Michael Smith
Degrees of comparison: Brett Murray’s ‘Hide’
Poetic Dismantling: Gerhard Marx’s ‘Near Distant’
The Shifting City: Sam Nhlengethwa’s ‘Joburg Selected’
Turning over the the Turbine Art Fair
Levels of tenderness: Sanell Aggenbach’s ‘The Heart Has Many Rooms’
Decapitating Discourse: MJ Turpin’s ‘take me apart.’
Surrealism and the Self: Chris Soal’s ‘Orbits of Relating’
Art collector scours Joburg for space large enough to house personal African Art collection, and ego
I Know You’ll Win in the End: Ed Young’s ‘Cash or Card’
Rhythm and Keening: Matisse at the Standard Bank Gallery
Emptied-Out Land Myths: Walter Meyer’s ‘Hinterland’
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