of artworks.

We have a unique new marketing strategy for the prints that includes displaying catalogues of art in coffee shops, curio shops, framing shops and other venues worldwide. We keep these venues interested in displaying the art by paying them a commission of 10%. We have special technology for determining which orders result from which catalogues displayed in which venue.

Since we print each catalogue individually, we can display different artworks in each catalogue in each venue, which means that we can represent a large variety of art from many artists.

The giclée printing process allows us to make prints one at a time without storing an inventory of prints. It also allows us and the artist to break even on the first sale and to start making a profit from the second onwards. This means that it is financially viable for us to give the opportunity to all artists to sell prints of their work - even if just one or two prints will ever be sold.

For more information, visit or email

Unseen City invites contributions

The youth of Cape Town and Amsterdam, two cities that are both torn and connected by history, convene in this project and show a new urban reality through the use of the arts. Artists are invited to submit relevant work on the website.

Want to see your work on the world wide web? Want to share your urban experience? Interested in connection? Join artists, designers and photographers from Cape Town and Amsterdam in this unique web-based project.


Enjin Museum of Dead Media

Enjin in collaboration with The Trinity Session is embarking on the development of a Museum for Dead Media. The purpose is to call the public's attention to the significance of collecting or preserving one's redundant or dated technology, reflections on ways in which these tools are still applied in creative processes and of course to reflect on the advancements in new technologies and media. Key to this project are questions around what shape and form a museum of dead media could take. Is it a building, a collective networked data system, a discussion forum or a series of presentations and features in future issues of the magazine and dvd supplement. The first steps towards this project manifest in the Hobbs/Neustetter installation at Design Indaba and the call for interest and ideas on creative uses of dead media, and concepts for the 'museum'.

Who is involved?

Enjin is South Africa's leading resource for creative professionals, brings you comprehensive coverage of the art of design, 3D, animation, video, effects, web and interactive design. Enjin addresses the needs of those within the digital media market by providing relevant and forward-thinking content. Now in its sixth year, Enjin Creative Magazine consistently delivers the content that people want to read.

The meeting of Stephen Hobbs and Marcus Neustetter as an artist collaborative fuses their interests in urban social change and virtual culture. Over the years their artistic practices have resulted from experimentation with the juxtaposition of high and low tech, dead and new media interventions. These experiments manifest in public space, galleries and museums and in the arena of their artist lab: the Trinity Session. Taking into consideration the exclusivity of the museum and gallery context, current projects focus on social research and mobile platforms enabling their artistic expression.

Directed by Hobbs and Neustetter, The Trinity Session is a contemporary art production team that investigates the strategies and relationships between art and business, collaborative practice, network development and creative contextual response. As Hobbs' personal artistic interest is the urban environment and Neustetter's the digital and virtual, the thematic focus of The Trinity Session revolves around these subject areas. Heavily informed and influenced by context, The Trinity Session defines its approaches from a position within Johannesburg, South Africa, thusdetermining its attitude tolocal and global debates, networks and partnerships for survival and sustainability of the visual arts industries. By acting as correspondents and consultants, and approaching the work process from a network and 'accommodation and exchange of information' angle, the purpose of the working dynamic is to produce in a cross-platform multidisciplinary way with artists, institutions and corporate brands and services. Interests lie in interdisciplinary working methods, conceptualising and interacting with like-minded partners.

Enjin is building a museum and we need your help. Create a visual piece in any format or material. Submit your personal or professional interpretation of dead media to Enjin magazine for inclusion in the Enjin Museum of Dead Media. Works will be selected to feature in future editions of Enjin magazine, and for pride of place in the Museum. There are no entry restrictions - all visual comments on the theme of dead media are accepted and encouraged.

For more info, download the emodm brief and submission form from www.enjin Send your museum piece concepts and proposals to . Call (011) 339 2785 or 381 7711 for further information.

Gallery in Georgia, USA seeks South African artists

Fine Art Gallery in Roswell, Georgia (USA) seeks talented artists from South Africa. The gallery is located in an affluent part of the city, surrounded by other galleries, bookstores and fine restaurants.

Please submit work and resumé to:

Laramee Fine Art
984 Canton St.
Roswell, Georgia (USA) 30075

Email submissions should be sent to:

AVA invites submissions

The Association For Visual Arts (AVA) in Cape Town invites submissions from visual artists who wish to exhibit at AVA from 2004 onwards. The Selection Committee of the AVA meets every two months to review submissions and the next meeting takes place on Wednesday, November 19. Selection meetings take place every second month thereafter.

Interested artists should bring to the gallery six to eight works (these can be supplemented by visual material such as slides and photographs), a CV and a short letter of intent or an artist's statement. The committee is most interested in reviewing the work that the artists wish to exhibit or else their most recent works. Artists can collect their works the day after the meeting.

In addition, any curators wishing to curate exhibitions for AVA should submit proposals to AVA's Selection Committee.

AVA is committed to the ongoing promotion of art and artists, both emerging and established, both formally trained and self- taught. For more information, contact Estelle Jacobs.

Association for Visual Arts
35 Church Street, Cape Town
Tel: (021) 424 7436
Fax: (021) 423 2637

Donate your art to AIDS orphans auction website

Last year the Art for AIDS Orphans auction raised over a million rands for AIDS orphans. Organizer Nicci Bailey is currently setting up a permanent charity website gallery,, and are requesting that all artists who would like to donate a piece for this worthy cause to log onto our site.

Contact: Nicci Bailey


Durban Art Gallery seeks gallery assistant

A contemporary art gallery in Durban is looking for a gallery assistant, is interested in all aspects of running a gallery. Send a cover letter and your CV to:

Listings in Contempo magazine

New arts, culture and design magazine Contempo is offering an opportunity for artists and galleries to advertise their exhibitions and listings free of charge.

Send your information about the exhibitions taking place at your gallery over the period of May - mid July. The format should be as follows:

Name of Gallery:
Telephone Number:
E-mail address:
Web address:
Date of exhibition:

You may include a short blurb about each exhibition as long as the number of words does not exceed 450 in total. Please email your information to The deadline for these entries is the Monday, May 8.

ArtMoves Africa: Mobility of artists and cultural operators within the African continent

ArtMoves Africa (AMA) is an independent non-profit association aiming to facilitate cultural and artistic exchanges within the African continent. AMA offers travel funds to artists, arts professionals and cultural operators living and working in Africa to travel within and between the five African regions in order to engage in the exchange of information, the enhancement of skills, the development of informal networks and the pursuit of co-operation.

AMA is a project initiated by the Young Arab Theatre Fund (YATF) together with a group of African and Arab organisations to facilitate and encourage the mobility of artists and cultural operators within the African continent. In 2001, YATF participated in meetings in Egypt, Kenya and Zimbabwe, together with different organisations and cultural activists from Africa and the Arab world. The meetings aimed at linking organisations and individuals, and creating informal continent-wide networks. The participants agreed that one of the major obstacles for artists and cultural professionals in Africa was the persistent lack of funds specifically allocated to support travel.

* Facilitate cultural exchanges in Africa for individual artists and cultural operators, and cultural organizations
* Encourage artists and cultural operators to exchange experiences, information and ideas towards shared projects and artistic collaborations
* Give artists and cultural operators the opportunity to gain a better knowledge of the context and the cultural environment in the different regions
* Encourage independent initiatives and small projects by giving artists and cultural operators the opportunity to meet with their counterparts and partners
* Give artists and cultural operators the opportunity to attend festivals in order to see each other's work to enrich their own creativity
* Give artists and cultural operators the opportunity to enhance their artistic or technical skills in participating in highly professional artistic and arts management workshops, seminars and residencies for artists
* Encourage the mobility of artists and cultural professionals as well as the mobility of information
Legal Status:
For the first year, AMA will be functioning as one of the programmes of the YATF, but with an independent selection committee and coordinator. By the end of 2005 ArtMoves Africa shall be registered as an independent international association in Africa.

For more information, contact Khadija El Bennaoui:

Tel/ fax: +32 2 2031295

Young Arab Theatre Fund a.i.s.b.l.
19 Square Sainctelette, 1000 Brussels, Belgium