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Feature

A feature by Keisha Jacobs

1993 – now: A History of South Africa’s Participation at the Venice Biennale

A news item by ArtThrob Editors

Drone Chorus: Score for Solidarity

A news item by ArtThrob Editors

Biennale Arte 2026: International Jury resigns

A feature by ArtThrob Editors

‘Freedom is what has been on my mind the most’: Kamyar Bineshtarigh reflects on the war in Iran

A feature by ArtThrob Editors

The Inaugural Cape Town Print Fair: An Interview with Breeze Yoko, Fair Director

A feature by ArtThrob Editors

A Practice of Freedom: Penny Siopis on her recent show, ‘Love in a Turning World’

A feature by ArtThrob Editors

Reflections on Iran: A Conversation with Sepideh Mehraban

A feature by Elize van Huyssteen

Women, mahangu and memories: a conversation with Tuli Mekondjo

A news item by ArtThrob Editors

Concrete Affection: The International Festival of Films on Art (Canada)

A feature by ArtThrob Editors

Reflections from Madrid: Marsi van de Heuvel’s ‘Skoonveld’

A feature by Niamh Walsh-Vorster

Meeting in the Middle: Curatorial Practice in Durban

A news item by ArtThrob Editors

Fragile Forms: Warren Maroon earns recognition with the Investec Emerging Artist Award

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Penny Siopis, Shame Pools, 2004. A three plate, colour etching with collaged found plastic objects on 300 gsm BFK Rives paper, 87 x 39.5 cm

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