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Misha Krynauw

A review by Misha Krynauw

Sacred Threads: Igshaan Adams’ ‘Holy Terrain’ at blank projects

A review by Misha Krynauw

Divine Histories: Lady Skollie’s ‘GROOT GAT’ at Norval Foundation

A review by Misha Krynauw

Unearthing Layers: Chris Soal’s ‘Surface Tension’

A review by Misha Krynauw

A Blooming Ideology: Manyaku Mashilo’s ‘An Order of Being’

A review by Misha Krynauw

A need for care: Leila Abrahams in ‘Remedy’

A review by Misha Krynauw

Each line a reckoning: Portia Zvavahera’s ‘Pane rima rakakomba’

A review by Misha Krynauw

A home of heavens: Shakil Solanki’s ‘The Pearl Fishers, Reprised’

A review by Misha Krynauw

Pages as conduits: Dominique Cheminais’ ‘Things Done While Dreaming’

A review by Misha Krynauw

Songezo Zantsi’s ‘IINKUMBULO’

A review by Misha Krynauw

A collective humming: Kamyar Bineshtarigh’s ‘Uncover’

A review by Misha Krynauw

Rot and rebirth: ‘Spring Awakening’ at Southern Guild

A feature by Misha Krynauw

Moments before meaning: A conversation with Lerato Shadi

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