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Nkgopoleng Moloi

A feature by Nkgopoleng Moloi

In Focus: Five Questions with Cathy Abraham

A review by Nkgopoleng Moloi

Hosanna hodimo: ‘Faustus in Africa!’ by William Kentridge & Handspring Puppet Company...'

A review by Nkgopoleng Moloi

Anti-Contemporary: A round up of the 12th Investec Cape Town Art Fair

A feature by Nkgopoleng Moloi

Tracing the Body’s Language: Movement in Igshaan Adams’s Practice

A review by Nkgopoleng Moloi

The Pain of Others: Alfredo Jaar’s ‘The Geometry of Solitude’

A feature by Nkgopoleng Moloi

Beyond the White Cube: Art, Football, and Community in ‘Exhibition Match’

A feature by Nkgopoleng Moloi

Black Imagination and Collective Memory: CHURCH at Investec Cape Town Art Fair

A feature by Nkgopoleng Moloi

Generations: An interview with curators Natasha Becker and Amogelang Maledu

A review by Nkgopoleng Moloi

Communing with the dead: Maggie Laubser’s ‘Portraits and the Landscape: 1886–1973’

A review by Nkgopoleng Moloi

Building worlds: ‘Juxtapositions: David Goldblatt and Unathi Mkonto’

A review by Nkgopoleng Moloi

Time is an exaggeration: ‘The Future Is Behind Us’ at A4

A review by Nkgopoleng Moloi

Reparative sublation: Lungiswa Gqunta’s ‘Sleep in Witness’

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