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Michael Smith

A review by Michael Smith

Poetic Dismantling: Gerhard Marx’s ‘Near Distant’

A review by Michael Smith

The Shifting City: Sam Nhlengethwa’s ‘Joburg Selected’

A feature by Michael Smith

Turning over the the Turbine Art Fair

A review by Michael Smith

Levels of tenderness: Sanell Aggenbach’s ‘The Heart Has Many Rooms’

A review by Michael Smith

Decapitating Discourse: MJ Turpin’s ‘take me apart.’

A review by Michael Smith

Surrealism and the Self: Chris Soal’s ‘Orbits of Relating’

A feature by Michael Smith

Art collector scours Joburg for space large enough to house personal African Art collection, and ego

Ed Young 'Cash or Card' | Installation view: SMAC Gallery, Johannesburg
A review by Michael Smith

I Know You’ll Win in the End: Ed Young’s ‘Cash or Card’

A review by Michael Smith

Rhythm and Keening: Matisse at the Standard Bank Gallery

A review by Michael Smith

Emptied-Out Land Myths: Walter Meyer’s ‘Hinterland’

A feature by Michael Smith

Street artist booted from crew for using his own name

A feature by Michael Smith

Art fair forced to close early for having too few large, gloopy portrait paintings

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