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Sculpture

Coby Kennedy, The Coming Of The Thuggernaut, 2017. Bulletproof ballistic grade Kevlar, ink, acrylic gel, 114 x 125 cm
A feature by

Tim Leibbrandt

Sci-Fi Social Commentary: Coby Kennedy on ‘SKIN OF THE THUG’

Brett Murray, Again/Again (Monumental), 2015. Bronze, 250 x 182 x 265 cm
A review by Tymon Smith

😂 Until You 😭: Brett Murray’s ‘Again Again’

Sethembile Msezane, Chapangu- The Day Rhodes Fell, 2015.
A feature by Kopano Maroga

The Poetics of Remembrance as Resistance: The Work of Sethembile Msezane

Clive van den Berg, A pile of stones(detail), 2016.
A review by Tymon Smith

Conundrums that Tear at the Psyche: Clive van den Berg’s ‘A Pile of Stones’

Nicholas Hlobo, Sewing Saw, 2016. Installation view and detail from performance: Stevenson, Cape Town
A review by Anna Stielau

Enigmatic Yarn: Nicholas Hlobo’s ‘Sewing Saw’

A review by Artthrob

Transformation @ Southern Guild Gallery

Kyle Morland, assemble, 2016. Installation view: blank projects, Cape Town
A feature by

Tim Leibbrandt

Departures and Unlearning: In conversation with Kyle Morland

Lungiswa Gqunta, Divider, 2016. Mixed media installation (knotted fabric, and beer bottles), approx. 210 x 700 x 340cm
A feature by Houghton Kinsman

Playing with fire: Conversations with Lungiswa Gqunta

Igshaan Adams, Oorskot ,2016. Installation view: blank projects, Cape Town
A review by Anna Stielau

Stranger Things: Igshaan Adams’ ‘Oorskot’

Zinziswa Mabuso, It is with great sadness
A review by Artthrob

‘Out of the Fire, into the Light’ at Association of Arts Pretoria

Nolan Oswald Dennis, Furthermore/ More , 2016. Installation view: FNB Joburg Art Fair. Image: Andile Buka
A feature by Artthrob

FNB Joburg Art Fair 2016: Interview with Nolan Oswald Dennis

A student review by Nicoletta Michaletos

Student Review: Marlene Steyn’s ‘Your Skin Is Not The Best Hiding Place’

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Hentie van der Merwe, Bijimer groups. Set of 4 Lambda prints, Each: 25 x 25 cm

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