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Keely Shinners

A review by Keely Shinners

Found rather than created: Marinella Senatore’s ‘Bodies in Alliance / Politics of the Street’

A review by Keely Shinners

What being looked at feels like: ‘About Face’ at Stevenson

A review by Keely Shinners

Towards a Queer Liturgy: ‘Sunday Service’ at GUS

A review by Keely Shinners

Living, Breathing Past: ‘Not the Usual Suspects’ at ISANG

A review by Keely Shinners

Tending to the Past: ‘In Context / This Past Was Waiting for Me’ at Goodman Gallery

A review by Keely Shinners

Familial Prism: Jabu Nadia Newman’s ‘Mokwena Macquena Mac Quene’

A review by Keely Shinners

Intimacy or Darkness: ‘Close Encounters’ at Smith

A feature by Keely Shinners

Owning History: In Conversation with Jody Brand

Lady Skollie ‘The Only Reason’ mural (2015) | Installation view: STEVENSON Gallery, Cape Town.
A feature by Keely Shinners

Run The World: In Conversation with Lady Skollie

Mary Sibande A Terrible Beauty is Born, 2013. Digital Archive Print
A feature by Keely Shinners

The Contemporaries: Mary Sibande

Zanele Muholi Somnyama Ngonyama II, Oslo, 2015. Silver gelatin print
A feature by Keely Shinners

The Contemporaries: Zanele Muholi

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Chad Rossouw, Cyclops. Giclee print on cotton rag, 40 x 40 cm

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