• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Kopano Maroga

A review by Kopano Maroga

How to Remember. How to Mourn: Patrick Bongoy’s ‘Remains’

A review by Kopano Maroga

A Gathering of Sorts: Kaloki Nyamai’s ‘Mwaki Nginya Evinda Enge’

A review by Kopano Maroga

You’ll always stay here in my heart: Dineo Seshee Bopape’s ‘Untitled (Of Occult Instability)...'

A review by Kopano Maroga

Material Meditations: Nicholas Hlobo and Cinga Samson’s ‘Umthamo’

A feature by Kopano Maroga

Performative Politics and the Commoditisation of the Black Artist: Towards an Epidemiology of Institutional...'

A review by Kopano Maroga

A Subtle Benediction: Igshaan Adams’ ‘Al Latîf’

A review by Kopano Maroga

The Crown Ain’t Worth Much but I Got It from My Momma: Athi-Patra Ruga’s ‘Queens in Exile’

Todd Gray, Flora Africanus (Shadow), 2017. 2 archival pigment prints in found artist’s frames 106.5 x 66 cm
A review by Kopano Maroga

Space is our Place: Todd Gray’s ‘Pluralities of Being’

Sharlene Khan, Nervous Conditions I, 2013. Video installation, 20 mins
A review by Kopano Maroga

Offerings from the Post-colony: ‘Looking After Freedom’ at Michaelis Galleries

Sethembile Msezane, Chapangu- The Day Rhodes Fell, 2015.
A feature by Kopano Maroga

The Poetics of Remembrance as Resistance: The Work of Sethembile Msezane

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm

Buy

Great

Art