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Thuli Gamedze

A feature by Thuli Gamedze

Frequencies Too High: The Wretched and Dumile Feni at NAF

A review by Thuli Gamedze

Good Feelings for What?: Dada Khanyisa’s ‘Good Feelings’

A review by Thuli Gamedze

Away from Zero: Carrie Mae Weems’s ‘Over Time’

A feature by Thuli Gamedze

Time consciousness, and the Trouble with a Black Aesthetic

A review by Thuli Gamedze

In the Between: Sam Nhlegethwa’s ‘Waiting’

Jody Brand, A Rose is a Rose (performance at exhibition opening of 'You Can't Keep A Good Woman Down'). Installation view: Stevenson, Cape Town, 2017
A review by Thuli Gamedze

Defining Excellence: Jody Brand’s ‘You Can’t Keep a Good Woman Down’

Robin Rhode, Paradise (detail), 2016. C-print, 56 x 70cm
A review by Thuli Gamedze

On Product Versus Process: Robin Rhode’s ‘Paths and Fields’

A review by Thuli Gamedze

Peripheral Perspectives and the Question of the Land: Mohau Modisakeng’s ‘Lefa La Ntate’

A review by Thuli Gamedze

The Black Woman’s Gaze: Florine Demosthene’s ‘The Burst’

A review by Thuli Gamedze

Floating in a Mind Map: Moshekwa Langa’s ‘Ellipses’

A review by Thuli Gamedze

Centering the human as the site of memorial: Jabulani Dhlamini’s ‘Re-Capture’

A review by Thuli Gamedze

Giving Renewed Attention to Old Voices? ’50/50′ at the New Church Museum

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