Michael Smith
Turning over the the Turbine Art Fair
Levels of tenderness: Sanell Aggenbach’s ‘The Heart Has Many Rooms’
Decapitating Discourse: MJ Turpin’s ‘take me apart.’
Surrealism and the Self: Chris Soal’s ‘Orbits of Relating’
Art collector scours Joburg for space large enough to house personal African Art collection, and ego
I Know You’ll Win in the End: Ed Young’s ‘Cash or Card’
Rhythm and Keening: Matisse at the Standard Bank Gallery
Emptied-Out Land Myths: Walter Meyer’s ‘Hinterland’
Street artist booted from crew for using his own name
Art fair forced to close early for having too few large, gloopy portrait paintings
Violence, malignancy and the continuing past: Mary Wafer chats to Michael Smith about her exhibition...'
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