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Tears Now But Heaven Tomorrow:

An Exhibition Honouring the Legacy of Githan Coopoo

Insight

A review by Sihle Motsa

Flight from Form: donna Kukama’s ‘Fire on the Mountain’ at blank

A feature by David Mann & Nkgopoleng Moloi

Dialogue: Reflections on Contra.Joburg and FNB Art Joburg

A review by Zimkhitha Mabonga

False Hope: Kamva Matuis’s ‘Spes Bona’ at Lemkus Gallery

A review by Nkhensani Mkhari

New Suns: ‘Re:Fuse-Ability’ at FADA Gallery, University of Johannesburg

A review by Tiyani Rikhotso

Poetic Impressions: Tumelo Mtimkhulu’s ‘I, one drop plus one drop makes a bigger drop, not...'

A review by Lukho Witbooi

But there is one world: ‘Thresholds’ at Southern Guild in Cape Town

A feature by Joni Brenner

The Joyful & Painful Flow of Life: Bronwen Findlay’s ‘One thing leads to another’...'

A review by Zada Hanmer

Sacred Earth: Mellaney Roberts’ ‘Waar Bloed Nie Loop Nie’ at Berman Contemporary

A feature by Nkgopoleng Moloi

Africa’s Art Ecosystem: Five Essential Art Foundations

Things We Like

Winter Warmers: Recommended Reading and Listening by our Contributors

Best of 2023: Contributors’ picks

Editor’s Picks: FNB Art Joburg 2023

Student Reviews

False Hope: Kamva Matuis’s ‘Spes Bona’ at Lemkus Gallery

Sonic guides: Tracey Rose’s ‘Shooting Down Babylon’

Frame & Reframe: Johannes Phokela’s ‘Only Sun in The Sky Knows How I Feel (A Lucid Dream)’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Guy Tillim, Tshililo (right) and her friends share a one-roomed apartment in Cape Agulhas, Esselen Street, Hillbrow. Pigment inks on archival cotton rag paper, 42 x 59.4 cm

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