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Nkgopoleng Moloi

A feature by Nkgopoleng Moloi

Sitting Together in the Darkness: Lindokuhle Sobekwa, Covid and Anxiety

A review by Nkgopoleng Moloi

Deep Seeing: ‘on sight: looking does not mean seeing’ at Michaelis Galleries

A review by Nkgopoleng Moloi

The Mind of the Stairs: ‘La courte échelle’ at Goodman Gallery

A review by Nkgopoleng Moloi

It is what it is: ruby onyinyechi amanze’s ‘the ones that stayed’

A feature by Nkgopoleng Moloi

The sea is the theatre upon which the drama unfolds: John Akomfrah, Paul Maheke, Buhlebezwe Siwani, ruby...'

A review by Nkgopoleng Moloi

The collection and its limits: ‘We’ve Come to Take You Home #1’ at Michaelis Galleries

A review by Nkgopoleng Moloi

Against Erasure and Forgetting: Sabelo Mlangeni and Igshaan Adams at blank projects

A review by Nkgopoleng Moloi

Vulnerable Possible: ‘Risk’ at A4 Arts Foundation

A review by Nkgopoleng Moloi

Nothing to see here: Meleko Mokgosi’s ‘Objects of Desire, Addendum’

A review by Nkgopoleng Moloi

Comfort with Unknowing: ‘Speculative Inquiry #1 (On abstraction)’

A review by Nkgopoleng Moloi

Banal and Celestial: Usha Seejarim’s ‘Transgressing Power’

A review by Nkgopoleng Moloi

Sacred shapes, transcendent paint: Portia Zvavahera’s ‘Talitha Cumi’

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