Nkgopoleng Moloi
It is what it is: ruby onyinyechi amanze’s ‘the ones that stayed’
The sea is the theatre upon which the drama unfolds: John Akomfrah, Paul Maheke, Buhlebezwe Siwani, ruby...'
The collection and its limits: ‘We’ve Come to Take You Home #1’ at Michaelis Galleries
Against Erasure and Forgetting: Sabelo Mlangeni and Igshaan Adams at blank projects
Vulnerable Possible: ‘Risk’ at A4 Arts Foundation
Nothing to see here: Meleko Mokgosi’s ‘Objects of Desire, Addendum’
Comfort with Unknowing: ‘Speculative Inquiry #1 (On abstraction)’
Banal and Celestial: Usha Seejarim’s ‘Transgressing Power’
Sacred shapes, transcendent paint: Portia Zvavahera’s ‘Talitha Cumi’
Shifting Cartography: ‘A Black Aesthetic’
Resisting Categories: ‘Mating Birds Vol.2’ at KZNSA
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