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nkgopoleng

A review by Sean O'Toole

Elemental Myths: Diana Vives’ ‘The Fire in the Mind’ at Everard Read CIRCA Gallery

A review by Duncan Ballantyne-Way

Performative Stillness : Brett Charles Seiler ‘so many pictures, so little memories’

A review by Minna Dundas

Commanding Presence: Xanthe Somers’ ‘Invisible Hand’ at Southern Guild

A feature by Mario Pissarra

Grounded: Reflections on the radical praxis of Ayesha Price

A news item by Artthrob

Not All Travellers Walk Roads / Of Humanity as Practice: 36th Bienal de São Paulo

A review by Tanlume Enyatseng

Queer Joy: ‘Ne Keo Gopotse’ in Botswana

A review by Zada Hanmer

Showing The Making: Penny Siopis at The Centre for the Less Good Idea

A review by Jose Luis Mendonca

Across The Atlantic: the 35th Bienal de São Paulo’s ‘choreographies of the impossible’...'

A review by Mosa Molapo

On Being: ‘Reflections: on Black girlhood’ at The Market Photo Workshop

A review by Vusumzi Nkomo

Art and Other Actions: The circulation of excess in Paulo Nazareth’s ‘INTLANZI’

A review by Keely Shinners

Mutants, Matronae and Monsters: Pélagie Gbaguidi’s ‘The Colours are the Bark’

A review by Ashraf Jamal

Undivided Divinity: ‘Willem Boshoff: Assemblage and Collage’ at the Villa-Legodi Centre for...'

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Candice Breitz, Ex Libris South Africa. Cibachrome photograph, 24 x 60 cm

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