Sanell Aggenbach

A review by Michael Smith

Levels of tenderness: Sanell Aggenbach’s ‘The Heart Has Many Rooms’

Sanell Aggenbach Elysium, 2017. Oil on canvas, 100 x 127 cm

A review by Felix Kawitzky

Trace Decay: Sanell Aggenbach’s ‘Bend to Her Will’

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Willem Boshoff, Political Candy Floss, 2009. A hand-printed single-colour Drypoint etching on Hahnemuhle Natural White 300gsm, Each: 78 x 106 cm

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