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Review

A review by Duncan Ballantyne-Way

Performative Stillness : Brett Charles Seiler ‘so many pictures, so little memories’

A review by Minna Dundas

Commanding Presence: Xanthe Somers’ ‘Invisible Hand’ at Southern Guild

A review by Tanlume Enyatseng

Queer Joy: ‘Ne Keo Gopotse’ in Botswana

A review by Zada Hanmer

Showing The Making: Penny Siopis at The Centre for the Less Good Idea

A review by Jose Luis Mendonca

Across The Atlantic: the 35th Bienal de São Paulo’s ‘choreographies of the impossible’...'

A review by Mosa Molapo

On Being: ‘Reflections: on Black girlhood’ at The Market Photo Workshop

A review by Vusumzi Nkomo

Art and Other Actions: The circulation of excess in Paulo Nazareth’s ‘INTLANZI’

A review by Keely Shinners

Mutants, Matronae and Monsters: Pélagie Gbaguidi’s ‘The Colours are the Bark’

A review by Ashraf Jamal

Undivided Divinity: ‘Willem Boshoff: Assemblage and Collage’ at the Villa-Legodi Centre for...'

A review by Misha Krynauw

Divine Histories: Lady Skollie’s ‘GROOT GAT’ at Norval Foundation

A review by Zada Hanmer

Collective Memory: Sue Williamson’s ‘Short Stories in a Longer Tale’

A review by Margot Dower

Opening the Archive: Gavin Jantjes at Whitechapel Gallery

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