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Chad Rossouw

A feature by Chad Rossouw

Epiphany and Fragments: Simphiwe Ndzube, Pamela Phatsimo Sunstrum and Athi-Patra Ruga

A feature by Chad Rossouw

Memory against forgetting: A tribute to Santu Mofokeng

A review by Chad Rossouw

Material, form and narrative: ‘Soft Architectures’ at Goodman

A review by Chad Rossouw

Limits and Scales: Jo Ractliffe’s ‘Signs of Life’

A feature by Chad Rossouw

Memory, metonym and optimism: in conversation with Alfredo Jaar

A feature by Chad Rossouw

Space of pleasure: Billie Zangewa’s ‘The Garden’

Lynette Bester, Fissure II, 2016. Wooden components from 1890's stand up piano donated by Ilona Steverlynck-McCallum
A feature by Chad Rossouw

Fissure and Dust: In Conversation with Lynette Bester

A feature by Chad Rossouw

Lessons in Conversation: An Interview with Katherine Bull

Zander Blom 1.648 Untitled, 2014. Oil on linen, 50 x 38 cm
A feature by Chad Rossouw

Monologue: 1.648 Untitled

Mikhael Subotzky Verdaille II: After Christopher Sibidla, 2014. Five inkjet prints in custom walnut triptych frame, two autostereograms. Two in an edition of three variations with two APs, 181 x 168 cm (closed), 181 x 336 cm (open)
A review by Chad Rossouw

Show ‘n Tell

Ian Grose Study for a History Painting, 2014. Oil on linen, 93.5 x 117.5 cm
A review by Chad Rossouw

Assume Nothing – The painting of Ian Grose

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Claudette Schreuders, The Bystander 2. Lithographic print on cotton rag paper, 38 x 55.5 cm

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