• Skip to primary navigation
  • Skip to main content
  • Feature
  • Review
  • News
  • Archive
  • Things We Like
  • Shop

Primary

A review by Nkgopoleng Moloi

To imagine a beautiful life as possible: ‘A Funeral For…’ by Zara Julius in collaboration with...'

A news item by ArtThrob Editors

Call for Submissions: Javett-UP’s ‘Tlhagella Incubation Programme’

A student review by Mbusi Mzolo

Ewww: Zama Cebsile Mwandla’s ‘Disgust, Fear and Hell’ at the KZNSA Gallery

A review by Nolan Stevens

Those who can: ‘IMPACT is a verb’ at FADA Gallery

A student review by Ellen Augustyn

Recalling: ‘Reflections of a Queen’ at AVA Gallery

A student review by Drew Haller

After the Anthropocene: Stefan Raubenheimer’s ‘Remember This Land’ at AVA Gallery

A review by Zada Hanmer

Caught in the Matrix: ‘Force Majeure’ at Vela Projects

A news item by ArtThrob Editors

Proof of Life: Ravelle Pillay at the National Portrait Gallery

A feature by Nkgopoleng Moloi

Bathing in Paradox: An Interview with Athi-Patra Ruga

A student review by Tara Hall

What Remains: Adelheid Frackiewicz’s ‘Drawing the Line’ at AVA Gallery

A review by Winnie Sze

Of Rivers and Beauty: The 36th Bienal de São Paulo

A review by Keely Shinners

The Underside of Making: Kamyar Bineshtarigh’s ‘Group Show’ at Southern Guild

Newer posts

Nothing more to show!

No more pages to load

  • About
  • Advertise
  • Contact

Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Penny Siopis, Shame Pools, 2004. A three plate, colour etching with collaged found plastic objects on 300 gsm BFK Rives paper, 87 x 39.5 cm

Buy

Great

Art