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Feature

A news item by ArtThrob Editors

Concrete Affection: The International Festival of Films on Art (Canada)

A feature by ArtThrob Editors

Reflections from Madrid: Marsi van de Heuvel’s ‘Skoonveld’

A feature by Niamh Walsh-Vorster

Meeting in the Middle: Curatorial Practice in Durban

A news item by ArtThrob Editors

Fragile Forms: Warren Maroon earns recognition with the Investec Emerging Artist Award

A feature by ArtThrob Editors

Beyond the Frame: Investec Cape Town Art Fair’s ‘Cabinet/Record’

A news item by ArtThrob Editors

A Dangerous Precedent: Artist–Curator Team Responds to Court Ruling

A feature by ArtThrob Editors

Who’s afraid of the modernists: Older works to see in Cape Town

A feature by ArtThrob Editors

Echoes of Humanity: Investec Cape Town Art Fair’s SOLO section

A feature by ArtThrob Editors

Five Questions: Guy Simpson on his show ‘Was Here’

A feature by ArtThrob Editors

Five Questions: Alia’s ‘hayth taksib eishka, abqa’ at breakroom

A feature by ArtThrob Editors

Five Questions: Gregory Olympio’s ‘Vaisseaux’ at blank

A feature by Amie Soudien

This text is for Elegy: enacting solidarity that spans geography and time.

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Nontsikelelo Veleko, Kepi in Bree Street and Nono> from the 'Beauty is in the eye of the Beholder' series. Pigment inks on archival cotton rag paper, Each: 42 x 29 cm

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