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Tertiary

Buhlebezwe Siwani, Qunusa! Buhle, 2015. Inkjet print on Hahnemuhle Photorag, 111.8 x 55.4 cm (each)
A by Artthrob

Skattie Celebrates Buhlebezwe Siwani @ WHATIFTHEWORLD/GALLERY

A by Artthrob

Transformation @ Southern Guild Gallery

Josie Grindrod at the Irma Stern Museum, Cape Town
A review by Anna Stielau

Rolling Lawns and Exorcisms: Josie Grindrod’s ‘Last Light’

Kyra Pape, Untitled, 2016. Monotype (ink & sugar)
A review by Artthrob

SITUATION | The Point of Order

Kevin Atkinson, Horizon Doing, 1977. Oil on canvas, 167,5 x 244 cm
A review by Lloyd Pollak

The Many Atkinsons: Kevin Atkinson’s ‘Re-opening Plato’s Cave’

Kyle Morland, assemble, 2016. Installation view: blank projects, Cape Town
A feature by

Tim Leibbrandt

Departures and Unlearning: In conversation with Kyle Morland

Lungiswa Gqunta, Divider, 2016. Mixed media installation (knotted fabric, and beer bottles), approx. 210 x 700 x 340cm
A feature by Houghton Kinsman

Playing with fire: Conversations with Lungiswa Gqunta

A student review by Nicoletta Michaletos

Student Review: Misheck Masamvu’s ‘Still Still’

Igshaan Adams, Oorskot ,2016. Installation view: blank projects, Cape Town
A review by Anna Stielau

Stranger Things: Igshaan Adams’ ‘Oorskot’

Siemon Allen, Damaged Archive (Soweto), 2016. Archival pigment ink on Hahnemühle German Etching paper, Image size 51 x 51cm; Paper size 55 x 55cm
A news item by Claire May van Blerck

Donation by ArtThrob to ILAM with every Siemon Allen print sold!

Shirin Neshat, From Roja Series, 2016. Silver gelatin print
A review by Nicola Kritzinger

Entwined Narratives: Shirin Neshat’s ‘Dreamers’

Deborah Poyton, Lost and Found 2, 2016. Oil on canvas, 230 x 190cm
A review by Lloyd Pollak

Bracketing Realism and Abstraction: Deborah Poynton’s ‘Picnic’

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James Webb, You, the Collector. Traditional relief watermarked hand-made paper multiple, 66.5 x 50.5 cm

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