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Thuli Gamedze

Jody Brand, A Rose is a Rose (performance at exhibition opening of 'You Can't Keep A Good Woman Down'). Installation view: Stevenson, Cape Town, 2017
A review by Thuli Gamedze

Defining Excellence: Jody Brand’s ‘You Can’t Keep a Good Woman Down’

Robin Rhode, Paradise (detail), 2016. C-print, 56 x 70cm
A review by Thuli Gamedze

On Product Versus Process: Robin Rhode’s ‘Paths and Fields’

A review by Thuli Gamedze

Peripheral Perspectives and the Question of the Land: Mohau Modisakeng’s ‘Lefa La Ntate’

A review by Thuli Gamedze

The Black Woman’s Gaze: Florine Demosthene’s ‘The Burst’

A review by Thuli Gamedze

Floating in a Mind Map: Moshekwa Langa’s ‘Ellipses’

A review by Thuli Gamedze

Centering the human as the site of memorial: Jabulani Dhlamini’s ‘Re-Capture’

A review by Thuli Gamedze

Giving Renewed Attention to Old Voices? ’50/50′ at the New Church Museum

A review by Thuli Gamedze

The Contradictions of Living in the Past: Lizza Littlewort at 99 Loop

The first group of 24 completed figures for the National Heritage Project on temporary exhibition at Oliewenhuis Art Museum. Image: National Heritage Project
A feature by Thuli Gamedze

Heritage For Sale: Bronze Casting and the Colonial Imagination

Suzanne Duncan/ Dale Washkansky, Leftovers , 2015. Animal bones, dimensions variable
A review by Thuli Gamedze

Whose ‘Death Speaks’?

Elgin Rust, Trading Daisy, 2015, 16 pieces of cotton wood, 58 x 73 x 30 cm
A review by Thuli Gamedze

Tensions Between Art and Site: Joburg Fringe 2015

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