A review by Jose Luis Mendonca Across The Atlantic: the 35th Bienal de São Paulo’s ‘choreographies of the impossible’...'
A review by Vusumzi Nkomo Art and Other Actions: The circulation of excess in Paulo Nazareth’s ‘INTLANZI’
A review by Keely Shinners Mutants, Matronae and Monsters: Pélagie Gbaguidi’s ‘The Colours are the Bark’
A review by Ashraf Jamal Undivided Divinity: ‘Willem Boshoff: Assemblage and Collage’ at the Villa-Legodi Centre for...'