• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Vusumzi Nkomo

A review by Vusumzi Nkomo

Art and Other Actions: The circulation of excess in Paulo Nazareth’s ‘INTLANZI’

A review by Vusumzi Nkomo

Notes on Analogies: Peter Clarke and Robert Hodgins at Vela Projects

A review by Vusumzi Nkomo

Notes on dreaming in black: Phumzile Khanyile’s ‘Sabela Uyabizwa’

A review by Vusumzi Nkomo

On the Structure(s) of Abstraction: Mongezi Ncaphayi’s ‘Standard of Language’

A review by Vusumzi Nkomo

Notes on precarity: Kemang Wa Lehulere’s ‘Bring Back Lost Love’

A feature by Vusumzi Nkomo

The Ruse of Possibility: ‘A Different Now is Close Enough to Exhale on You’

A review by Vusumzi Nkomo

Notes on soil & the subsurface: Inga Somdyala’s ‘ADAMAH’

A review by Vusumzi Nkomo

Unsettling the surface: A speculative reading of El Anatsui’s ‘Freedom’

A feature by Vusumzi Nkomo

The softness of things: An interview with Mongezi Ncaphayi

A review by Vusumzi Nkomo

Ingestion and structural antagonisms: Johannes Phokela’s ‘Only Sun in the Sky Knows How I...'

A review by Vusumzi Nkomo

Cartographic Entangle­ments: Nolan Oswald Dennis’s ‘conditions’

A feature by Vusumzi Nkomo

Black & Blue: On Khanyisile Mawhayi and Sabelo Mlangeni

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Hentie van der Merwe, Bijimer groups. Set of 4 Lambda prints, Each: 25 x 25 cm

Buy

Great

Art