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Lucienne Bestall

A review by Lucienne Bestall

In Bed with My Sister: Nico Athene’s ‘We Need New Archetypes’

A review by Lucienne Bestall

Accumulations: Zander Blom’s ‘Garage-ism’

A feature by Lucienne Bestall

On Reflection: Mirrors and Bodies

A feature by Lucienne Bestall

The Wrong Window: Reflections on Empty Images

A review by Lucienne Bestall

What Remains: Kevin Beasley’s ‘without a clear discernible image’

A review by Lucienne Bestall

The Lives of Others: Gabrielle Goliath’s ‘This song is for…’

A review by Lucienne Bestall

Once More, With Feeling: William Kentridge at Zeitz MOCAA

A review by Lucienne Bestall

Stone Cold: Alfredo Jaar’s ‘Men Who Cannot Cry’

A review by Lucienne Bestall

Another Eden: Ruby Swinney’s ‘Human Nature’

A review by Lucienne Bestall

Thin Black Line: Blake Daniels and Dorothee Kreutzfeldt’s City Without a Sun

A review by Lucienne Bestall

Repetition Fatigue: Dan Halter’s ‘Patience Can Cook a Stone’

A review by Lucienne Bestall

Pretty Vacant: ‘New Romantics’ at Barnard Gallery

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Clive van den Berg, Cyber Erotics, 2009. A two colour lithographic print on BFK Rives, 66 x 52 cm

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