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photography

A review by Vusumzi Nkomo

Defending Life: Barthélémy Toguo’s ‘Bilongue’

A review by Tymon Smith

Rocky Terrain: ‘rocks’ at the gallery

A review by Thuli Gamedze

Away from Zero: Carrie Mae Weems’s ‘Over Time’

A review by Misha Krynauw

Rebirth and Recalibration: Nobukho Nqaba’s ‘Izicwangciso Zezethu’

A review by Zintle Magazi

Curious Celestial Phenomena: Scott Eric Williams and Friend’s ‘Portals’

A review by Lifang Zhang & Barnabas Ticha Muvhuti

Site of Memory: Berni Searle’s ‘A Place in the Sun’

A review by Tymon Smith

Identification and Deconstruction: Mikhael Subotzky’s ‘Massive Nerve Corpus’

A review by Ashraf Jamal

Chicken and Egg: Maurice Mbikayi’s ‘Coucou Crumble’

A review by Misha Krynauw

Interconnected Creation: Peter Eastman’s ‘Tangled Hierarchies’

A review by Cheriese Dilrajh

Making Art History: ‘IKHONO LASENATALI’ at KZNSA

A review by Misha Krynauw

Intense Introspection, Uncanny Simplicity: Thandiwe Msebenzi and Bert Pauw at SMITH

A review by Misha Krynauw

Unwavering Versatility: Thania Petersen’s ‘IQRA’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Athi-Patra Ruga, ...elipsis in three parts. Body paint on Rives cotton paper, 65 x 50.5 cm

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