Insight
Commanding Presence: Xanthe Somers’ ‘Invisible Hand’ at Southern Guild
Queer Joy: ‘Ne Keo Gopotse’ in Botswana
Showing The Making: Penny Siopis at The Centre for the Less Good Idea
Across The Atlantic: the 35th Bienal de São Paulo’s ‘choreographies of the impossible’...'
On Being: ‘Reflections: on Black girlhood’ at The Market Photo Workshop
Art and Other Actions: The circulation of excess in Paulo Nazareth’s ‘INTLANZI’
Mutants, Matronae and Monsters: Pélagie Gbaguidi’s ‘The Colours are the Bark’
