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insight_

A review by Ukhona Mthethwa

On Transformation: A Reflection on Warren Maroon

A feature by Naledi Mosifana

Exploring Difference: Albinism and Chiari Malformation in Contemporary Art

A review by Tiyani Rikhotso

Threads of Resistance: ‘Unravel – The Power and Politics of Textiles in Art’ at Stedelijk...'

A review by Dumisani Mnisi

Overflowing Swag: Stephen Langa’s ‘Inceptions of Black Serenity’

A review by Ben Albertyn

Washed out: Dale Lawrence’s ‘Over the outwash plain’ at RESERVOIR

A feature by Artthrob

Best of 2024: Contributors’ picks

A review by Zada Hanmer

Meditations on Tracing: Lindokuhle Sobekwa’s ‘Umkhondo: Going Deeper’ at the Johannesburg Art Gallery

A review by Melissa Baksh

Making Worlds: Pamela Phatsimo Sunstrum’s ‘It Will End In Tears’ at the Barbican

A review by Sihle Motsa

Sites of Historical Accumulation: Vusumzi Nkomo’s ‘Propositions for dis-order’ at THK...'

A review by Sean O'Toole

Elemental Myths: Diana Vives’ ‘The Fire in the Mind’ at Everard Read CIRCA Gallery

A review by Minna Dundas

Commanding Presence: Xanthe Somers’ ‘Invisible Hand’ at Southern Guild

A review by Tanlume Enyatseng

Queer Joy: ‘Ne Keo Gopotse’ in Botswana

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Richard Mudariki, Grilled, 2014. Chine-colle etching, 34 x 41 cm

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