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Jane Alexander

A review by Ashraf Jamal

Newness Enters the World: Stevenson’s ‘When Works Meet’

A feature by Sindi-Leigh McBride

What Time Hides Forever in Plain Sight: The Timeliness of Adrian Fortuin

A review by Nkgopoleng Moloi

Cortège, Collision, Composure, Ceremony: Shine Shivan and Jane Alexander in ‘Juxtapositions’

A review by Dinika Govender

Who Are We Now? ‘Liminal Identities in the Global South’ at JCAF

A feature by Ashraf Jamal

Four Crucibles: On Jane Alexander, Willem Boshoff, Ed Young, and Jake Michael Singer

A feature by

Tim Leibbrandt

‘Both, And’ Interview: Stevenson at 15

Mary Sibande, Let slip the dogs of war, 2015. Wanas Konst. Photo Mattias Givell
A feature by Artthrob

Nirox Winter Sculpture Exhibition 2018

A story by ArtThrob Editors

20 Years of ArtThrob: Our Past Editors Reflect

Jane Alexander, Security. Installed at the Cathedral of St John the Divine, New York. Photograph by Mario Todeschini.
A feature by Artthrob & SAHO

The Contemporaries: Jane Alexander

A picture collection by Kira Kemper

Art-Binge: Joburg, April 2016

Mary Sibande The Reign, 2010. Mixed Media
A review by Tim Leibbrandt

Brave New World

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Copyright © 2020 • ArtThrob

Design by Blackman Rossouw

Nontsikelelo Veleko, Kepi in Bree Street and Nono> from the 'Beauty is in the eye of the Beholder' series. Pigment inks on archival cotton rag paper, Each: 42 x 29 cm

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