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Gontse Mathabathe

Viviane Sassen, Gallopp, 2017. Archival pigment ink and collage on Baryta paper
A review by Gontse Mathabathe

Unsettling Fecundity: Viviane Sassen’s ‘Of Mud and Lotus’

Portia Zvavahere What I See Beyond Feeling [1], 2016. Oil-based printing ink and oil bar on canvas
A review by Gontse Mathabathe

Between love and dreams: Portia Zvavahera’s ‘What I See Beyond Feeling’

Lina Iris Viktor Constellations III, 2016. Pure 24K Gold, Acrylic, Gouache, Print on Matte Canvas
A review by Gontse Mathabathe

Students of this black culture: ‘Black Portraiture[s]’ Conference

Zanele Muholi 'Faces and Phases 10' (2016) | Installation view: Stevenson, Johannesburg
A review by Gontse Mathabathe

Voice and Visibility: Zanele Muholi’s ‘Faces and Phases 10’

Barthélémy Toguo, Strange Fruit III, 2016. Watercolour on paper, 113 x 100cm
A review by Gontse Mathabathe

Blood on the leaves and blood on the root: Barthélémy Toguo’s ‘Strange Fruit’

Michael MacGarry ‘Between Rot and Genesis’ 2016. Installation view: Everard Read, Johannesburg
A review by Gontse Mathabathe

Yoking together post-colonial Africa: Michael MacGarry’s ‘Between Rot and Genesis’

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Mikhael Subotzky, Johnny Fortune, 2004. Pigment inks on archival cotton rag paper, 56 x 78.4 cm

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