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Nkgopoleng Moloi

A review by Nkgopoleng Moloi

Building worlds: ‘Juxtapositions: David Goldblatt and Unathi Mkonto’

A review by Nkgopoleng Moloi

Time is an exaggeration: ‘The Future Is Behind Us’ at A4

A review by Nkgopoleng Moloi

Reparative sublation: Lungiswa Gqunta’s ‘Sleep in Witness’

A review by Nkgopoleng Moloi

Pleasurable and sensory: ‘Seeds of the Fig’

A review by Nkgopoleng Moloi & Scott Eric Williams

Sound, light, movement: Warren Maroon’s ‘Reverence’

A review by Nkgopoleng Moloi

Abstractions of home: ‘Home Strange Home’ at WITW X KRONE

A review by Nkgopoleng Moloi

Cortège, Collision, Composure, Ceremony: Shine Shivan and Jane Alexander in ‘Juxtapositions’

A feature by Nkgopoleng Moloi

Compositions that Sing: A Tribute to Louis Khehla Maqhubela (1939–2021)

A review by Nkgopoleng Moloi

Beauty and Prisons: ‘I have made a place’ at Norval Foundation

A review by Nkgopoleng Moloi

Wetting and Drying: ‘Fathom’ at Goodman Cape Town

A review by Nkgopoleng Moloi

Movable Archives: Serge Alain Nitegeka’s ‘Lost and Found’

A feature by Nkgopoleng Moloi

Sitting Together in the Darkness: Lindokuhle Sobekwa, Covid and Anxiety

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Nontsikelelo Veleko, Kepi in Bree Street and Nono> from the 'Beauty is in the eye of the Beholder' series. Pigment inks on archival cotton rag paper, Each: 42 x 29 cm

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