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Annabelle Wienand

A review by Annabelle Wienand

Speculative fiction and speaking in signs: Mack Magagane’s ‘Ellipse’

A review by Annabelle Wienand

Not the only Modernist in town: The Zanzibari Years: Irma Stern

A review by Annabelle Wienand

Erasure and Clarity: Jean Brundrit’s ‘Over the Horizon’

A review by Annabelle Wienand

Speak with the Eye: Frida Orupabo’s ‘Hours After’

A review by Annabelle Wienand

Looking Back to See Forward: ‘From the Vault’ at the Stellenbosch Triennale

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Chad Rossouw, Cyclops. Giclee print on cotton rag, 40 x 40 cm

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