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nkgopoleng

A review by Zada Hanmer

Meditations on Tracing: Lindokuhle Sobekwa’s ‘Umkhondo: Going Deeper’ at the Johannesburg Art Gallery

A review by Melissa Baksh

Making Worlds: Pamela Phatsimo Sunstrum’s ‘It Will End In Tears’ at the Barbican

A review by Sihle Motsa

Sites of Historical Accumulation: Vusumzi Nkomo’s ‘Propositions for dis-order’ at THK...'

A review by Sean O'Toole

Elemental Myths: Diana Vives’ ‘The Fire in the Mind’ at Everard Read CIRCA Gallery

A review by Duncan Ballantyne-Way

Performative Stillness : Brett Charles Seiler ‘so many pictures, so little memories’

A review by Minna Dundas

Commanding Presence: Xanthe Somers’ ‘Invisible Hand’ at Southern Guild

A feature by Mario Pissarra

Grounded: Reflections on the radical praxis of Ayesha Price

A news item by Artthrob

Not All Travellers Walk Roads / Of Humanity as Practice: 36th Bienal de São Paulo

A review by Tanlume Enyatseng

Queer Joy: ‘Ne Keo Gopotse’ in Botswana

A review by Zada Hanmer

Showing The Making: Penny Siopis at The Centre for the Less Good Idea

A review by Jose Luis Mendonca

Across The Atlantic: the 35th Bienal de São Paulo’s ‘choreographies of the impossible’...'

A review by Mosa Molapo

On Being: ‘Reflections: on Black girlhood’ at The Market Photo Workshop

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